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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Copland, Aaron

Year: 1968
Complete Citation:
Copland, Aaron. “The Ives Case.” In The New Music: 1900-1960. New York, NY: W.W. Norton, 1968.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Cowell, Henry

Year: 1925
Complete Citation:
Cowell, Henry. “The Value of Eclecticism.” Sackbut 5, no. 9 (1925): 264--265.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
Year: 1933
Complete Citation:
Cowell, Henry. “Europe and America in Music Today.” Modern Music X, 2 (January-February 1933): 95.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Crutchfield, Will

Year: 1987
Complete Citation:
Crutchfield, Will. “Why Our Greatest Composer Needs Serious Attention.” The New York Times, May 10, 1987, sec. 2, 19, 22.
Source: Newspaper
V. General Music Studies
S. Reception Studies and Related Scholarship

Daniel, Oliver

Year: 1975
Complete Citation:
Daniel, Oliver. The Charles Ives Centennial: A personal memoir by Oliver Daniel. BMI: The Many Worlds of Music 3 (1974): 32-35.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Dayton. Daryl D

Year: 1975-1976
Complete Citation:
Dayton, Daryl D. “Charles Ives in the USIA.” Student Musicologists at Min-nesota 6 (1975-76): 87-94.
Source: Journal
V. General Music Studies
S. Reception Studies and Related Scholarship

DeVenney, David P.

Year: 1999
Complete Citation:
DeVenney, David P. “The End of the Century: Impressionism and the Flowering of Roman-ticism.” In Varied Carols: A Survey of American Choral Literature, 105-109. Westport, CT: Greenwood Press, 1999.
Notes:

In Chapter 5, “The End of the Century: Impressionism and the Flowering of Roman-ticism,” some details are given about General William Booth Enters into Heaven, Psalm 90, Psalm 24, Psalm 54, Psalm 135, The Celestial Country, and Three Harvest Home Chorales.

Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives

Dickinson, Peter

Year: 1974
Complete Citation:
Dickinson, Peter. “A New Perspective for Ives.” Musical Times 115/1580 (October 1974): 836-838.
Source: Journal
V. General Music Studies
S. Reception Studies and Related Scholarship
Year: 1974
Complete Citation:
Dickinson, Peter. “A New Perspective for Ives.” The Musical Times 115 (September 1974): 836-8-38.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Downes, Olin

Year: 1925
Complete Citation:
Olin Downes. “Placing the Critics.” The League of Composers’ Review II, 2 (April 1925): 33-35.
Notes:

<i>The League of Composers’ Review</i> was succeeded by <i>Modern Music</i>

Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1946
Complete Citation:
Downes, Olin. “Tardy Recognition.” The New York Times, April 14, 1946, sec. 2, 5.
Source: Newspaper
Reprints:

In <i>Charles Ives and His World</i>, 276-277. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.

VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1957 (writings from 1955 and before)
Complete Citation:
Downes, Olin. “The tardy recognition of Charles Ives.” In Olin Downes on music: a selection from his writings during the half-century 1906 to 1955, edited by Irene Downes. New York, NY: Simon and Schuster, 1957.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Duane, Ben

Year: 2013
Complete Citation:
Duane, Ben. “Auditory Streaming Cues in Eighteenth- and Early Nineteenth-Century String Quartets: A Corpus-Based Study.” Music Perception: An Interdisciplinary Journal 31/1 (2013): 46-58.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Duke, Vernon

Year: 1937
Complete Citation:
Duke, Vernon. “Musicalantics and Antiques.” Stage (March 1937): 78.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Dwinell, Paul

Year: 1964
Complete Citation:
Dwinell, Paul. “The Resurrection of Charles E. Ives.” Listen 1/5 (Septem-ber-October): 15--16.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship

Eidenbenz, Michael

Year: 2004
Complete Citation:
Eidenbenz, Michael. “Zum ernsthaften Komponisten geweiht.” Dissonanz (2004): 55-56.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Elliott Schwartz and Barney Childs, eds.

Year: 1967
Complete Citation:
Elliott Schwartz and Barney Childs, eds. Contemporary Composers on Contemporary Music. New York, NY: Holt, Rinehart and Winston, 1967.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Ewen, David

Year: 1950
Complete Citation:
Ewen, David. “The Belated Discovery of Charles Ives.” Tomorrow 9/9 (May 1950): 10-14.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Feder, Stuart

Year: 2001
Complete Citation:
Feder, Stuart. “Coloquy: Heard Maladies Are Sweet (‘But Those Unheard Are Sweeter’): A Response to Gayle Sherwood.” Journal of the American Musicological Society 54, no. 3 (Fall 2001): 627--641.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Fiender, Reinhard

Year: 2004
Complete Citation:
Flender, Reinhard. “Charles E. Ives: Genie oder Maverick? Anmerk-ungen zum Schaffensprozeß und zur Rezeptionsgeschichte.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 25-34. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship