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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

McDonagh, Don

Year: 1968
Complete Citation:
McDonagh, Don. “City Ballet Dances Balanchine Works.” The New York Times, January 10, 1968, 51.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Mellers, Wilfrid

Year: 1939
Complete Citation:
Mellers, Wilfrid. “Music in the Melting Pot: Charles Ives and the Music of the Americas.” Scrutiny 7 (March 1939): 390-403.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Ogden, Gail

Year: 1998
Complete Citation:
Ogden, Gail. “Dansers Studio Offers all Ives’ Colors: City Edition.” Lincoln Journal Star, April 11, 1998.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Panel Discussion

Year: 1996
Complete Citation:
“Charles Ives and Turn of the Century.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 49-52. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
K. Stylistic Influences on Ives

Perrin, Peter

Year: 1975
Complete Citation:
Perrin, Peter. “The Composer as Historian.” Arts Canada 198-199 (June 1975): 58.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Porter, David

Year: 2011
Complete Citation:
Porter, David. “On the Divide: A Classicist/Musician Who Refused to Grow Up.” The Classical World, vol. 104, no. 4 (2011): 475-481.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Regner, Otto Friedrich

Year: 1972
Complete Citation:
Hartmut Regitz, Otto Friedrich Regner, and Heinz-Ludwig Schneiders. Reclams Ballet- führer. Stuttgart, Germany: Stuttgart Reclams, 1972.
Source: Book
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Riedel, Johannes

Year: 1970
Complete Citation:
Johannes Riedel. “Ives and Church Music.” Lecture, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, May 15, 1970.
Source: Lecture
VI. Topical Studies
K. Stylistic Influences on Ives
Year: 1975
Complete Citation:
Riedel, Johannes. “The Ives Liturgy: A Mass of the Com-mon Man.” Student Musicologists at Minnesota 6 (1975): 225--236.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Rodgers, Harold A.

Year: 1975
Complete Citation:
Rodgers, Harold A. “Lenox Art Center. ‘Ives’ Meeting Mr. Ives.” High Fidelity/Musical America 25/12 (December 1975): 26--27.
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Rossi, Nick and Sadie Rafferty

Year: 1981
Complete Citation:
Rossi, Nick and Sadie Rafferty. “Music of the United States.” In Music through the centuries. University Press of America: Washington, D.C. 1981.
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives

Salis, Giannis

Year: 2005
Complete Citation:
Salis, Giannis. “Tre variazioni sul Novecento musicale americano.” In Melologhi e Ritorni alla Vita. Rimini, Italy: Raffaelli Editore, 2005.
Source: Online article
VI. Topical Studies
K. Stylistic Influences on Ives

Schmidt, Christian Martin

Year: 1977
Complete Citation:
Schmidt, Christian Martin. Brennpunkte der Neuen Musik: historisch-systematisches zu wesentlichen Aspekten. Cologne, Germany: Musikverlag Gerig, 1977.
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives

Schulman, Jennie

Year: 2000
Complete Citation:
Schulman, Jennie. “Eliot Feld brings provocation to NYC ballet.” Back Stage 41, no. 7 (February 2000).
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 2000
Complete Citation:
Schulman, Jennie. “Eliot Feld Brings Provocation to NYC Ballet.” Back Stage 41, no.7 (February 2000).
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 2004
Complete Citation:
Schulman, Jennie. “NYC ballet in Balanchine American Fest.” Back Stage 45, no. 25 (June 2004).
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Schwarz, K.R.

Year: 1988
Complete Citation:
Schwarz, K.R. “Dance; As American as Robbins & Ives.(Arts and Leisure Desk).” The New York Times, January 31, 1988.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Sloat, Susanna

Year: 1997
Complete Citation:
Sloat, Susanna. “Review of Charles Ives Trilogy (1993); ballet, Volume 1.” Attitude Brooklyn (Fall 1997): 82--83.
Notes:

Review of Volume 1 Performance: 1997 June 6: New York; St. Mark's Church; Dance Studio.

Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Sokolow, Anna, choreographer

Year: 1988
Complete Citation:
Anna Sokolow, choreographer. Scenes from the Music of Charles Ives (1988); ballet; Anna Sokolow Company.

Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Steele, Mike

Year: 1990
Complete Citation:
Steele, Mike. “Paul Taylor Proves again He's among the Best Choreographers: METRO Edition.” Star Tribune, February 5, 1990.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews