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Bibliography

Ashbee, Andrew

Year: 2016
Complete Citation:
Ashbee, Andrew. “James Shirley’s The Triumph of Peace Revisited.” The Consort: European Journal of Early Music, Vol. 72 (2016): 31-48.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Atlas, Allan W.

Year: 1996
Complete Citation:
Atlas, Allan W. The Wheatstone English Concertina in Victorian England. Oxford, United Kingdom: Clarendon Press, 1996.
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives

Baldwin, Linda, producer-director

Year: 1979
Complete Citation:
Baldwin, Linda, producer--director. “12th Street Rag.” Nebraska Educational Television Network for the Mid--America Arts Alliance. November 22, 23, 24, 1979.
Source: Telecast
Reprints:

Telecast on stations in Missouri, Oklahoma, Kansas, and Nebraska.

XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts

Bernstein, Leonard

Year: 1982
Complete Citation:
Bernstein, Leonard. “The Absorption of Race Elements into American Music.” In Findings: Fifty Years of Meditations on Music, 36-99. New York, NY: Doubleday, 1982.
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives

Bernstein, Leonard; New York Philharmonic

Complete Citation:
“Charles Ives: American Pioneer.” New York Philharmonic Young Peo-ple’s Concerts with Leonard Bernstein. New York, NY: CBS-TV, 60 minutes. February 23, 1967.
Source: Telecast
XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts

Block, Geoffrey

Year: 1996
Complete Citation:
Block, Geoffrey. “Ives and the ‘Sounds that Beethoven Didn't Have.’” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 34-50. New Haven, CT: Yale University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives

Brockway, Merrill, producer

Year: 1970
Complete Citation:
Brockway, Merrill, producer. “La Belle Epoque.” Camera Three. Virgil Fox, organ. WCBS-TV, 30 minutes. Fall 1970.
Source: Telecast/Videocassette
Reprints:

Includes Variations on “America.” Available on videocassette.

XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts

Burkholder, J. Peter

Complete Citation:
Burkholder, J. Peter. “Introduction: “A Continuing Spirit.”” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 1-8. New Haven, CT: Yale University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives
Year: 1996
Complete Citation:
Burkholder, J. Peter. “Ives and the Four Musical Traditions.” In Charles Ives and His World, 3-34. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives

Cowell, Henry

Year: 1925
Complete Citation:
Cowell, Henry. “The Value of Eclecticism.” Sackbut 5, no. 9 (1925): 264--265.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Davis, David M., producer/director; Aaron Copland, host/writer

Year: 1965
Complete Citation:
Davis, David M., producer/director; Copland, Aaron host/writer. “Experi-mental Attitudes (I).” Music of the Twenties series, Program 11. National Educational Television, 30 minutes. June 6, 1965.
Notes:

Originally telecast on over Performances of The Unanswered Question (Roger Voisin, trumpet, four flutes, Cambridge Festival Orchestra; Aaron Copland, conductor; Kalman Novak, associate conductor), and Two Little Flowers', Serenity, and Charlie Rutlage (Donald Gramm, baritone; Richard Cumming, piano). Viewing copy in Library of Congress.

Source: Telecast
Reprints:

Rebroadcast on Boston, MA: WGBH-TV, 30 minutes.

XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts

DeVenney, David P.

Year: 1999
Complete Citation:
DeVenney, David P. “The End of the Century: Impressionism and the Flowering of Roman-ticism.” In Varied Carols: A Survey of American Choral Literature, 105-109. Westport, CT: Greenwood Press, 1999.
Notes:

In Chapter 5, “The End of the Century: Impressionism and the Flowering of Roman-ticism,” some details are given about General William Booth Enters into Heaven, Psalm 90, Psalm 24, Psalm 54, Psalm 135, The Celestial Country, and Three Harvest Home Chorales.

Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives

Discussion by Morton Gould (nar-rator), Henry Cowell, Corinne Curry, and Harold Farberman.

Complete Citation:
“Charles Ives: American Original.” The World Of Music Series. Program No. 17. Newark, NJ: WNDT, 30 minutes. 1965.
Source: Telecast
Reprints:

Rebroadcast on National Educational Television.

XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts

Duane, Ben

Year: 2013
Complete Citation:
Duane, Ben. “Auditory Streaming Cues in Eighteenth- and Early Nineteenth-Century String Quartets: A Corpus-Based Study.” Music Perception: An Interdisciplinary Journal 31/1 (2013): 46-58.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Duke, Vernon

Year: 1937
Complete Citation:
Duke, Vernon. “Musicalantics and Antiques.” Stage (March 1937): 78.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Englander, Roger, producer/director - Leonard Bernstein, narrator/conductor.

Year: 1961
Complete Citation:
Englander, Roger, producer/director; Bernstein, Leonard, narrator/conductor. “Folk Music in the Concert Hall.” New York, NY: CBS-TV Telecast, April 9, 1961.
Notes:

Includes 5th movement from Ives Symphony No. 2.

Source: Telecast
XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts

Hüppe, Eberhard

Year: 2012
Complete Citation:
Hüppe, Eberhard. “Charles Ives’ Entkoppelung von Europa.” In Urbanisierte Musik: eine Studie über gesellschaftliche Determinanten musikalischer Raumproduktion und Raumaneignung. Münster, Germany: Verlagshaus Monsenstein und Vannerdat, 2012.
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives

James Drew

Year: 1970
Complete Citation:
“Modern Music and the Debt to Charles Ives.” Yale Reports Series. Hartford, CT: WTIC, 2 parts: 30 minutes each. Part 1 on December 27, 1970; Part 2 on January 3, 1971.
Source: Telecast
Reprints:

Discussion of Ives as a composer, of his father, of his musical background, of the traditions that influenced him, of the structure of his compositions, and of his influence on other composers by James Drew, Assistant Professor of Music Theory at Yale University. Recorded musical examples for illustration chosen from works by Ives, George Rochberg, Luciano Berio, and James Drew.

XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts

Johnson, Marc E.

Year: 2002
Complete Citation:
Johnson, Marc E. “Charles Ives’s (Utopian, Pragmatist, Nostalgic, Progressive, Romantic, Modernist) Yankee Realism.” American Music 20.2 (Summer 2002): 188-233.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Karl, Frederick R.

Year: 1985
Complete Citation:
Karl, Frederick R. Modern and Modernism: The Sovereignty of the Artist, 1885-1925, 337. New York, NY: Atheneum, 1985.
Notes:

“In America, Charles Ives was, without direct awareness of European developments, pursuing his own forms of Modernism,” (340-341).

Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives