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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Palmer, Lyelle Lee

Year: 1963
Complete Citation:
Palmer, Lyelle Lee. “Some techniques of composition, employed by Charles Edward Ives in 114 songs.” M.M. thesis, Southern Methodist University, 1963.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Palonis, Cheryl

Year: 1976
Complete Citation:
Palonis, Cheryl. “"Gatherings": a choreographic tribute to Charles Ives.” M.F.A. Thesis, Department of Ballet and Modern Dance, University of Utah, 1976.
Source: M.F.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Parks, Marty

Year: 1983
Complete Citation:
Parks, Marty. “Composition in isolation: an historical survey of the religious choral works of Charles Ives.” M.M. Thesis, Southwestern Baptist Theological Seminary, 1983.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Patkin, Nehama

Year: 1976
Complete Citation:
Patkin, Nehama. “New approaches to piano sonorities in works of Charles Ives, Henry Cowell and Edgar Varèse.” M.M. thesis, University of Melbourne, 1976.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Pelaccia, Bonnie Pettengill

Year: 2002
Complete Citation:
Pelaccia, Bonnie Pettengill. “Connecticut Cows Loved Charles Ives.” Grit 120 (2002): 8.
Source: Journal
VI. Topical Studies
L. Ives and America

Perry, Rosalie Sandra

Year: 1969
Complete Citation:
Perry, Rosalie Sandra. “Charles Ives as a progressive.” M.A. Thesis, University of Texas at Austin, 1969.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Pincus, Andrew L.

Year: 1985
Complete Citation:
Pincus, Andrew L. “Nationalism in Music Recognizes No Boundaries.” The New York Times, October 20, 1985.
Source: Newspaper
VI. Topical Studies
L. Ives and America

Pinotti, Cintia Maria Annichino

Year: 2002
Complete Citation:
Pinotti, Cintia Maria Annichino. “O Salmo 150 de Ernest Mahle: questões composicionais e interpretativas.” Master’s thesis, Universidade de São Paulo, 2002.
Source: Master’s Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Piotrowska, Anna G.

Year: 2003
Complete Citation:
Piotrowska, Anna G. Idea muzyki narodowej w ujęciu kompozytorów amerykańskich pierwszej połowy XX wieku. Toruń, Poland: Adam Marszałek, 2003.
Source: Book
VI. Topical Studies
L. Ives and America

Quackenbush, Margaret Diane

Year: 1976
Complete Citation:
Quackenbush, Margaret Diane. “Form and texture in the works for mixed chamber ensemble by Charles Ives.” M.A. Thesis, University of Oregon, 1976.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Rarig, Howard Raymond

Year: 1952
Complete Citation:
Rarig, Howard Raymond. “The second string quartet of Charles Ives.” M.M. Thesis, Ithaca College, 1952.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Rathert, Wolfgang

Year: 1993
Complete Citation:
Rathert, Wolfgang. “Charles Ives und der Beginn der nordamerikanischen Musik.” In Geschichte der Musik, Vol. 4, edited by Michael Raeburn, 67-81. Munich, Germany: Kindler, 1993.
Source: Book
VI. Topical Studies
L. Ives and America

Raynes, Bethany

Year: 2012
Complete Citation:
Raynes, Bethany. “Examination of musical works by Bach, Fauré, Ives, Sarasate, and Mendelssohn: research in conjunctioin with a graduate violin recital.” M.M. thesis, University of Texas at San Antonio, 2012.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Rayson, John Baird

Year: 1982
Complete Citation:
Rayson, John Baird. “The problem of style in the songs of Charles Ives.” M.A. Thesis, University College, Cardiff, 1982.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Rexroth, Dieter

Year: 1979
Complete Citation:
Rexroth, Dieter. Zwischen den Grenzen: Zum Aspekt des Nationalen in der Neuen Musik. Mainz, Germany: Schott, 1979.
Source: Book
VI. Topical Studies
L. Ives and America

Riepe, Russell

Year: 1969
Complete Citation:
Riepe, Russell. “Charles Ives: Robert Browning Overture.” M.A. Thesis, University of Rochester, 1969.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Riesman, David

Year: 1950
Complete Citation:
Riesman, David. The Lonely Crowd: A Study of the Changing American Character, 287-288, 324-325. New Haven, CT: Yale University Press, 1950.
Source: Book
VI. Topical Studies
L. Ives and America

Riggs, Krista

Year: 2006
Complete Citation:
Riggs, Krista. “Articles: The Twentieth Century American Oboe Concerto: Something Old, New, Borrowed, and Blue.” The Double Reed, Vol. 29, No. 1 (2006): 59-74.
Source: Journal
VI. Topical Studies
L. Ives and America

Riley, Owen Howard

Year: 2003
Complete Citation:
Riley, Owen Howard. “Charles Ives, Duke Ellington, Aaron Copland: a search for an American identity in early twentieth century American music.” M.A. Thesis, California State University, Dominguez Hills 2003.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Rodriguez, Paul Anthony

Year: 1985
Complete Citation:
Rodriguez, Paul Anthony. “Charles E. Ives: transcendental influence in selected short piano compositions.” M.A. thesis, California State University, Fullerton, 1985.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses