Perlis, Vivian
Complete Citation:
Perlis, Vivian. “‘Monumenta Americana’ Revisited.” In A Celebration of American Music: Words and Music in Honor of H. Wiley Hitchcock, 439-448. Edited by Richard Crawford, R. Allen Lott, and Carol J. Oja. Ann Arbor: Univer-sity of Michigan Press, 1990.Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Pershchetti, Vincent
Year: 1953
Complete Citation:
Pershchetti, Vincent. “Review of ‘Largo for Violin, Clarinet, and Piano.’” Music Library Association Notes, Vol. 11, No. 6 (December 1953).Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Persichetti, Vincent
Year: 1953
Complete Citation:
Persichetti, Vincent. Review of “Largo, for Violin, Clarinet, Piano.” Notes 11, no. 6 (December 1953): 157.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Phillips, Burrill
Year: 1951
Complete Citation:
Phillips, Burrill. “Symphony No. 2 for Large Orchestra. New York: Southern Music Publishing Co., 1951.” Notes 9, no. 3 (June 1952): 499-500.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Pincus, Andrew L.
Year: 1985
Complete Citation:
Pincus, Andrew L. “Nationalism in Music Recognizes No Boundaries.” The New York Times, October 20, 1985.Source: Newspaper
VI. Topical Studies
L. Ives and America
Piotrowska, Anna G.
Year: 2003
Complete Citation:
Piotrowska, Anna G. Idea muzyki narodowej w ujęciu kompozytorów amerykańskich pierwszej połowy XX wieku. Toruń, Poland: Adam Marszałek, 2003.Source: Book
VI. Topical Studies
L. Ives and America
Rathert, Wolfgang
Year: 1989
Complete Citation:
Rathert, Wolfgang. “The Unanswered Questions of the Ives Edition.” Musical Quarterly 73 (1989): 575-584.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1989
Complete Citation:
Rathert, Wolfgang. “The Unanswered Questions of the Ives Edition,” translated by James Lum. Musical Quarterly 73 (1989): 575-584.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1993
Complete Citation:
Rathert, Wolfgang. “Werk und Text bei Charles Ives.” In Musik als Text. Bericht über den Internationalen Kongreß der Gesellschaft für Musikforschung. Freiburg im Breisgau 1993, Vol. 1, edited by Hermann Danuser and Tobias Plebuch, 281-286. Kassel, Germany: 281-286.Source: Conference Proceedings Publication
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1993
Complete Citation:
Rathert, Wolfgang. “Charles Ives und der Beginn der nordamerikanischen Musik.” In Geschichte der Musik, Vol. 4, edited by Michael Raeburn, 67-81. Munich, Germany: Kindler, 1993.Source: Book
VI. Topical Studies
L. Ives and America
Year: 2015
Complete Citation:
Rathert, Wolfgang. “Charles E. Ives “Symphony No. 4.”” Die Musikforschung, Vol. 68, No. 2 (2015): 218-221.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Rexroth, Dieter
Year: 1979
Complete Citation:
Rexroth, Dieter. Zwischen den Grenzen: Zum Aspekt des Nationalen in der Neuen Musik. Mainz, Germany: Schott, 1979.Source: Book
VI. Topical Studies
L. Ives and America
Reyes, James E.
Year: 1966
Complete Citation:
Reyes, James E. “Reviewed Work: They Are There! A War Song March, 1917 by Charles E. Ives.” Notes, vol. 20, no. 4 (Autumn 1963): 565-566.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Riesman, David
Year: 1950
Complete Citation:
Riesman, David. The Lonely Crowd: A Study of the Changing American Character, 287-288, 324-325. New Haven, CT: Yale University Press, 1950.Source: Book
VI. Topical Studies
L. Ives and America
Riggs, Krista
Year: 2006
Complete Citation:
Riggs, Krista. “Articles: The Twentieth Century American Oboe Concerto: Something Old, New, Borrowed, and Blue.” The Double Reed, Vol. 29, No. 1 (2006): 59-74.Source: Journal
VI. Topical Studies
L. Ives and America
Ring, Gordon
Year: 1991
Complete Citation:
Gordon, Ring. “Variations on ‘America'—A Comparison of Three Versions.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.Source: Conference paper
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Rosenfeld, Paul
Year: 1931
Complete Citation:
Rosenfeld, Paul. “New American Music.” Scribner’s 89/6 (June 1931): 624--632.Notes: Only one cursory mention that “Virgil Thomson, Charles F. <i>[sic] </i>Ives, and Adolph Weiss have each something personal to say.”
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1939
Complete Citation:
Rosenfeld, Paul. “The Advent of American Music.” Kenyon Review (Winter/Spring 1939).Source: Journal
VI. Topical Studies
L. Ives and America
Year: 1939
Complete Citation:
Rosenfeld, Paul. “The Advance of American Music.” Kenyon Review 1 (Spring 1939): 185-193.Source: Journal
VI. Topical Studies
L. Ives and America
Year: 1940
Complete Citation:
Rosenfeld, Paul. “‘Americanism’ in American Music.” Modern Music 17/4 (May-June 1940): 226-232.Notes: “Others, saturated with folklore—Ives, for example—seemed to have sought for a music confirmative to folklore and for a national or regional expressivity.”
Source: Journal
VI. Topical Studies
L. Ives and America
