Goss, Madeleine
Year: 1970
Complete Citation:
Goss, Madeleine. Modern music-makers: contemporary American composers. Westport, CT: Greenwood Press, 1970.Source: Book
VI. Topical Studies
L. Ives and America
Grunfeld, Frederic
Year: 1954
Complete Citation:
Grunfeld, Frederic. “Charles Ives: Yankee Rebel.” High Fidelity 4, no. 9 (November 1954): 34-36, 103, 105, 107-108.Source: Journal
VI. Topical Studies
L. Ives and America
Hamm, Charles
Year: 1995
Complete Citation:
Hamm, Charles. “Review of Forty Earlier Songs by Charles Ives.” Notes 51/2 (March 1995): 1124-1125.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Hammel, Alice M.
Year: 2007
Complete Citation:
Hammel, Alice M. Review of Charles Ives: Variations on “America,” for Flute and Piano, by Daniel Dorff. American Music Teacher (2007): 99-100.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Hansen, Chadwick
Year: 1975-1976
Complete Citation:
Hansen, Chadwick. “One Place in New England: The Fifty-Fourth Massachusetts Volunteer Infantry as a Subject for American Artists.” Student Musicologists at Minnesota 6 (1975-1976).Source: Journal
VI. Topical Studies
L. Ives and America
Hanson, Howard
Year: 1942
Complete Citation:
Hanson, Howard. “Twenty Years’ Growth in America.” Modern Music XX, 1 (November-December 1942): 101.Source: Journal
VI. Topical Studies
L. Ives and America
Year: 1951
Complete Citation:
Hanson, Howard. Music in Contemporary American Civilization. Montgomery Lectures on Contemporary Civilization. Lincoln, NE: University of Nebraska, 1951.Source: Book
VI. Topical Studies
L. Ives and America
Harman, Alec, Anthony Milner and Wilfrid Mellers
Year: 1962
Complete Citation:
Harman, Alec, Anthony Milner and Wilfrid Mellers. Man and His Music: The Story of Musical Experience in the West. New York, NY: Ox-ford University Press, 1962.Source: Book
VI. Topical Studies
L. Ives and America
Harris, Roy
Year: 1934
Complete Citation:
Harris, Roy “American Music Enters a New Phase.” Scribner's Magazine 96, October 1934, 218-221.Source: Magazine
VI. Topical Studies
L. Ives and America
Hebb, Furman
Year: 1963
Complete Citation:
Hebb, Furman. “Editorially Speaking.” HiFi/Stereo Review 13/3 (Sep-tember 1963): 4.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Helms, Hans G.
Year: 1975
Complete Citation:
Helms, Hans G. “Charles Edward Ives—Ideal American or Social Critic?” Current Musicology, No. 19 (1975): 37-44.Source: Journal
VI. Topical Studies
L. Ives and America
Henck, Herbert
Year: 1980
Complete Citation:
Henck, Herbert. “‘Waltz-Rondo’ und andere Klavierstucke von Charles Ives. [Review of Waltz-Rondo by Charles Ives.]” Neuland 1 (1980): 44-46.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1982-1983
Complete Citation:
Henck, Herbert. “Aus zweiter Hand: Charles E. Ives’ ‘Study No. 20.’ Review of Study No. 20 by Charles Ives.]” Neuland 3 (1982-83): 242.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Hitchcock, H. Wiley
Year: 1997
Complete Citation:
Hitchcock, H. Wiley. “Editing Ives's 129 Songs.” In Ives Studies, 51-76. Lambert, Philip, ed. Ives Studies. Cambridge, UK: Cambridge University Press, 1997. Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Hitchcock, H. Wiley and Vivian Perlis
Year: 1977
Complete Citation:
Hitchcock, H. Wiley and Vivian Perlis. “Editors’ Experiences.” In An Ives Celebration: Papers and Panels of the Charles Ives, edited by H. Wiley Hitchcock and Vivian Perlis. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Hubbs, Nadine
Year: 2004
Complete Citation:
Hubbs, Nadine. The Queer Composition of America's Sound: Gay Mod-ernists, American Music and National Identity. Berkeley, CA: University of California Press, 2004.Notes: In subchapter, "Ives, American Music and Mutating Manliness," the author points out Ives's desire for American composers to write strong music to define Americanism and for audiences to listen most intensely.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Hume, Paul
Year: 1954
Complete Citation:
Hume, Paul. “Reviewed Work: Ten Songs for Voice and Piano by Charles Ives.” Notes, vol. 11, no. 3 (June 1954): 449-450.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1954
Complete Citation:
Hume, Paul. “Ten Songs.” Notes 11, no. 3 (June 1954): 449-450.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1964
Complete Citation:
Hume, Paul. “Review of Ten Early Songs.” Music Library Association Notes, Second Series, vol. II, no. 3 (June 1964).Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Ives, Charles
Year: 1968
Complete Citation:
Ives, Charles. “Charles Ives.” In The bitch-goddess success: variations on an American theme by… (Katz, Leslie George, editor). New York, NY: Eakins Press, 1968.Source: Chapter in Book
VI. Topical Studies
L. Ives and America