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Complete Citation:
Addiss, Stephen. “The vocal music of Charles Ives.” B.A. thesis, Harvard University, 1957.
Bibliography
Genres
Addiss, Stephen
Year: 1957
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
C. Baccalaureate Essays
Alexander, Charles C.
Year: 1980
Complete Citation:
Alexander, Charles C. Here the Country Lies: Nationalism and the Arts in Twentieth-Century America. Bloomington, IN: Indiana University Press, 1980.Notes:
Many references to Ives.
Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Anderson, David E.
Year: 1974
Complete Citation:
Anderson, David E. “Ives Heritage: ‘Vision of a Vanished America in Music.’” Los Angeles Times, December 14, 1974, A9.Source: Newspaper
VI. Topical Studies
L. Ives and America
L. Ives and America
Anderson, William
Year: 1975
Complete Citation:
Anderson, William. “Editorially Speaking: Composer Charles Ives Enters History.” Stereo Review 34/3 (March 1975): 4.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Asmodo, Joe
Year: 1991
Complete Citation:
Asmodo, Joe. “Charles Ives: Komponist als Zweitberuf oder National- held mit Hindernissen.” AbraHadAbra: Das Magazin des Neuen Aons 4/8 (August 1991): 52-54.Source: Magazine
VI. Topical Studies
L. Ives and America
L. Ives and America
Austin, Larry
Year: 1976
Complete Citation:
Austin, Larry. “Reconstruction of Ives’ Universe Symphony.” In Desert Plants: Conversations with 23 American Musicians, interviewed by Walter Zimmermann, 207-220. Vancouver, BC: A.R.C. Publications, 1976.Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Year: 1985
Complete Citation:
Austin, Larry. “Charles Ives’s Life Pulse Prelude for Percussion Orchestra: A Realization for Modem Performance from Sketches for His Universe Symphony.” Percussionist 23, no. 6 (1985): 58-84.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Bae, Myo Jeong
Complete Citation:
Bae, Myo Jeong. “Charles Ives 음악의 미국주의적 측면에 관한 연구.” 한국예술연구, no. 6 (2012): 67-97.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Bales, Richard and Charles Seeger
Year: 1950
Complete Citation:
Bales, Richard and Charles Seeger. “Tone Roads No. 1 for Chamber Orchestra (performable also as chamber music).” New York: Peer International Corp., 1949. Notes 7/3 (June 1950): 432-433.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Bauer, Marion
Year: 1931
Complete Citation:
Bauer, Marion. “La Musique Americaine.” La Revue Musicale 12/117--118 (July--August 1931): 178-190.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Bellamann, Henry
Year: 1934
Complete Citation:
Bellamann, Henry. “How Sad is American Music?” Commonwealth 20. October 26, 1934: 606.Source: Magazine
VI. Topical Studies
L. Ives and America
L. Ives and America
Belt, Byron
Year: 1974
Complete Citation:
Belt, Byron. “America’s Music Pioneer.” The Atlanta Constitution, August 2, 1974, 20A.Source: Newspaper
VI. Topical Studies
L. Ives and America
L. Ives and America
Block, Geoffrey
Year: 1997
Complete Citation:
Block, Geoffrey. “Remembrance of Dissonances Past: The Two Published Editions of Ives’s Concord Sonata.” In Ives Studies, edited by Philip Lambert, 27-50. Cambridge, United Kingdom: Cambridge University Press, 1997.Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Year: 1997
Complete Citation:
Block, Geoffrey. “Remembrance of Dissonances Past: The Two Published Editions of Ives’s Concord Sonata.” In Ives Studies, edited by Philip Lambert, 27-50. Cambridge, UK: Cambridge University Press, 1997.Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Boardman, Katherine R.
Year: 1969
Complete Citation:
Boardman, Katherine R. “Ives in Performance: 1900-1950.” Term paper, Yale University, 1969.Notes:
Copy in the Charles Ives Papers, Irving S. Gilmore Library, Yale University, New Haven, CT.
Source: Term paper
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
C. Baccalaureate Essays
Borroff, Edith
Year: 1988
Complete Citation:
Borroff, Edith. “American Music since Charles Ives.” Sonneck Society for American Music Bulletin 14/1 (1988): 11-12.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 2003
Complete Citation:
Borroff, Edith. “Charles Ives.” In Music melting round: a history of music in the United States. Lanham, MD: Scarecrow Press, 2003.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Bounds, Charles Evans
Year: 1951
Complete Citation:
Bounds, Charles Evans. “A study of the solo songs of Charles Ives.” M.M. Thesis, North Texas State College, 1951.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
C. Baccalaureate Essays
Bourne, Patricia Gerald
Year: 1961
Complete Citation:
Bourne, Patricia Gerald. “An American meets Euterpe: Charles Edward Ives.” A.B. thesis, Radcliffe College, 1961.Source: A.B. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
C. Baccalaureate Essays
Britton, Allen P.
Year: 1956
Complete Citation:
Britton, Allen P. “America’s Music.” Journal of Research in Music Education (April 1956).Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America