Albrecht, Henning, Benjamin Scheuer and Christian Schmidt
Year: 2009
Complete Citation:
Albrecht, Henning, Benjamin Scheuer and Christian Schmidt. Von Charles Ives zur New York School: US-amerikanische Avantgarde im 20. Jahrhundert; Programmbuch zum Seminar am Musikwissenschaftlichen Institut der Universität Hamburg, Sommersemester 2009. Hamburg, Germany: Musikwissenschaftlichen Institut der Universität Hamburg, 2009.Source: Pamphlet
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Allen, Sandra Gillette
Year: 1966
Complete Citation:
Allen, Sandra Gillette. “Salient formal and thematic structures in the four violin sonatas of Charles Ives.” M.A. Thesis, University of Washington, 1966.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Anderson, Clifford Hugh
Year: 1970
Complete Citation:
Anderson, Clifford Hugh. “An Analytical Study of the Fourth Symphony of Charles Ives.” M.A. Thesis, University of Wyoming, 1970.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Archabal, Nina
Year: 1974
Complete Citation:
Archabal, Nina. “Ives Festivals at Minnesota, Spring 1971 and 1972.” Cur-rent Musicology 18 (1974): 43-45.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Arnold, Gregory Palmer
Year: 1976
Complete Citation:
Arnold, Gregory Palmer. “Charles Ives: his musical philosophy and compositional style as applied to five works for chamber orchestra.” M.M. thesis, University of Houston, 1976.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Ashbee, Andrew
Year: 2016
Complete Citation:
Ashbee, Andrew. “James Shirley’s The Triumph of Peace Revisited.” The Consort: European Journal of Early Music, Vol. 72 (2016): 31-48.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
Atlas, Allan W.
Year: 1996
Complete Citation:
Atlas, Allan W. The Wheatstone English Concertina in Victorian England. Oxford, United Kingdom: Clarendon Press, 1996.Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
Baker, John Wesley
Year: 1968
Complete Citation:
Baker, John Wesley. “Borrowed hymn tunes in the sonatas and quartets of Charles Ives.” M.A. thesis, University of California, Davis, 1968.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Ballard, Lincoln M.
Year: 2001
Complete Citation:
Ballard, Lincoln M. “Similar directions, possible influences: parallels between the music of Alexander Scriabin and Charles Ives.” M.M. Thesis, Florida State University, 2001.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Beck, Jay L.
Year: 1983
Complete Citation:
Beck, Jay L. “The compositional process of Charles Ives's first piano sonata, first movement.” M.M. thesis, Brigham Young University, 1983.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Beck, Nancy Ann
Year: 1977
Complete Citation:
Beck, Nancy Ann. “The effect of Charles Ives' religious philosophy on the content of some of his latter songs, 1919-1921.” M.A. Thesis, Ball State University, 1977.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Bengford, Timothy J.
Year: 2003
Complete Citation:
Bengford, Timothy J. “Patriotic, political and sociological dimensions in the songs of Charles Ives.” M.A. thesis, California State University, Los Angeles, 2003.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Benkelman, Robert Jon
Year: 1969
Complete Citation:
Benkelman, Robert Jon. “An investigative analysis and historical background of the second movement of the first orchestral set of Charles Edward Ives (Three Places In New England: II. General Putnam's Camp).” M.A. Thesis, San Jose State College, 1969.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Berneking, Vicki Lynn
Year: 1973
Complete Citation:
Berneking, Vicki Lynn. “A study of two twentieth-century piano sonatas: Ives’ Concord sonata and Ginastera’s Sonata para piano.” M.A. thesis, Central Missouri State University, 1973.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Bernstein, Leonard
Year: 1982
Complete Citation:
Bernstein, Leonard. “The Absorption of Race Elements into American Music.” In Findings: Fifty Years of Meditations on Music, 36-99. New York, NY: Doubleday, 1982.Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
Blaufuss, Margaret Joanna
Year: 1967
Complete Citation:
Blaufuss, Margaret Joanna. “Charles Ives: “Transcendentalist”” M.A. Thesis, University of Wyoming, 1967.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Block, Geoffrey
Year: 1996
Complete Citation:
Block, Geoffrey. “Ives and the ‘Sounds that Beethoven Didn't Have.’” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 34-50. New Haven, CT: Yale University Press, 1996.Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives
Boatwright, Howard
Year: 1956
Complete Citation:
Howard Boatwright, ed. “Epilogue.” In Paul Boatwright's B.A. thesis, Yale University, 1956.Notes: B.A. thesis in graphic arts
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Bogulavsky, Johanna
Year: 1995
Complete Citation:
Bogulavsky, Johanna. “Reception theory as a technique for musical analysis : the case of Charles E. Ives' "Putnam's Camp”.” M.M. thesis, Columbia University, 1995.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Boody, Charles G. And Margaret Snell
Year: 1971
Complete Citation:
Boody, Charles G., and Margaret Snell. “The Charles Ives Festival, Spring 1970: Reflections.” Current Musicology 11 (May 1971): 57-58.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
