Kavanaugh, Patrick
Year: 1991
Complete Citation:
Kavanaugh, Patrick. “Charles Ives.” In Spiritual lives of the great composers. Nashville, TN: Sparrow Press, 1991.VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1995
Complete Citation:
Kavanaugh, Patrick. “Charles Ives.” In Spiritual moments with the great composers: daily devotions from the lives of favorite composers & hymn writers. Grand Rapids, MI: Zondervan, 1995.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Kirkpatrick, John
Year: 1960
Complete Citation:
Kirkpatrick, John. “The Religious Perspective of a Musician.” Lecture, Anabel Taylor Hall, Cornell University, November 30, 1960.Source: Lecture
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Kitaj, R. B.
Complete Citation:
Kitaj, R.B. Drawing, 1975. Parnassus: Poetry in Review (Spring/Summer 1975): cover.Notes: Based on a photograph by W. Eugene Smith.
Source: Drawing
XVI. Photographs and Artwork
B. Artwork
Kramer, Lawrence
Year: 1995
Complete Citation:
Kramer, Lawrence. Cultural politics and musical form: the case of Charles Ives. In Classical music and postmodern knowledge. Berkeley, CA: University of California Press,1995.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Kramer, Norman
Year: 1974
Complete Citation:
Kramer, Norman. “The First Danbury Historical Poster,” print. Danbury: The Custom Framer (1974).Notes: A limited edition of 250 silk-screen prints, hand-colored and signed by the artist. Includes a section on Ives in the "Eminent Persons" portion of the poster.
Source: Poster
XVI. Photographs and Artwork
B. Artwork
Krejmer, Lorens
Year: 2006
Complete Citation:
Krejmer, Lorens. ““Au–delà d’une Musique Informelle”: Nostalgia, Obsolescence and the Avant-Garde.” Muzikologija, no. 6 (2006): 43-62.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Kueffer, Bruce
Year: 2001
Complete Citation:
Kueffer, Bruce. Bronze bust. San Francisco: Davies Symphony Hall. In American Mavericks, edited by Susan Key and Larry Rothe, 4 [photograph]. San Francisco/Berkeley: San Francisco Symphony in co-operation with the University of California Press, 2001.Source: Sculpture
XVI. Photographs and Artwork
B. Artwork
Levine, David
Year: 1994
Complete Citation:
Levine, David. “Charles Ives,” black and white intaglio etching, 1994. American Academy of Arts and Letters portfolio, 1998.Notes: Printed by Stephen Sholinsky.
Source: Etching
XVI. Photographs and Artwork
B. Artwork
MacClendon, James W.
Year: 2002
Complete Citation:
MacClendon, James W. “Expanding the Theory: Charles Edward Ives—Theologian in Music.” In Biography as theology: how life stories can remake today's theology. Eugene, OR: Wipf and Stock Publishers, 2002.Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Magee, Gayle
Year: 2019
Complete Citation:
Magee, Gayle. “‘Every Man in New York’: Charles Ives and the First World War.” In Over Here, Over There: Transatlantic Conversations on the Music of World War I, edited by Gayle Sherwood Magee, et. al., 37-57. Urbana, IL: University of Illinois Press, 2019.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
[Maloy?], Carl
Year: 1988
Complete Citation:
Maloy, Carl. Sketch, 1988. Cover of an Ives brochure by BMI.Source: Sketch
XVI. Photographs and Artwork
B. Artwork
Marshall, Bryan
Year: 2003
Complete Citation:
Marshall, Bryan. “Charles Ives and the absent presences of life and work.” Ph.D. diss., Cardiff University, 2003.Source: Ph.D. Dissertation
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Maus, Fred Everett
Year: 1991
Complete Citation:
Maus, Fred Everett. 1991. “Music as Narrative.” Indiana Theory Review 12: 1-34.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
McClendon, James W.
Year: 1994
Complete Citation:
McClendon, James W. “Charles Edward Ives: Theologian in Music.” In Theomusicology, edited by Jon Michael Spencer. Durham, NC: Duke University Press, 1994.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
McNeely, Tom
Year: 1997
Complete Citation:
McNeely, Tom. Drawing, watercolor on watercolor paper (17 x 23.375 inches), 1997. United States Post Office, 1997.Notes: Originally appeared on a first- day cover of the United States postage stamp by Fleetwood.
Source: Watercolor
XVI. Photographs and Artwork
B. Artwork
Meelberg, Vincent
Year: 2006
Complete Citation:
Meelberg, Vincent. 2006. New Sounds, New Stories: Narrativity in Contemporary Music. Amsterdam, Netherlands: Leiden University Press, 2006.Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Mellers, Wilfrid
Year: 1950
Complete Citation:
Mellers, Wilfrid. “American Music and an Industrial Community.” In Music and Society, 191-203. New York: Roy Publishers, 1950.Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1975
Complete Citation:
Mellers, Wilfrid. “The Sound of Democracy.” The Times Literary Supplement (January 24, 1975): 81.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Meyer, Felix
Complete Citation:
Meyer, Felix. “Anmerkungen zu Ives’ Sprach- und Denkstil.” In Charles Ives, Ausgewählte Texte, edited by Werner Bärtschi, 19-26. Zurich, Switzerland: Atlantis Musikbuch Verlag, 1993.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions