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Bibliography

Watkins, Glenn

Year: 2003
Complete Citation:
Watkins, Glenn. Proof through the night: music and the great war. Berkeley, CA: University of California Press, 2003.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Watson, Leda

Year: 1976
Complete Citation:
Watson, Leda. “Homage to Charles Ives,” collage made up of photographs, music pages from the Concord Sonata, “American Music” postage stamp, and other items, ca. 1976.
Notes:

Part of a set of 4; 50 numbered, color photograph prints made of each one. The other collages were devoted to Emerson, Hawthorne, and Thoreau [i.e., Concord Sonata, movements].

Source: Collage
XVI. Photographs and Artwork
B. Artwork

Weisberger, Bernard A.

Year: 1958
Complete Citation:
Weisberger, Bernard A. They Gathered at the River: The Story of the Great Revivalists and Their Impact Upon Religion in America, 19. Boston, MA: Little, Brown and Co., 1958.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Wilshire, Bruce W.

Year: 2016
Complete Citation:
Wilshire, Bruce W. “Music of Science, Thought, and the Body.” In The Much-at-Once: Music, Science, Ecstasy, the Body, 167-196. New York, NY: Fordham University, 2016.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

no author listed

Complete Citation:
Drawing. National Portrait Gallery, Smithsonian Institution, Washington, DC.
Notes:

Based on the (double exposure) snapshot of Ives and Mandeville Mullally in their room at Yale University, 76 South Middle Street. The photograph is held in the Charles Ives Papers, Yale University.

Source: Drawing
XVI. Photographs and Artwork
B. Artwork
Complete Citation:
W. L. Sketch. Milwaukee Journal Green Sheet. June 23, 1948.
Source: Sketch
XVI. Photographs and Artwork
B. Artwork
Year: 1933
Complete Citation:
“Social Influences in Modern Music.” The Modern Monthly VII, 8 (September 1933): 472-479.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1933
Complete Citation:
“The Class Spirit in Modern Music.” The Modern Monthly VII, 10 (November 1933): 593-598.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1954
Complete Citation:
Death Mask. Sculptrue, 1954. Danbury, CT: Danbury Museum and Historical Society (formerly Scott--Fanton Museum).
Source: Sculpture
Reprints:

In <i>A Charles Ives Omnibus</i>, by James Mack Burk and Michael J. Budds, 59. Hillsdale, New York: Pendragon Press, 2008.

XVI. Photographs and Artwork
B. Artwork
Year: 1964
Complete Citation:
“Music Beyond Sound.” The Guardian, January 23, 1964, 8A.
Source: Newspaper
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1969
Complete Citation:
“Preview for Hurley lecture, “Freedom: Enterprise and Charles Ives.”” Fine Arts [Cleveland] (November 10, 1969): 6-7.
Notes:

Music and the American Heritage Freedom: Enterprise and Charles Ives

Source: Newspaper
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1997
Complete Citation:
Various drawings and sketches, 1997. United States Post Office, September 12, 1997.
Notes:

Designed for special first- day covers for the United States postage stamp.

Source: Sketches/Drawings
XVI. Photographs and Artwork
B. Artwork
Year: 2004
Complete Citation:
“The Deep Structures of Charles Ives: Mental, Environmental, and Sentimental.” Paper presented at The Society for American Music Conference [Session 8a]. Cleveland, Ohio, March 12, 2004.
Source: Conference Paper
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions