Greenberg, Jacob
Year: 2003
Complete Citation:
Greenberg, Jacob. “Charles Ives's songs: a pianist's perspective.” D.Mus. thesis, Northwestern University, 2003.Source: D.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Greenfield, Ruth Wolkowsky
Year: 1976
Complete Citation:
Greenfield, Ruth Wolkowsky. “Charles Edward Ives and the stylistic aspects of his First Piano Sonata.” D.M.A. Thesis, University of Miami, 1976.Source: D.M.A. Thesis
A. Dissertations
Gregg, Thomas A.
Year: 1989
Complete Citation:
Gregg, Thomas A. “Song Composers and their Poetry Choices: An Analysis of the Literary Background and Textual Selections of Twelve Composers.” Ph.D. diss., Ohio State University, 1989.Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Gregg, Thomas Andrew
Year: 1989
Complete Citation:
Gregg, Thomas Andrew. “Song Composers and Their Poetry Choices: An Analysis of the Literary Background and Textual Selections of Twelve Composers.” D.M.A. diss., Ohio State University, 1989.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Griffith, Michael Ted
Year: 1987
Complete Citation:
Griffith, Michael Ted. “Analysis and selected stylistic problems of five works for small chamber orchestra.” D.M.A. diss., University of Colorado, 1987.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Groh, Jack
Year: 1978
Complete Citation:
Groh, Jack. “A conductor's analysis of and preparation and approach to polyrhythms: with particular attention to polyrhythms in certain of the choral works of Charles E. Ives.” D.M.A. diss., University of Missouri-Kansas City, 1978.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Grunfeld, Frederic
Year: 1954
Complete Citation:
Grunfeld, Frederic. “Charles Ives: Yankee Rebel.” High Fidelity 4, no. 9 (November 1954): 34-36, 103, 105, 107-108.Source: Journal
VI. Topical Studies
L. Ives and America
Hamm, Chelsey
Year: 2016
Complete Citation:
Hamm, Chelsey. “Charles Ives and Democracy: Association, Borrowing, and Treatment of Dissonance.” Ph.D. diss., Jacobs School of Music, Indiana University, 2016.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Hamm, Chelsey L.
Year: 2016
Complete Citation:
Hamm, Chelsey L. “Charles Ives and Democracy: Association, Borrowing, and Treatment of Dissonance in His Music. Jacobs School of Music.” Ph.D. diss., Indiana University, 2016.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Hansen, Chadwick
Year: 1975-1976
Complete Citation:
Hansen, Chadwick. “One Place in New England: The Fifty-Fourth Massachusetts Volunteer Infantry as a Subject for American Artists.” Student Musicologists at Minnesota 6 (1975-1976).Source: Journal
VI. Topical Studies
L. Ives and America
Hanson, Howard
Year: 1942
Complete Citation:
Hanson, Howard. “Twenty Years’ Growth in America.” Modern Music XX, 1 (November-December 1942): 101.Source: Journal
VI. Topical Studies
L. Ives and America
Year: 1951
Complete Citation:
Hanson, Howard. Music in Contemporary American Civilization. Montgomery Lectures on Contemporary Civilization. Lincoln, NE: University of Nebraska, 1951.Source: Book
VI. Topical Studies
L. Ives and America
Harman, Alec, Anthony Milner and Wilfrid Mellers
Year: 1962
Complete Citation:
Harman, Alec, Anthony Milner and Wilfrid Mellers. Man and His Music: The Story of Musical Experience in the West. New York, NY: Ox-ford University Press, 1962.Source: Book
VI. Topical Studies
L. Ives and America
Harris, Roy
Year: 1934
Complete Citation:
Harris, Roy “American Music Enters a New Phase.” Scribner's Magazine 96, October 1934, 218-221.Source: Magazine
VI. Topical Studies
L. Ives and America
Harvey, Mark Sumner
Year: 1983
Complete Citation:
Harvey, Mark Sumner. “Charles Ives: A Prophet of American Civil Religion.” Ph.D. diss., Boston University, 1983.Source: Ph.D. Dissertation
Reprints: Harvey, Mark Sumner. “On the Boundary of Aesthetic and Cultural Analysis: The Music of Charles Ives as Symbol and Context.” <i>Connecticut Review</i> (1987). [Abridged Version] * Harvey, Mark Sumner. “Charles Ives: Prophet of American Civil Re-ligion." Soundings: An Interdisciplinary Journal (Sum-mer-Fall 1989) 72/2-3: 501-525.
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Harvin, Laurence E.
Year: 1972
Complete Citation:
Harvin, Laurence E. “The Piano Trio from the Performer’s Viewpoint with Particular Attention Given to the Ives Trio.” D.M.A. diss., Florida State University, 1972.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Helms, Hans G.
Year: 1975
Complete Citation:
Helms, Hans G. “Charles Edward Ives—Ideal American or Social Critic?” Current Musicology, No. 19 (1975): 37-44.Source: Journal
VI. Topical Studies
L. Ives and America
Henderson, Clayton
Year: 1969
Complete Citation:
Henderson, Clayton Wilson. “Quotation as a Style Element in the Music of Charles Ives.” Ph.D. diss., Washington University, 1969.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Henderson, Joyce Joy
Year: 2008
Complete Citation:
Henderson, Joyce Joy. “Die Concord Sonata von Charles Ives.” Ph.D. diss., Freie Universität, Berlin, 2008.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Hilliard, John Stanley
Year: 1983
Complete Citation:
Hilliard, John Stanley. “Part I: Two Pieces for Orchestra (Original Composition Not Part of Microfilm Copy); Part II: Charles Ives’ Robert Browning Overture: Style and Structure.” D.M.A. Thesis, Cornell University, 1983.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations