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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Carter, Elliot

Year: 1946
Complete Citation:
Carter, Elliot. “An American Destiny.” Listen (November, 1946): 4-7.
Source: Journal
VI. Topical Studies
L. Ives and America
Year: 1965
Complete Citation:
Carter, Elliot. “Expressionism and American Music.” Perspectives of New Music (Fall-Winter 1965): 1-13.
Source: Journal
VI. Topical Studies
L. Ives and America

Carter, Elliott

Year: 1955
Complete Citation:
Carter, Elliott. “The Rhythm Basis of American Music.” Score (June 1955).
Source: Journal
VI. Topical Studies
L. Ives and America

Castleman, Lisa D.

Year: 2013
Complete Citation:
Castleman, Lisa D. “A conductor's practical approach to "Country Band" March by Charles Ives.” M.M. Thesis, California State University, Long Beach, 2013.
Source: M.M. Thesis
B. Theses

Chase, Gilbert

Year: 1977
Complete Citation:
Chase, Gilbert. “Introduction.” In An Ives Celebration, edited by H. Wiley Hitchcock and Vivian Perlis, 3. Urbana, IL: University of Illinois Press, 1977.
Source: Book
V. General Music Studies
L. Ives and America
Year: 1977
Complete Citation:
Chase, Gilbert. “Ives and American Culture.” In An Ives Celebration, edited by H. Wiley Hitchcock and Vivian Perlis, 3. Urbana, IL: University of Illinois Press, 1977.
VI. Topical Studies
L. Ives and America

Chmaj, Betty E.

Year: 1979
Complete Citation:
Chmaj, Betty E. “Sonata for American Studies: Perspectives on Charles Ives.” Prospects: An Annual of American Culture Studies 4, edited by Jack Salzman, (1979): 1-58.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Clark, Philip Steven

Year: 1966
Complete Citation:
Clark, Philip Steven. “An analysis of the second movement, "Hawthorne," of Piano sonata no. 2, "Concord, Mass., 1840-1860" by Charles Ives.” M.M. Thesis, DePauw University, 1966.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Cohn, Arthur

Year: 1939
Complete Citation:
Cohn, Arthur. “Americana in the Fleisher Collection.” Modern Music 16/2 (January-February 1939): 116-119.
Source: Journal
VI. Topical Studies
L. Ives and America

Cole, Michael S.

Year: 1975
Complete Citation:
Cole, Michael S. “Concord revisited: Charles Ives and the American transcendentalists.” M.A. Thesis, York University, 1975.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Conn, Peter J.

Year: 1988
Complete Citation:
Conn, Peter J. “Innovation and nostalgia: Charles Ives.” In The divided mind: ideology and imagination in America 1898-1917. Cambridge, United Kingdom: Cambridge University Press, 1988.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Conway, Bret K.

Year: 1985
Complete Citation:
Conway, Bret K. “Harmonic evolution in Charles Edward Ives's 114 songs.” M.M. thesis, Baylor University, 1985.
Source: M.M. Thesis
C. Baccalaureate Essays
B. Theses

Copland, Aaron

Year: 1932
Complete Citation:
Copland, Aaron. “The American Composer and His Critic.” Modern Music IX, 4 (May-June 1932): 143-147.
Source: Journal
VI. Topical Studies
L. Ives and America
Year: 1952
Complete Citation:
Copland, Aaron. “The Composer in Industrial America.” In Music and Imagination: The Charles Elliott Norton Lectures, 1951--1952, 96--111. Cambridge, United Kingdom: Harvard University Press, 1952.
Source: Book
VI. Topical Studies
L. Ives and America

Cowell, Henry

Year: 1933
Complete Citation:
Cowell, Henry. “Trends in American Music.” In American Composers on American Music, edited by Henry Cowell, 3-13. Stanford, CA: Stanford University Press, 1933.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Cowell, Henry Dixon

Year: 1941
Complete Citation:
Cowell, Henry Dixon. “Dos Estudios: (1) La musica entre los pueblos primitivos; (2) La creacíon musical en los Estados Unidos.” Spanish translation by Francisco Curt Lange. Boletín Latino--Americano de Música 5/5 (October 1941): 105--113.
Notes:

The second essay gives attention to Ives, Ruggles, Crawford, and others.

Source: Journal
VI. Topical Studies
L. Ives and America

Cox, David

Year: 1965
Complete Citation:
Cox, David. “Charles Ives, the First Truly American Composer.” Lis-tener 73 (March 11, 1965): 384.
Notes:

A general article as background for broad- cast of the four violin sonatas. Cites the infamous misquotation of Schoenberg.

Source: Journal
VI. Topical Studies
L. Ives and America

Cox, Paul Walthen

Year: 1970
Complete Citation:
Cox, Paul Wathen. “An Analysis of Sonority Types in Selected Songs of Charles Ives.” M.M. thesis, Indiana University, 1970.
Notes:

Discusses certain sonorities, quartal and quintal chords, polychords, clusters, and hybrid sonorities. Thirty-eight songs analyzed. Appendix B lists 114 Songs in chronological order with authors of the texts.

Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Cox, Paul Wathen

Year: 1970
Complete Citation:
Cox, Paul Wathen. “An analysis of sonority tapes in selected songs of Charles Ives.” M.M. Thesis, Indiana University, 1970.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Crain, Timothy Mark

Year: 1995
Complete Citation:
Crain, Timothy Mark. “Rhythm and form in Ives's Scherzo (Over the pavements).” M.M. thesis, University of Alabama, 1995.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses