Evseeva, Marina
Year: 1989
Complete Citation:
Evseeva, Marina. “Fortepiannaja sonata v tvorcestve kompozitorov SSA XX veka: Carl’z Ajvz, Aaron Koplend, Vinsent Persiketti.” Ph.D. diss., Gosudarstvennaja Konservatorija, Moscow, 1989.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Ewing, James William
Year: 1965
Complete Citation:
Ewing, James William. “A study of selected songs of Charles Edward Ives.” D. Mus. thesis, Northwestern University.Source: D.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Ewen, David
Year: 1942
Complete Citation:
Ewen, David. Music Comes to America, 277, 289. New York, NY: Allen, Towne & Heath, 1947.Notes: Two passing citations. Submits that American music will follow “the futuristic music of Charles Ives.”
Source: Book
VI. Topical Studies
L. Ives and America
Fairfield, Patrick K.
Year: 2000
Complete Citation:
Fairfield, Patrick K. “Representations of gender and sexuality in the music and writings of Charles Ives.” Ph.D. diss., Brandeis University, 2000.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Farwell, Arthur
Year: 1935
Complete Citation:
Farwell, Arthur. “Pioneering for American Music.” Modern Music 12 (March-April 1935): 116-122.Source: Journal
VI. Topical Studies
L. Ives and America
Faucett, Bill F. (Compiled, prepared, and introduced by)
Year: 2008
Complete Citation:
Faucett, Bill F., ed. Music in America, 1860--1918: Essays, Reviews, and Remarks on Critical Issues. Monographs and Bibliographies in American Music, series edited by Michael J. Budds. Hillsdale, NY: Pendragon Press, 2008.Notes: Cites and quotes from the review of The Celestial Country from the Musical Courier {CI08}.
Source: Book
VI. Topical Studies
L. Ives and America
Ferris, William R. and Mary L. Hart
Year: 1982
Complete Citation:
Ferris, William R. and Mary L. Hart. “Charles Ives: Victorian gentleman or American folk hero?” In Folk music and modern sound. Jackson: University Press of Mississippi, 1982.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Fessel, Pablo
Year: 2006
Complete Citation:
Fessel, Pablo. “Heterogeneidad y concreción en la simultneidad musical. Una caracterización teórica e histórica del concepto de textura.” Doctoral thesis, Universidad de Buenos Aires, 2005.Source: Doctoral Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Filho, Carlos Marigo
Year: 2001
Complete Citation:
Filho, Carlos Marigo. “L'allusion musicale au début du XXe siècle.” Ph.D. diss., Université Panthéon-Sorbonne (Paris), 2001.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Finaldi, Edmond T.
Year: 1961
Complete Citation:
Finaldi, Edmond T. “Some musical ideas of Charles E. Ives, Connecticut's pioneer in contemporary music.” M.S. thesis, Western Connecticut State University, 1961.Source: M.S. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Fink, Lea
Year: 2011
Complete Citation:
Fink, Lea. “Identitäts(Er)Findung Der Amerikanischen Musikgeschichte: Charles Ives.” In Identität - Alterität - Musik, Vol. 4, edited by Annegret Huber et al., 83-98. Vienna, Austria: Hollitzer Verlag, 2011.Source: Journal
VI. Topical Studies
L. Ives and America
Finkelstein, Sydney
Year: 1960
Complete Citation:
Finkelstein, Sydney. Composer and Nation: The Folk Heritage of Music, 237-243. London, United Kingdom: Lawrence & Wishart, 1960.Source: Book
VI. Topical Studies
L. Ives and America
Fisher, Jeff
Year: 2016
Complete Citation:
Fisher, Jeff. “Bernard Herrmann: conducting the obscure with the CBS Symphony.” M.M. thesis, University of South Dakota, 2016.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Fletcher, Lucille.
Complete Citation:
Fletcher, Lucille. “A Connecticut Yankee in Music.” Charles Ives Papers. Box 56. Irving S. Gilmore Music Library, Yale University.Notes: Unpublished article for the New Yorker Magazine, Charles Ives Papers at Yale University, Box 56. Nearly every page has additions and corrections in Ives’s hand, and some passages were actually written by Ives.<br>
Source: Unpublished article
VI. Topical Studies
L. Ives and America
Fouse, Kathryn Lea
Year: 1992
Complete Citation:
Fouse, Kathryn Lea. “Surrealsim in the Piano Music of Representative 20th-century American Composers with Three Recitals of Selected Works of Ives, Cowell, Crumb, Cage, Antheil, and Others.” D.M.A. diss., University of North Texas, 1992.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1993
Complete Citation:
Fouse, Kathryn Lea. “Surrealism in the Music of Representative Twen-tieth-Century Composers with Three Recitals of Selected Works of Ives, Cowell, Crumb, Cage, Antheil, and Others.” D.M.A. diss., University of North Texas, 1993.Notes: Chapter 2 cites appearances of surrealism characteristics as defined in this paper.
Source: D.M.A. Dissertation.
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Frame, Robert
Year: 1969
Complete Citation:
Frame, Robert. “Charles Ives: The Tragedy of a Progressive.” Unpublished undergraduate paper, University of Minnesota, 1969.Source: Unpublished undergraduate paper
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Frank, Alan Robert
Year: 1969
Complete Citation:
Frank, Alan Robert. “The Music of Charles Ives: For Presentation in the Listening Program of the Secondary School.” Ed.D. diss., Columbia University, 1969.Source: Ed.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Frantz, Donald Howe, Jr.
Year: 1960
Complete Citation:
Frantz, Donald Howe, Jr. “Search for Significant Form, 1905-1915: An Evaluation of the Symbols of Tradition and Revolt in American Literature, Painting, and Music.” Ph.D. diss., University of Southern California, 1960.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Frayne, Rob
Year: 1992
Complete Citation:
Frayne, Rob. “An analysis of partitions and strata in Charles Ives’s Three places in New England.” M. Mus. thesis, University of Ottawa, 1992.VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses