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Bibliography

Northcutt, Bayan

Year: 2015
Complete Citation:
Northcutt, Bayan. “CD Review: Ives, Berg, Webern Piano Sonatas.” BBC Music Magazine, Vol. 23, No. 13 (2015): 109.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Noss, Luther

Year: 1950
Complete Citation:
Noss, Luther. “Review of ‘Variations on America, [etc.].’” Music Library Association Notes, Second Series, Vol. 7, No. 3 (June 1950).
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

O’Regan, Tarik

Year: 2002
Complete Citation:
O’Regan Tarik. “Review: Musical Releases: Classical CD of the Week.” The Observer (London, England), May 26, 2002, 13.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

O'Reilly, Warren

Year: 1999
Complete Citation:
O’Reilly, Warren. “Frederick Fennell: He's Called the Godfather of Wind Bands.” American Record Guide, Vol. 62, No. 3 (1999): 22-23, 240.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Oliver, Michael

Year: 1997
Complete Citation:
Oliver, Michael. “Insight: The Father of World Music.” Classic CD (1997): 44-45.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Orrey, Leslie

Year: 1975
Complete Citation:
Orrey, Leslie. Programme Music: A Brief Survey from the Sixteenth Century to the Present Day. London, United Kingdom: Davis-Poynter, 1975.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

P., J.

Year: 2012
Complete Citation:
P., J. “Charles Ives, Sonates Pour Violon Et Piano: (Deutsche Grammophon/Universal) Etrange Et Fascinant Parcours Que Celui De Charles Ives (1878 - 1954), Ce Compositeur Dont Le Génie s’Exprimait à Temps Perdu, Tandis Qu’Il Officiait, Officiellement, En Tant Qu’Agent d’Assurances.” Temps (Geneva, Switzerland), January 6, 2012.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Page, Tim

Year: 1997
Complete Citation:
Page, Tim. Difficult Contemporary Works. Fi: The Magazine of Music & Sound, Vol. 2, No. 2, (1997): 104-105, 107-109.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Panel Discussion

Year: 1996
Complete Citation:
“Rethinking Charles Ives: Issues of Psychology and Politics.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 49-52. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Parker, Imogen

Year: 2008
Complete Citation:
Parker, Imogen. “The Time of Music: The Music of Time.” Critical Quarterly 50, no. 3 (2008): 43-76.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Payne, Anthony

Year: 1968
Complete Citation:
Payne, Anthony. “Record Guide.” Tempo 85 (Summer 1968): 33.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Perlis, Vivian, Carol Baron, Michael Broyles, and Jan Swafford, panelists

Year: 1996
Complete Citation:
Perlis, Vivian, Carol Baron, Michael Broyles, and Jan Swafford, panelists. “Arts, Business, and Politics [Panel].” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 46-48. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Pérez Adrián, Enrique

Year: 2009
Complete Citation:
Pérez Adrián, Enrique. “Discos: Lenny en su salsa.” Scherzo: Revista de Música, Vol. 24, (2009): 70-71.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Peters, P.

Year: 1985
Complete Citation:
Peters, P. “Als een rijzweep in een automobiel: een cultuur sociologische analyse van de sociale en politieke theorieën van Charles E. Ives (1874-1954).” Groningen, Netherlands: 1985.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Pincus, Andrew

Year: 1985
Complete Citation:
Pincus, Andrew. "Nationalism in Music Recognizes No Boundaries.” The New York Times, October 20, 1985, sec. 2, 23.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Poole, Elissa

Year: 2005
Complete Citation:
Poole, Elissa. “New Releases Classical.(A Song -- for Anything: Songs by Charles Ives).” Globe & Mail, October 7, 2005, R34.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2007
Complete Citation:
Poole, Elissa. “Classical - Charles Ives: String Quartets.” Globe & Mail. February 27, 2007, R3.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2008
Complete Citation:
Poole, Elissa. “CLASSICAL: “Songs by Charles Ives” by Gerald Finley and Julius Drake.” Globe & Mail, April 22, 2008, R3.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Quinn, Ian

Year: 2005
Complete Citation:
Quinn, Ian. “Guide to Records: Harbison - Symphony 3, Ives - Symphony 2, Gershwin - “Cuban Overture.”” American Record Guide, Vol. 68, No. 4 (2005): 126-127.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Rankin, Bill

Year: 2003
Complete Citation:
Rankin, Bill. “Disc shows Two Sides of Musical Freethinker: Final Edition.” Edmonton Journal, May 18, 2003.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews