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Bibliography

Erikson, Matthew

Year: 2006
Complete Citation:
Erikson, Matthew. “Be Aware of Ives of March: Statewide Edition.” The Hartford Courant, March 9, 2006.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Etheridge, Jerry

Year: 1965
Complete Citation:
Etheridge, Jerry. “Knitzer, Loesser Prove First-Rate.” The Atlanta Constitution, October 16, 1965: 9.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Eyer, Ron

Year: 1968
Complete Citation:
Eyer, Ron. “Avant-Garde Package by Connecticut Yankee.” Newsday, August 30, 1968, 34A.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

F.A.K.

Year: 1951
Complete Citation:
F.A.K. “Carnegie Hall. N.Y. Philharmonic-Symphony, Leonard Bernstein. Ives—Symphony No. 2.” Musical Courier 143, no. 9 (15 March 1951): 12.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Fannain, Guido

Year: 1932
Complete Citation:
Fannain, Guido. “Revue.” Le Resseona Musicale 2/5, March 1932.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Feder, Stuart

Complete Citation:
Feder, Stuart. “The Nostalgia of Charles Ives: An Essay in Affects and Music.” The Annual of Psychoanalysis Vol. 10 (1982), pp. 301-332.
Source: Journal
Reprints:

Feder, Stuart. “The Nostalgia of Charles Ives: An Essay in Affects and Music.” In <i>Psychoanalytic Explorations in Music</i>, edited by Stuart Feder, Richard L. Karmel, and George H. Pollock, 233-266. Volume 3 of <i>Applied Psychoanalysis Series</i>. Madison, CT: International Universities Press, 1990.

VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1980
Complete Citation:
Feder, Stuart. “Decoration Day: A Boyhood Memory of Charles Ives.” The Musical Quarterly Vol. 66, No. 2 (April 1980): 234-261.
Source: Journal
Reprints:

Feder, Stuart. “Decoration Day: A Boyhood Memory of Charles Ives.” <i>Annual of Psychoanalysis</i> (1981) 9: 265-316.

VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 2004
Complete Citation:
Feder, Stuart. “Charles Ives’s Simulacrum of Mental Life in Music.” Paper presented at The Society for American Music Conference [Session 8a]. Cleveland, Ohio, March 12, 2004.
Source: Conference
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Feldman, Jay

Year: 1991
Complete Citation:
Feldman, Jay. “Sports Were Music to His Ears.” Sports Illustrated 75/15 (October 7, 1991): 106-108.
Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Ferguson, Donald N.

Year: 1960
Complete Citation:
Ferguson, Donald N. Music as Metaphor. Minneapolis, Minnesota: University of Minnesota Press, 1960.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Ferguson, Sarah

Year: 1998
Complete Citation:
Ferguson, Sarah. “The Sound of the City: Season’s Bleepings.” The Village Voice, Vol. 43, No. 52 (1998): 114.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Feuchtner, Bernd

Year: 1998
Complete Citation:
Feuchtner, Bernd. “The 3 Basses: Christoph Marthaler’s melancholischer Juxabend “The Unanswered Question” in Basel.” Opernwelt: das internationale Opernmagazin, Vol. 39, No. 1 (1998): 36-37.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Fisher, Fred

Year: 1976
Complete Citation:
Fisher, Fred. “What’s the Music of Charles Ives All About?” Cimarron Review 37 (October 1976): 58-63.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Fisher, Marjory M.

Year: 1928
Complete Citation:
Marjory M. Fisher. “Jurgen Given in San Francisco.” Musical America (December 15, 1928).
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1934
Complete Citation:
Fisher, Marjory M. “Modern Songs Heard by New Music Society.” San Francisco News, April 10, 1934.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Fonseca-Wollheim, Corinna da

Year: 2012
Complete Citation:
Fonseca-Wollheim, Corinna da. “Ambitious, with Ives Anchoring: Review.” The New York Times, October 30, 2012.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Frankenstein, Alfred

Year: 1943
Complete Citation:
Frankenstein, Alfred. “How to Make Friends by Radio.” Modern Music (November--December 1943) 21/1: 6--9.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1955-56
Complete Citation:
Frankenstein, Alfred. “American Music at Home.” The Juilliard Review 3, no. 1 (Winter 1955-56): 3-7.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Freed, Richard D.

Year: 1968
Complete Citation:
Freed, Richard D. “Stokowski Leads Symphony by Ives.” New York Times. December 20, 1968, 50.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Fried, Alexander

Year: 1933
Complete Citation:
Fried, Alexander. “Music Society Offers Novelty in ‘Daniel Jazz.’” San Francisco Chronicle. April 26, 1933.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances