Kaskowitz, Sheryl
Year: 2006
Complete Citation:
Kaskowitz, Sheryl. “‘The Voice of the People Arose’: Charles Ives, Communal Singing and Ritual in American Life.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.Source: Conference paper
VI. Topical Studies
K. Stylistic Influences on Ives
Kerman, Joseph
Year: 1985
Complete Citation:
Kerman, Joseph. Listen. Third Brief Edition. Waco, TX: Worth, 1985.Notes: For listening studies, Kerman uses “The Rockstrewn Hills Join in the People's Outdoor Meeting” from Orchestral Set No. 2.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Kramer, Lawrence
Year: 1984
Complete Citation:
Kramer, Lawrence. “A Complete-ly New Set of Objects.” In Music and Poetry: The Nineteenth Century and After. Berkeley, CA: University of California Press, 1984.Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
Lang, Paul Henry
Year: 1961
Complete Citation:
Lang, Paul Henry. One Hundred Years of American Music, 98--99, 108. New York, NY: G. Schirmer, 1961.Notes: Scattered passing references.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Layton, Robert
Year: 1960
Complete Citation:
Layton, Robert. “Music in the United States.” Twentieth Century Music, edited by Rollo H. Myers, 197-198. London, United Kingdom: John Calder, 1960.Notes: “His works show an extraordinary admixture of sheer genius and downright incom-petence.”
Source: Chapter in Book
Reprints: Revised and Enlarged Edition, 1968: 232-240.
VII. Entries in Larger Volumes
A. Textbook Accounts
Machlis, Joseph
Year: 1979
Complete Citation:
Machlis, Joseph. Introduction to contemporary music. 2nd ed. New York, NY: Norton, 1979.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Mellers, Wilfrid
Year: 1939
Complete Citation:
Mellers, Wilfrid. “Music in the Melting Pot: Charles Ives and the Music of the Americas.” Scrutiny 7 (March 1939): 390-403.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
Panel Discussion
Year: 1996
Complete Citation:
“Charles Ives and Turn of the Century.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 49-52. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
VI. Topical Studies
K. Stylistic Influences on Ives
Perrin, Peter
Year: 1975
Complete Citation:
Perrin, Peter. “The Composer as Historian.” Arts Canada 198-199 (June 1975): 58.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
Porter, David
Year: 2011
Complete Citation:
Porter, David. “On the Divide: A Classicist/Musician Who Refused to Grow Up.” The Classical World, vol. 104, no. 4 (2011): 475-481.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
Riedel, Johannes
Year: 1970
Complete Citation:
Johannes Riedel. “Ives and Church Music.” Lecture, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, May 15, 1970.Source: Lecture
VI. Topical Studies
K. Stylistic Influences on Ives
Rossi, Nick and Sadie Rafferty
Year: 1981
Complete Citation:
Rossi, Nick and Sadie Rafferty. “Music of the United States.” In Music through the centuries. University Press of America: Washington, D.C. 1981.Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
Routh, Francis
Year: 1968
Complete Citation:
Routh, Francis. “Contemporary music: an introduction.” London, United Kingdom: English Universities Press, 1968.VII. Entries in Larger Volumes
A. Textbook Accounts
Sadie, Stanley, and Alison Latham, ed.
Year: 1986
Complete Citation:
Sadie, Stanley, and Alison Latham, ed. Stanley Sadie’s Music Guide: An Introduction, 458-463. Englewood Cliffs, NJ: Prentice-Hall, 1986.Notes: The main entry includes some biography and a list of works and uses Three Places in New England for study: “Putnam’s Camp,” No. 2. “Charles Ives was composing pieces of irrational juxtaposition of musi-cal ideas and deliberately distorted harmonies” (423).
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Salis, Giannis
Year: 2005
Complete Citation:
Salis, Giannis. “Tre variazioni sul Novecento musicale americano.” In Melologhi e Ritorni alla Vita. Rimini, Italy: Raffaelli Editore, 2005.Source: Online article
VI. Topical Studies
K. Stylistic Influences on Ives
Salzman, Eric
Year: 1967
Complete Citation:
Salzman, Eric. Twentieth -Century Music: An Introduction, 61, 64, 97, 143--148, 152, 164. Englewood Cliffs, NJ: Prentice- Hall, 1967.Source: Book
Reprints: Salzman, Eric. <i>Twentieth -Century Music: An Introduction</i>, 128--131.<i> </i>Second Edition. Englewood Cliffs, NJ: Prentice- Hall,. 1974. * Third Edition, 1988. * Fourth Edition, 2002: 136--139.
VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1967
Complete Citation:
Salzman, Eric. “Ives.” In 20th-century Music: An Introduction, 143-147. Englewood Cliffs, NJ: Prentice Hall, 1967.Source: Chapter in Book
Reprints: Salzman, Eric. “Ives.” In <i>20th-century Music: An Introduction</i>, 128-131. Englewood Cliffs, NJ: Prentice Hall, 1974.
VII. Entries in Larger Volumes
A. Textbook Accounts
Saminsky, Lazare
Year: 1949
Complete Citation:
Saminsky, Lazare. Living Music of the Americas, 43, 149-152. New York, NY: Howell, Soskin and Crown, 1949.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Schmidt, Christian Martin
Year: 1977
Complete Citation:
Schmidt, Christian Martin. Brennpunkte der Neuen Musik: historisch-systematisches zu wesentlichen Aspekten. Cologne, Germany: Musikverlag Gerig, 1977.Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
Simms, Bryan R.
Year: 1996
Complete Citation:
Simms, Bryan R. Music in the Twentieth Century: An Anthology. New York, NY: Schirmer, 1996.Notes: Accompanying CD includes Charlie Rutlage and from Paracelsus.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
