Anderson, William
Year: 1975
Complete Citation:
Anderson, William. “Editorially Speaking: Composer Charles Ives Enters History.” Stereo Review 34/3 (March 1975): 4.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Ashbee, Andrew
Year: 2016
Complete Citation:
Ashbee, Andrew. “James Shirley’s The Triumph of Peace Revisited.” The Consort: European Journal of Early Music, Vol. 72 (2016): 31-48.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
Atlas, Allan W.
Year: 1996
Complete Citation:
Atlas, Allan W. The Wheatstone English Concertina in Victorian England. Oxford, United Kingdom: Clarendon Press, 1996.Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
Austin, Larry
Year: 1976
Complete Citation:
Austin, Larry. “Reconstruction of Ives’ Universe Symphony.” In Desert Plants: Conversations with 23 American Musicians, interviewed by Walter Zimmermann, 207-220. Vancouver, BC: A.R.C. Publications, 1976.Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1985
Complete Citation:
Austin, Larry. “Charles Ives’s Life Pulse Prelude for Percussion Orchestra: A Realization for Modem Performance from Sketches for His Universe Symphony.” Percussionist 23, no. 6 (1985): 58-84.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Avila, Joseph D.
Year: 2012
Complete Citation:
Avila, Joseph D. “Property: Sale of Ives Home Ends on Sad Note for Fans --- Grandson of Famed Composer in Handshake Deal with Private Buyer; Plans to Preserve Connecticut Property are Stymied.” The Wall Street Journal, September 18, 2012.Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 2012
Complete Citation:
Avila, Joseph D. “Seeking to Save Composer’s Retreat.” The Wall Street Journal, August 31, 2012.Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Bales, Richard and Charles Seeger
Year: 1950
Complete Citation:
Bales, Richard and Charles Seeger. “Tone Roads No. 1 for Chamber Orchestra (performable also as chamber music).” New York: Peer International Corp., 1949. Notes 7/3 (June 1950): 432-433.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Bernstein, Leonard
Year: 1982
Complete Citation:
Bernstein, Leonard. “The Absorption of Race Elements into American Music.” In Findings: Fifty Years of Meditations on Music, 36-99. New York, NY: Doubleday, 1982.Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
Block, Geoffrey
Year: 1996
Complete Citation:
Block, Geoffrey. “Ives and the ‘Sounds that Beethoven Didn't Have.’” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 34-50. New Haven, CT: Yale University Press, 1996.Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives
Year: 1997
Complete Citation:
Block, Geoffrey. “Remembrance of Dissonances Past: The Two Published Editions of Ives’s Concord Sonata.” In Ives Studies, edited by Philip Lambert, 27-50. Cambridge, United Kingdom: Cambridge University Press, 1997.Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1997
Complete Citation:
Block, Geoffrey. “Remembrance of Dissonances Past: The Two Published Editions of Ives’s Concord Sonata.” In Ives Studies, edited by Philip Lambert, 27-50. Cambridge, UK: Cambridge University Press, 1997.Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Brown, Ray
Year: 1932
Complete Citation:
Brown, Ray. “Saminsky Revises Music of Our Day.” Modern Music (November--December 1939) 17/1: 65-66.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Burkholder, J. Peter
Complete Citation:
Burkholder, J. Peter. “Introduction: “A Continuing Spirit.”” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 1-8. New Haven, CT: Yale University Press, 1996.Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives
Year: 1996
Complete Citation:
Burkholder, J. Peter “Models and Sources.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 39-43. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1996
Complete Citation:
Burkholder, J. Peter. “Ives and the Four Musical Traditions.” In Charles Ives and His World, 3-34. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives
Cahill, Greg
Year: 2012
Complete Citation:
Cahill, Greg. “Matheson Awarded Ives Composer Prize.” Strings, Vol. 26, No. 9 (2012): 13.Source: Magazine
VI. Topical Studies
U. Institutions and Ives’ Legacy
Charles, Eleanor
Year: 1979
Complete Citation:
Charles, Eleanor. “Connecticut Guide: School Finance Forum A Charles Ives Center.” The New York Times, March 11, 1979, 7.Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Chase, Gilbert
Year: 1974
Complete Citation:
Chase, Gilbert. “Editor’s Outlook: Charles Ives Remembered.” Anuario Interamericano De Investigacion Musical, vol. 10, (1974): 170-174.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Cowell, Henry
Year: 1925
Complete Citation:
Cowell, Henry. “The Value of Eclecticism.” Sackbut 5, no. 9 (1925): 264--265.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives