Faucett, Bill F. (Compiled, prepared, and introduced by)
Year: 2008
Complete Citation:
Faucett, Bill F., ed. Music in America, 1860--1918: Essays, Reviews, and Remarks on Critical Issues. Monographs and Bibliographies in American Music, series edited by Michael J. Budds. Hillsdale, NY: Pendragon Press, 2008.Notes: Cites and quotes from the review of The Celestial Country from the Musical Courier {CI08}.
Source: Book
VI. Topical Studies
L. Ives and America
Feinberg, Alan
Year: 1998
Complete Citation:
Feinberg, Alan. “An Ives Premiere: The “Emerson” Concerto-An Ultimate Statement.” American Record Guide, Vol. 61, No. 6 (1998): 6-8.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1998
Complete Citation:
Feinberg, Alan. “An Ives premiere.” American Record Guide 61/6 (Novem-ber-December 1998): 6-8.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Ferguson, Sarah
Year: 1998
Complete Citation:
Ferguson, Sarah. “The Sound of the City: Season’s Bleepings.” The Village Voice, Vol. 43, No. 52 (1998): 114.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Ferris, William R. and Mary L. Hart
Year: 1982
Complete Citation:
Ferris, William R. and Mary L. Hart. “Charles Ives: Victorian gentleman or American folk hero?” In Folk music and modern sound. Jackson: University Press of Mississippi, 1982.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Feuchtner, Bernd
Year: 1998
Complete Citation:
Feuchtner, Bernd. “The 3 Basses: Christoph Marthaler’s melancholischer Juxabend “The Unanswered Question” in Basel.” Opernwelt: das internationale Opernmagazin, Vol. 39, No. 1 (1998): 36-37.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Finch, Hilary
Year: 1999
Complete Citation:
Finch, Hilary. “New Classical CDs: 1N Edition 1.” Times, February 25, 1999.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Fine, Elaine
Year: 2000
Complete Citation:
Fine, Elaine. “Review of Ives, Trio (Sound Recording).” American Record Guide 63/6 (November-December 2000): 124.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2015
Complete Citation:
Fine, Elaine. “Collections: “American Chamber Pieces.”” American Record Guide, Vol. 78, No. 1 (2015): 214.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Fink, Lea
Year: 2011
Complete Citation:
Fink, Lea. “Identitäts(Er)Findung Der Amerikanischen Musikgeschichte: Charles Ives.” In Identität - Alterität - Musik, Vol. 4, edited by Annegret Huber et al., 83-98. Vienna, Austria: Hollitzer Verlag, 2011.Source: Journal
VI. Topical Studies
L. Ives and America
Finkelstein, Sydney
Year: 1960
Complete Citation:
Finkelstein, Sydney. Composer and Nation: The Folk Heritage of Music, 237-243. London, United Kingdom: Lawrence & Wishart, 1960.Source: Book
VI. Topical Studies
L. Ives and America
Finn, Robert
Year: 1999
Complete Citation:
Finn, Robert. “Concerts Everywhere: Cleveland-Cleveland Orchestra: Ives “Emerson Concerto” [Premiere].” American Record Guide, Vol. 62, No. 1 (1999): 47-48.Source: Magazine (recording review/premiere)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Fisher, Marjory M.
Year: 1928
Complete Citation:
Marjory M. Fisher. “Jurgen Given in San Francisco.” Musical America (December 15, 1928).Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1934
Complete Citation:
Fisher, Marjory M. “Modern Songs Heard by New Music Society.” San Francisco News, April 10, 1934.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Fisk, Josiah
Year: 1991
Complete Citation:
Fisk, Josiah. Recordings in Review -- Charles Ives' Calcium Night Light, Country Band March, Largo Cantabile, Hymn, Postlude in F and Set of Four Ragtime Dances performed by the Orchestra New England under James Sinclair. Musical America, Vol. 111, No. 2 (1991): 77.Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Fitelberg, Jerzy
Year: 1932
Complete Citation:
Fitelberg, Jerzy. “More Americans and Kurt Weill in Berlin.” Modern Music 9 (May-June 1932): 185.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
Flanagan, William
Year: 1966
Complete Citation:
Flanagan, William. “Charles Ives ‘Robert Browning Overture.’” HiFi/Stereo Review 16, no. 5, May 1966, p. 69-70.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Flem, Paul Le
Year: 1931
Complete Citation:
Flem, Paul Le. “M. Slonimsky a dirigétout un programme de musique américaine.” Comoedia (Paris, France) June 8, 1931, 1-2.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
Fletcher, Lucille.
Complete Citation:
Fletcher, Lucille. “A Connecticut Yankee in Music.” Charles Ives Papers. Box 56. Irving S. Gilmore Music Library, Yale University.Notes: Unpublished article for the New Yorker Magazine, Charles Ives Papers at Yale University, Box 56. Nearly every page has additions and corrections in Ives’s hand, and some passages were actually written by Ives.<br>
Source: Unpublished article
VI. Topical Studies
L. Ives and America
Fonseca-Wollheim, Corinna da
Year: 2012
Complete Citation:
Fonseca-Wollheim, Corinna da. “Ambitious, with Ives Anchoring: Review.” The New York Times, October 30, 2012.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
