Pellegrino, Joe
Year: 1996
Complete Citation:
Pellegrino, Joe. “Choral Recitative Reviews: “Shall We Gather at the River?” arr. Robert H. McIver.” Pastoral Music, Vol. 20, No. 4 (1996): 43.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Perrin, Peter
Year: 1975
Complete Citation:
Perrin, Peter. “The Composer as Historian.” Arts Canada 198-199 (June 1975): 58.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
Pershchetti, Vincent
Year: 1953
Complete Citation:
Pershchetti, Vincent. “Review of ‘Largo for Violin, Clarinet, and Piano.’” Music Library Association Notes, Vol. 11, No. 6 (December 1953).Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Persichetti, Vincent
Year: 1953
Complete Citation:
Persichetti, Vincent. Review of “Largo, for Violin, Clarinet, Piano.” Notes 11, no. 6 (December 1953): 157.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Porter, David
Year: 2011
Complete Citation:
Porter, David. “On the Divide: A Classicist/Musician Who Refused to Grow Up.” The Classical World, vol. 104, no. 4 (2011): 475-481.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
Rathert, Wolfgang
Year: 2015
Complete Citation:
Rathert, Wolfgang. “Charles E. Ives “Symphony No. 4.”” Die Musikforschung, Vol. 68, No. 2 (2015): 218-221.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Reyes, James E.
Year: 1966
Complete Citation:
Reyes, James E. “Reviewed Work: They Are There! A War Song March, 1917 by Charles E. Ives.” Notes, vol. 20, no. 4 (Autumn 1963): 565-566.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Riedel, Johannes
Year: 1970
Complete Citation:
Johannes Riedel. “Ives and Church Music.” Lecture, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, May 15, 1970.Source: Lecture
VI. Topical Studies
K. Stylistic Influences on Ives
Rosenfeld, Paul
Year: 1931
Complete Citation:
Rosenfeld, Paul. “New American Music.” Scribner’s 89/6 (June 1931): 624--632.Notes: Only one cursory mention that “Virgil Thomson, Charles F. <i>[sic] </i>Ives, and Adolph Weiss have each something personal to say.”
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Rossi, Nick and Sadie Rafferty
Year: 1981
Complete Citation:
Rossi, Nick and Sadie Rafferty. “Music of the United States.” In Music through the centuries. University Press of America: Washington, D.C. 1981.Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
Rudgers, Gregory B.
Year: 2015
Complete Citation:
Rudgers, Gregory B. “Variations on “America,” by Charles Ives, Transcribed by William E. Rhoads, Based on the Orchestra Version by William Schuman.” School Band and Orchestra, Vol. 18, No. 8 (2015): 53.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Sabin, Robert
Year: 1949
Complete Citation:
Sabin, Robert. “Choral and Piano Works by Charles Ives Issued.” Musical America (June 1949) 49/8: 28.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Salis, Giannis
Year: 2005
Complete Citation:
Salis, Giannis. “Tre variazioni sul Novecento musicale americano.” In Melologhi e Ritorni alla Vita. Rimini, Italy: Raffaelli Editore, 2005.Source: Online article
VI. Topical Studies
K. Stylistic Influences on Ives
Schaefer, Theodore
Year: 1950
Complete Citation:
Schaefer, Theodore. “1. Chanson de Florian. 2. It Strikes Me That... 3. The Light That Is Felt.” Notes 7, no. 4 (September 1950): 636-637.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Schmidt, Christian Martin
Year: 1977
Complete Citation:
Schmidt, Christian Martin. Brennpunkte der Neuen Musik: historisch-systematisches zu wesentlichen Aspekten. Cologne, Germany: Musikverlag Gerig, 1977.Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
Seeger, Charles
Year: 1950
Complete Citation:
Seeger, Charles. Review of “Hallowe’en, from ‘Three Outdoor Scenes,’ for 2 violins, viola, cello, piano.” Notes 7, no. 3 (June 1950): 432.X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Siebert, Mark
Year: 1957
Complete Citation:
Siebert, Mark. “Psalm XXIV.” Notes 14, no. 4 (September 1957): 618-619.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1963
Complete Citation:
Siebert, Mark. “They Are There: A War Song March, 1917.” Notes 20, no. 4 (1963): 565-566.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Smith, Rollin
Year: 2013
Complete Citation:
Smith, Rollin. “Music Review: Charles E. Ives: Complete Organ Music.” The American Organist, Vol. 47, No. 1 (2013): 82-83.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Snedeker, Jeffrey
Year: 2014
Complete Citation:
Snedeker, Jeffrey. “Music and Book Reviews: “Five Songs of Charles Ives,” arranged for horn and piano by Ian Zook.” The Horn Call: Journal of the International Horn Society, Vol. 44, No. 2 (2014): 78.Source: Journal (edition review)
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions