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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Ashbee, Andrew

Year: 2016
Complete Citation:
Ashbee, Andrew. “James Shirley’s The Triumph of Peace Revisited.” The Consort: European Journal of Early Music, Vol. 72 (2016): 31-48.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Atlas, Allan W.

Year: 1996
Complete Citation:
Atlas, Allan W. The Wheatstone English Concertina in Victorian England. Oxford, United Kingdom: Clarendon Press, 1996.
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives

Bauer, Marion

Year: 1947
Complete Citation:
Bauer, Marion. “Charles Ives Receives Award.” Musical Leader 79/6 (June 1947): 9.
Notes:

Notice of Ives's receiving the Pulitzer Prize for Symphony No. 3. Includes remarks about his being ignored and overlooked.

Source: Journal
VI. Topical Studies
V. Awards

Beckwith, Ethel

Year: 1947
Complete Citation:
Beckwith, Ethel. “Pulitzer Prize Winner Scoffs at $1,000 Award.” Sunday Herald (Bridgeport, Connecticut), May 11, 1947, 1, 16.
Source: Newspaper
VI. Topical Studies
V. Awards

Bernstein, Leonard

Year: 1982
Complete Citation:
Bernstein, Leonard. “The Absorption of Race Elements into American Music.” In Findings: Fifty Years of Meditations on Music, 36-99. New York, NY: Doubleday, 1982.
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives

Block, Geoffrey

Year: 1996
Complete Citation:
Block, Geoffrey. “Ives and the ‘Sounds that Beethoven Didn't Have.’” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 34-50. New Haven, CT: Yale University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives

Burk, James Mack

Year: 1977
Complete Citation:
Burk, James Mack. An Hour with Ives. 1977. In The Charles Ives Festival- Conference, Oc-tober 19, 1974: Brooklyn.
Source: Photograph
Reprints:

Made around the Ives house in West Redding and Danbury. [No original photographs of Ives.] Also includes slides made from other photographs including those printed in books. The James Mack Burk Collection also con-tains prints of photographs taken and printed by Sipprell, Erskine, and Rathburn.

XVI. Photographs and Artwork
A. Photographs

Burkholder, J. Peter

Complete Citation:
Burkholder, J. Peter. “Introduction: “A Continuing Spirit.”” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 1-8. New Haven, CT: Yale University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives
Year: 1996
Complete Citation:
Burkholder, J. Peter. “Ives and the Four Musical Traditions.” In Charles Ives and His World, 3-34. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives

Cowell, Henry

Year: 1925
Complete Citation:
Cowell, Henry. “The Value of Eclecticism.” Sackbut 5, no. 9 (1925): 264--265.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Cowell, Sidney

Complete Citation:
Cowel, Sidney. Photograph of Ives and Henry Cowell. Reproduced: brochure about Cowell (Broadcast Music, Inc.).
Source: Photograph
XVI. Photographs and Artwork
A. Photographs

DeVenney, David P.

Year: 1999
Complete Citation:
DeVenney, David P. “The End of the Century: Impressionism and the Flowering of Roman-ticism.” In Varied Carols: A Survey of American Choral Literature, 105-109. Westport, CT: Greenwood Press, 1999.
Notes:

In Chapter 5, “The End of the Century: Impressionism and the Flowering of Roman-ticism,” some details are given about General William Booth Enters into Heaven, Psalm 90, Psalm 24, Psalm 54, Psalm 135, The Celestial Country, and Three Harvest Home Chorales.

Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives

Duane, Ben

Year: 2013
Complete Citation:
Duane, Ben. “Auditory Streaming Cues in Eighteenth- and Early Nineteenth-Century String Quartets: A Corpus-Based Study.” Music Perception: An Interdisciplinary Journal 31/1 (2013): 46-58.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Duke, Vernon

Year: 1937
Complete Citation:
Duke, Vernon. “Musicalantics and Antiques.” Stage (March 1937): 78.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Erskine, Halley

Year: 1951
Complete Citation:
Erskine, Halley. Photographs. Spring, 1951. In A Charles Ives Omnibus, by James Mack Burk and Michael J. Budds, 50, 57, and 859-860. Hillsdale, New York: Pendragon Press, 2008.
Source: Photograph
Reprints:

The full collection consists of eighty-four photographs of Ives alone or with Mrs. Ives at their West Redding home. Some have appeared as covers of recordings and in magazines as well as in several books. [Date determined from letter from Ms. Erskine to Ives (in the Charles Ives Papers at Yale University) and a letter to Ms. Erskine from Harmony Ives (in the James Mack Burk Col-lection).]

XVI. Photographs and Artwork
A. Photographs

Friedlander, Lee

Year: 1960
Complete Citation:
Friedlander, Lee. Ives Country. 1960. In Charles Ives: Symphony No. 2. Columbia, KS 6155, 1960, 33.3 RPM.
Source: Photograph
Reprints:

Taken for Columbia record shows many scenes around the Ives home in West Redding, CT. [No original photographs of Ives.]

XVI. Photographs and Artwork
A. Photographs

Gann, Kyle

Year: 1991
Complete Citation:
Gann, Kyle. “Pulitzer Hacks: Amateur Composers versus the Profes-sionals.” Village Voice, July 30, 1991.
Notes:

Cites the story from Milton Babbitt that Ives was not a professional composer.

Source: Newspaper
VI. Topical Studies
V. Awards
Year: 1992
Complete Citation:
Gann, Kyle. “Composer’s Clearing House: The Pulitzer Prize.” Village Voice, May 5, 1992.
Notes:

Claims Lou Harrison urged Ives to “expunge the 'ex-perimental' parts of the Third Symphony” [i.e., “shadow parts”].

Source: Newspaper
VI. Topical Studies
V. Awards

Gerratana, Frank

Year: 1947
Complete Citation:
Gerratana, Frank. Ives by a window. May, 1947. Photograph. Charles Ives: Symphony No. 2. Columbia ML 6289/MS 6889, 33.3 RPM (1960).
Source: Photograph
Reprints:

Postcard by Fotofolio (ca. 2006).

XVI. Photographs and Artwork
A. Photographs
Year: 1947
Complete Citation:
Gerratana, Frank. Mr. and Mrs. Ives (she is holding a cat, “Christophina”). May, 1947. Photograph. Bridgeport Herald, May 11, 1947, 1.
Source: Photograph
Reprints:

Bettman Archive, page 14808. * <i>Music Journal</i> 24/3 (March 1966): 46.

XVI. Photographs and Artwork
A. Photographs