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Bibliography

Schonberg, Harold C.

Year: 1961
Complete Citation:
Schonberg, Harold C. “Stubborn Yankee: Ives Iconoclasm and His Individuality Are Always American in Accent.” The New York Times, March 5, 1961, sec. 2, 9.
Source: Newspaper
VI. Topical Studies
L. Ives and America
Year: 1974
Complete Citation:
Schonberg, Harold C. “Natural American, Natural Rebel, Natural Avant- Gardist.” New York Times Magazine, April 21, 1974, 12-14, 71-73, 78, 82-83.
Source: Newspaper
VI. Topical Studies
L. Ives and America

Schubert, Giselher

Year: 1982
Complete Citation:
Schubert, Giselher. “Über einen amerikanischen Komponisten.” In Grenzgänge. Programmbuch der “Frankurter Feste” 1982. Frankfurt, Germany: 1982.
Source: Program Book for Festival
VI. Topical Studies
L. Ives and America

Schulz, Thomas

Year: 2020 (in progress)
Complete Citation:
Schulz, Thomas. "Die Lieder von Charles E. Ives.” Ph.D. diss., Köln Universität, 2020 (in progress).
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Schwartz, David Thomas

Year: 2004
Complete Citation:
Schwartz, David Thomas. “The integrity of structure or the structure of integrity: an analysis of Charles Ives' Hallowe'en; Concerto for piano and chamber ensemble.” Ph.D. Dissertation, University of California, Santa Barbara, 2004.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Seaton, Douglass

Year: 1991
Complete Citation:
Seaton, Douglass. “An American Original: Charles Ives.” In Ideas and styles in the Western musical tradition. Mountain View, CA: Mayfield Publishing Company, 1991.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Selch, Frederick R.

Year: 1989
Complete Citation:
Selch, Frederick R. “An American Sampler: The American Composers of the 20th Century, Part I: The Native New England School and the Beginnings of an American Style.” Ovation 10/1 (February 1989): 8-19.
Notes:

In this very brief description of music in America at the turn of the cen-tury and shortly thereafter, Ives is emphasized.

Source: Journal
VI. Topical Studies
L. Ives and America

Sender, Shelby L.

Year: 2013
Complete Citation:
Sender, Shelby L. “Innovation in Twentieth-Century American Piano Music.” D.M.A. diss., University of Maryland, College Park, 2013.
Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 2013
Complete Citation:
Sender, Shelby L. “Innovation in Twentieth-Century American Piano Music.” D.M.A. diss., University of Maryland, College Park, 2013.
Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Service, Jr., Alfred Roy

Year: 1958
Complete Citation:
Service, Jr., Alfred Roy. “A Study of the Cadence as a Factor in Musical Intelligibility in Selected Piano Sonatas by American Composers.” Ph.D. diss., University of Iowa, 1958.
Notes:

Ives is one of seven-teen composers discussed.

Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Sessions, Roger

Year: 1956
Complete Citation:
Sessions, Roger. Reflections on the Music Life in the United States. New York, NY: Merlin Press, 1956.
Source: Book
VI. Topical Studies
L. Ives and America

Sherwood, Gayle D.

Year: 1995
Complete Citation:
Sherwood, Gayle D. “The choral works of Charles Ives: chronology, style, reception.” Ph.D. Dissertation, Yale University,1995.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Shultis, Christopher L.

Year: 1993
Complete Citation:
Shultis, Christopher L. “Silencing the Sounded Self: John Cage and the Experimental Tradition in Twentieth-Century American Poetry and Music.” Ph.D. diss., University of New Mexico, 1993.
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Siegmeister, Elie

Year: 1976
Complete Citation:
Siegmeister, Elie. “Charles Ives: American Expressionist and Populist.” In South Florida's Historic Ives Festival, 1974-1976, 39-43. Coral Gables, FL: University of Miami, 1976.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Skinner, Myles L.

Year: 2007
Complete Citation:
Skinner, Myles L. “Toward a Quarter -Tone Syntax: Analyses of Selected Works by Blackwood, Hába, Ives, and Wyschnegradsky.” Ph.D. diss., University of Buffalo, 2007.
Source: Ph. D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Slominsky, Nicholas

Year: 1955
Complete Citation:
Nicolas Slonimsky. “Charles Ives—America’s Musical Prophet.” Musical America 74/4 (February 15, 1954): 18-19.
Source: Journal
Reprints:

Slominsky, Nicholas. “Charles Ives—America’s Musical Prophet.” <i>Pan Pipes </i>47: 20 (January 1955).

VI. Topical Studies
L. Ives and America

Slonimsky, Nicolas

Year: 1952
Complete Citation:
Slonimsky, Nicolas. “Sur la musique Americaine.” In L'Oeuvre du XXe siecle, 29. Paris, France: Congress for Cultural Freedom, 1952.
Source: Journal/Conference?
VI. Topical Studies
L. Ives and America

Sole, Kenneth Gale

Year: 1976
Complete Citation:
Sole, K. G. A Study and Performance of Five Psalm Settings and “The Celestial Country” by Charles Edward Ives.” D.M.A. diss., University of Southern California, 1976.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Stein, Alan

Year: 1975
Complete Citation:
Stein, Alan. “The Musical Language of Charles Ives’ Three Places in New England.” D.M.A. diss., University of Illinois, 1975.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Stoddard, Hope

Year: 1951
Complete Citation:
Stoddard, Hope. “Music in Connecticut.” International Musician (March 1951).
Source: Journal
VI. Topical Studies
L. Ives and America