Image
Complete Citation:
Rydberg, Göran. P2-tips: Egendomlig Satie och universell Ives. Musik: Tidningen för Klassiskt, Folkmusik och Jazz, No. 4 (1998): 11.
Bibliography
Genres
Rydberg, Göran
Year: 1998
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Rye, Matthew
Year: 2003
Complete Citation:
Rye, Matthew. “CDs Classical: 3.” Daily Telegraph (London, England), July 5, 2003.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Salis, Giannis
Year: 2005
Complete Citation:
Salis, Giannis. “Tre variazioni sul Novecento musicale americano.” In Melologhi e Ritorni alla Vita. Rimini, Italy: Raffaelli Editore, 2005.Source: Online article
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Salzman, Eric
Year: 1960
Complete Citation:
Salzman, Eric. “Records: Ives. His Symphony No. 2 Is Really Sophisti-cated.” New York Times. September 1960, sec. 2, 21.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1962
Complete Citation:
Salzman, Eric. “Two ‘Concords’ at Once: Historical Panorama Something Borrowed Broad Conception Time Advantage More Musical.” The New York Times, May 27, 1962, X18.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1962
Complete Citation:
Salzman, Eric. “Two ‘Concords’ at Once.” The New York Times. May 27, 1962, sec. 2, 18.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1966
Complete Citation:
Salzman, Eric. “New Stereo Discs for a Further Look at Ivesian Questions and Answers.” High Fidelity 16, no. 4 (June 1966): 70-71.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1967
Complete Citation:
Salzman, Eric. “Charles Ives: Music Big as Life.” HiFi/Stereo Review 19/2, August 1967, 65-67.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1968
Complete Citation:
Salzman, Eric. “The Piano Music of Charles Ives.” HiFi/Stereo Review 21, no. 2 (August 1968): 72-73.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1974
Complete Citation:
Salzman, Eric. “Charles Ives: A Centennial Keepsake Album from Columbia.” Stereo Review 33/3, September 1974, 122-123.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Samuel, Claude
Year: 2001
Complete Citation:
Samuel, Claude. “Charles Ives: “Three-Page Sonata. The Anti-Abolitionist Riots. Study no. 20. Varied Air and Variations. Scene Episode. Piano Sonata no. 2.”” Diapason: le magazine du disque et de la musique vivante (2001): 92.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2010
Complete Citation:
Samuel, Claude. “22 Février 1951: Création de la Symphonie no2 de Ives.” Diapason: le magazine du disque et de la musique vivante (2010): 66.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Sandow, Greg
Year: 2000
Complete Citation:
Sandow, Greg. “Twenty-One Sides of Fischer-Dieskau.” Opera News, Vol. 65, No. 5 (2000): 56-57.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Sawer, David
Year: 1999
Complete Citation:
Sawer, David. “20th Century Masterworks: Charles Ives, “The Unanswered Question.”” BBC Music Magazine, Vol. 7, No. 9 (1999): 20.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Schmidt, Christian Martin
Year: 1977
Complete Citation:
Schmidt, Christian Martin. Brennpunkte der Neuen Musik: historisch-systematisches zu wesentlichen Aspekten. Cologne, Germany: Musikverlag Gerig, 1977.Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Schonberg, Harold
Year: 1956
Complete Citation:
Schonberg, Harold. “Records: Ives: The Four Violin Sonatas Played by Druian Makes it Sing Conducts Janacek.” The New York Times, July 15, 1956, 72.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Schonberg, Harold C.
Year: 1954
Complete Citation:
Schonberg, Harold C. “Records American: Ives’ Second Symphony is Strong Native Work.” The New York Times, June 27, 1954, X8.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1956
Complete Citation:
Schonberg, Harold C. “Records: Ives. The Four Violin Sonatas Played by Drurian.” The New York Times, July 15, 1956, sec. 2, 8.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Schwarz, K. Robert
Year: 1991
Complete Citation:
Schwarz, K. Robert. “Recitals & Collections -- George Crumb’s Black Angels, Charles Ives’ They Are There!, Shostakovich’s Quartet No. 8 in C minor and Tallis’ Spem in Alium performed by the Kronos Quartet.” Musical America, Vol. 111, No. 2 (1991): 92.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Schwarz, Robert K.
Year: 1985
Complete Citation:
Schwarz, Robert K. “Reviews: Symphony No.3; Orchestral Set No. 2.” High Fidelity/Musical America 35, no. 8 (August 1985): 62.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews