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Bibliography

Abbot, Christopher

Year: 2002
Complete Citation:
Abbot, Christopher. “Ives: “An American Journey.”” Fanfare: The Magazine for Serious Record Collectors, Vol. 25, No. 6 (2002): 142-144.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2003
Complete Citation:
Abbot, Christopher. “The Want List 2003 [Christopher Abbot].” Fanfare: The Magazine for Serious Record Collectors, Vol. 27, No. 2 (2003): 71.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Alan M. Kriegsman

Year: 1968
Complete Citation:
Kriegsman, Alan M. “A.U.’s Mandel to Unveil Ives Piano Works.” The Washington Post and Times Herald, March 17, 1968, G8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Alexander, Charles C.

Year: 1980
Complete Citation:
Alexander, Charles C. Here the Country Lies: Nationalism and the Arts in Twentieth-Century America. Bloomington, IN: Indiana University Press, 1980.
Notes:

Many references to Ives.

Source: Book
VI. Topical Studies
L. Ives and America

Anderson, Colin

Year: 2007
Complete Citation:
Anderson, Colin. “Classical Recordings: Ives - Symphony No. 1, Symphony No. 4, “Central Park in the Dark.”” Fanfare (January 2007).
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Anderson, David E.

Year: 1974
Complete Citation:
Anderson, David E. “Ives Heritage: ‘Vision of a Vanished America in Music.’” Los Angeles Times, December 14, 1974, A9.
Source: Newspaper
VI. Topical Studies
L. Ives and America

Anderson, Rick

Year: 2003
Complete Citation:
Anderson, Rick. “Charles Ives (Sound Recording Review).” Notes, vol. 60, no. 2 (2003): 517.
Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Anderson, William

Year: 1979
Complete Citation:
Anderson, William. “Advice to Young Composers.” Stereo Review 43/3 (September 1979): 6.
Notes:

The advice he gives is similar to description of Ives: don't “teach at a university,” get “a job in insurance and compose on the side... [and] avoid modern-music concert. ... The method hasn't even been tried, as far as I know, since Charles Ives.”

Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Ansell, Derek

Year: 2007
Complete Citation:
Ansell, Derek. “Record Reviews: Jamie Baum Septet - “Moving Forward Standing Still.”” Jazz Journal International, Vol. 60, No. 2 (2007): 16.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Arlen, Walter

Year: 1966
Complete Citation:
Arlen, Walter. “New Discs show Ives Interest on Upswing.” Los Angeles Times, June 19, 1966: B25.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Ashbee, Andrew

Year: 2016
Complete Citation:
Ashbee, Andrew. “James Shirley’s The Triumph of Peace Revisited.” The Consort: European Journal of Early Music, Vol. 72 (2016): 31-48.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Asmodo, Joe

Year: 1991
Complete Citation:
Asmodo, Joe. “Charles Ives: Komponist als Zweitberuf oder National- held mit Hindernissen.” AbraHadAbra: Das Magazin des Neuen Aons 4/8 (August 1991): 52-54.
Source: Magazine
VI. Topical Studies
L. Ives and America

Atlas, Allan W.

Year: 1996
Complete Citation:
Atlas, Allan W. The Wheatstone English Concertina in Victorian England. Oxford, United Kingdom: Clarendon Press, 1996.
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives

Auerbach, Brent

Year: 2009
Complete Citation:
Auerbach, Brent. “Guide to Records - Ives: Piano Sonata 1; McDonald: “Meditation Before a Sonata: Dew Cloth, Dream Drapery”; Nielsen: Suite, Op 45.” American Record Guide, Vol. 72, No. 6 (2009): 124-125.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2010
Complete Citation:
Auerbach, Brent. “Responses to Ives.” American Record Guide, Vol. 73, No. 4 (2010): 228-229.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Bach, Eleanor and Robert Offergeld

Year: 1969
Complete Citation:
Bach, Eleanor and Robert Offergeld. “An Experiment in Astromusi-cology.” Stereo Review 23/1 (July 1969): 73--74.
Notes:

Using astrological tech-niques, the authors describe personal characteristics of several musicians, including Ives.

Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Bae, Myo Jeong

Complete Citation:
Bae, Myo Jeong. “Charles Ives 음악의 미국주의적 측면에 관한 연구.” 한국예술연구, no. 6 (2012): 67-97.
Source: Journal
VI. Topical Studies
L. Ives and America

Bambarger, Bradley

Year: 1999
Complete Citation:
Bambarger, Bradley. "Classical Music: Jazzical Gas." Billboard 111/36 (September 4, 1999): 46.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2000
Complete Citation:
Bambarger, Bradley. “Classical: Keeping Score.” Billboard: The International Newsweekly of Music, Video and Home Entertainment, Vol. 112, No. 26 (2000): 74.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Barela, Margaret M.

Year: 2003
Complete Citation:
Barela, Margaret M. “Copland: Piano Sonata; Ives: Piano Sonata 1.” American Record Guide, Vol. 66, No. 1 (2003): 120-121.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews