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Bibliography

Eiseman, David

Year: 1972
Complete Citation:
Eiseman, David. “Charles Ives and the European tradition: a historical reappraisal.” Ph.D. diss., University of Illinois, 1972.
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Evseeva, Marina

Year: 1989
Complete Citation:
Evseeva, Marina. “Fortepiannaja sonata v tvorcestve kompozitorov SSA XX veka: Carl’z Ajvz, Aaron Koplend, Vinsent Persiketti.” Ph.D. diss., Gosudarstvennaja Konservatorija, Moscow, 1989.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Ewing, James William

Year: 1965
Complete Citation:
Ewing, James William. “A study of selected songs of Charles Edward Ives.” D. Mus. thesis, Northwestern University.
Source: D.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Ewen, David

Year: 1942
Complete Citation:
Ewen, David. Music Comes to America, 277, 289. New York, NY: Allen, Towne & Heath, 1947.
Notes:

Two passing citations. Submits that American music will follow “the futuristic music of Charles Ives.”

Source: Book
VI. Topical Studies
L. Ives and America

Fairfield, Patrick K.

Year: 2000
Complete Citation:
Fairfield, Patrick K. “Representations of gender and sexuality in the music and writings of Charles Ives.” Ph.D. diss., Brandeis University, 2000.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Farwell, Arthur

Year: 1935
Complete Citation:
Farwell, Arthur. “Pioneering for American Music.” Modern Music 12 (March-April 1935): 116-122.
Source: Journal
VI. Topical Studies
L. Ives and America

Faucett, Bill F. (Compiled, prepared, and introduced by)

Year: 2008
Complete Citation:
Faucett, Bill F., ed. Music in America, 1860--1918: Essays, Reviews, and Remarks on Critical Issues. Monographs and Bibliographies in American Music, series edited by Michael J. Budds. Hillsdale, NY: Pendragon Press, 2008.
Notes:

Cites and quotes from the review of The Celestial Country from the Musical Courier {CI08}.

Source: Book
VI. Topical Studies
L. Ives and America

Ferris, William R. and Mary L. Hart

Year: 1982
Complete Citation:
Ferris, William R. and Mary L. Hart. “Charles Ives: Victorian gentleman or American folk hero?” In Folk music and modern sound. Jackson: University Press of Mississippi, 1982.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Fessel, Pablo

Year: 2006
Complete Citation:
Fessel, Pablo. “Heterogeneidad y concreción en la simultneidad musical. Una caracterización teórica e histórica del concepto de textura.” Doctoral thesis, Universidad de Buenos Aires, 2005.
Source: Doctoral Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Filho, Carlos Marigo

Year: 2001
Complete Citation:
Filho, Carlos Marigo. “L'allusion musicale au début du XXe siècle.” Ph.D. diss., Université Panthéon-Sorbonne (Paris), 2001.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Fink, Lea

Year: 2011
Complete Citation:
Fink, Lea. “Identitäts(Er)Findung Der Amerikanischen Musikgeschichte: Charles Ives.” In Identität - Alterität - Musik, Vol. 4, edited by Annegret Huber et al., 83-98. Vienna, Austria: Hollitzer Verlag, 2011.
Source: Journal
VI. Topical Studies
L. Ives and America

Finkelstein, Sydney

Year: 1960
Complete Citation:
Finkelstein, Sydney. Composer and Nation: The Folk Heritage of Music, 237-243. London, United Kingdom: Lawrence & Wishart, 1960.
Source: Book
VI. Topical Studies
L. Ives and America

Fletcher, Lucille.

Complete Citation:
Fletcher, Lucille. “A Connecticut Yankee in Music.” Charles Ives Papers. Box 56. Irving S. Gilmore Music Library, Yale University.
Notes:

Unpublished article for the New Yorker Magazine, Charles Ives Papers at Yale University, Box 56. Nearly every page has additions and corrections in Ives’s hand, and some passages were actually written by Ives.<br>

Source: Unpublished article
VI. Topical Studies
L. Ives and America

Fouse, Kathryn Lea

Year: 1992
Complete Citation:
Fouse, Kathryn Lea. “Surrealsim in the Piano Music of Representative 20th-century American Composers with Three Recitals of Selected Works of Ives, Cowell, Crumb, Cage, Antheil, and Others.” D.M.A. diss., University of North Texas, 1992.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1993
Complete Citation:
Fouse, Kathryn Lea. “Surrealism in the Music of Representative Twen-tieth-Century Composers with Three Recitals of Selected Works of Ives, Cowell, Crumb, Cage, Antheil, and Others.” D.M.A. diss., University of North Texas, 1993.
Notes:

Chapter 2 cites appearances of surrealism characteristics as defined in this paper.

Source: D.M.A. Dissertation.
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Frank, Alan Robert

Year: 1969
Complete Citation:
Frank, Alan Robert. “The Music of Charles Ives: For Presentation in the Listening Program of the Secondary School.” Ed.D. diss., Columbia University, 1969.
Source: Ed.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Frantz, Donald Howe, Jr.

Year: 1960
Complete Citation:
Frantz, Donald Howe, Jr. “Search for Significant Form, 1905-1915: An Evaluation of the Symbols of Tradition and Revolt in American Literature, Painting, and Music.” Ph.D. diss., University of Southern California, 1960.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Froelich, Andrew I.

Year: 1988
Complete Citation:
Froelich, Andrew I. “The Four Violin Sonatas by Charles Ives.” Ph.D. diss., Michigan State University, 1988.
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Fruehwald, Robert Douglas

Year: 1985
Complete Citation:
Fruehwald, Robert Douglas. “Motivic transformation in the "Thoreau" movement of Charles Ives' Concord Sonata.” Ph. D. Dissertation, Washington, University 1985.
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Gabbi, Marianna Paone

Year: 1978
Complete Citation:
Gabbi, Marianna Paone. “Charles Ives, the violin sonatas: a lecture recital, together with three recitals of selected works of L. v. Beethoven, J. Brahms, E. Chausson, C. Debussy, W. Latham, G. Tartini, and A. Vivaldi.” D.M.A. diss., North Texas State University, 1978.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations