Crawford, Richard
Year: 2001
Complete Citation:
Crawford, Richard. “To Stretch Our Ears: The Music of Charles Ives.” In America’s Musical Life: A History, 495-523. New York, NY: W.W. Norton, 2001.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Year: 2005
Complete Citation:
Crawford, Richard. “To stretch our ears”: the music of Charles Ives. In America’s musical life: a history. New York, NY: W.W. Norton, 2005.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Crunden, Robert M.
Year: 1994
Complete Citation:
Crunden, Robert M. A brief history of American culture. New York, NY: Paragon House, 1994.Source: Book
VI. Topical Studies
L. Ives and America
Danuser, Hermann
Year: 1987
Complete Citation:
Danuser, Hermann. “Auf der Suche nach einer nationalen Musikasthetik.” In Amenkanische Musik seit Charles Ives: Interpretation, Quellentexte Komponistenmonographien, 51-59. Lilienthal, Germany: Laaber-Verlag, 1987.Source: Book
VI. Topical Studies
L. Ives and America
Dattel, Michel
Complete Citation:
Dattel, Michel. Homage to Charles Ives (1996--1999); mixed media (col-lage, watercolor, ink) on paper (16 x 24 inches).Notes: “A graphic interpretation of Ives’ music, especially ‘The Unanswered Question’ (1906) and ‘Three Places in New England’ (1903--1904).”
Source: Mixed media
XVI. Photographs and Artwork
B. Artwork
Deeb, Ellen Clark
Year: 1977
Complete Citation:
Deeb, Ellen Clark. Famous American composers: the story of American music, from folk to jazz. Milwaukee, WI: Ideals Publishing Corporation, 1977.Source: Book
VI. Topical Studies
L. Ives and America
Denave, Laurent
Year: 2012
Complete Citation:
Denave, Laurent. Un siècle de création musicale aux États-Unis Histoire sociale des productions les plus originales du monde musical américain, de Charles Ives au minimalisme (1890-1990). Geneva, Switzerland: Éditions Contrechamps, 2012.Source: Book
VI. Topical Studies
L. Ives and America
Dolbin, Benedikt bred
Complete Citation:
Dolbin, Benedikt bred. Sketch. Eastern Underwriter.Source: Sketch
XVI. Photographs and Artwork
B. Artwork
Donohue, John and Michael Petersen
Year: 1974
Complete Citation:
Donohue, John and Michael Petersen. “Connecticut's Music Man: Charles Ives.” The Hartford Courant Magazine, October 20, 1974, 2H.Source: Newspaper
VI. Topical Studies
L. Ives and America
Downes, Olin
Year: 1934
Complete Citation:
Downes, Olin. “A Nation’s Musical Frontiers.” The New York Times, June 3, 1934, sec. 9, 5.Source: Newspaper
VI. Topical Studies
L. Ives and America
Drosd, Nancy
Complete Citation:
Drosd, Nancy. Caricature, 1972. High Fidelity/Musical America 24/10 (October 1974): cover and on the magazine’s advertisements for subscriptions.Notes: Based on the Adolf E. Brotman sketch and/or a photograph by Halley Erskine.
Source: Illustration
Reprints: Peer International Corporation for Ives brochures
XVI. Photographs and Artwork
B. Artwork
DuPree, Mary Herron
Year: 1983
Complete Citation:
DuPree, Mary Herron. “The Failure of American Music: The Critical View from the 1920s.” Journal of Musicology 2 (Summer 1983): 305--315.VI. Topical Studies
L. Ives and America
Edwards, Arthur C. and W. Thomas Marrocco
Year: 1968
Complete Citation:
Edwards, Arthur C. and W. Thomas Marrocco. Music in the United States, 123--124, 157. Dubuque, IA: Wm. C. Brown Publishers, 1968.Source: Book
VI. Topical Studies
L. Ives and America
Eichler, Jeremy
Year: 2004
Complete Citation:
Eichler, Jeremy. “The American Canon’s Unabashed Patriot.” The New York Times. Janu-ary 28, 2004.Source: Newspaper
VI. Topical Studies
L. Ives and America
Erskine, Halley
Year: 1951
Complete Citation:
Erskine, Halley. Photographs. Spring, 1951. In A Charles Ives Omnibus, by James Mack Burk and Michael J. Budds, 50, 57, and 859-860. Hillsdale, New York: Pendragon Press, 2008.Source: Photograph
Reprints: The full collection consists of eighty-four photographs of Ives alone or with Mrs. Ives at their West Redding home. Some have appeared as covers of recordings and in magazines as well as in several books. [Date determined from letter from Ms. Erskine to Ives (in the Charles Ives Papers at Yale University) and a letter to Ms. Erskine from Harmony Ives (in the James Mack Burk Col-lection).]
XVI. Photographs and Artwork
A. Photographs
Ewen, David
Year: 1942
Complete Citation:
Ewen, David. Music Comes to America, 277, 289. New York, NY: Allen, Towne & Heath, 1947.Notes: Two passing citations. Submits that American music will follow “the futuristic music of Charles Ives.”
Source: Book
VI. Topical Studies
L. Ives and America
Farwell, Arthur
Year: 1935
Complete Citation:
Farwell, Arthur. “Pioneering for American Music.” Modern Music 12 (March-April 1935): 116-122.Source: Journal
VI. Topical Studies
L. Ives and America
Faucett, Bill F. (Compiled, prepared, and introduced by)
Year: 2008
Complete Citation:
Faucett, Bill F., ed. Music in America, 1860--1918: Essays, Reviews, and Remarks on Critical Issues. Monographs and Bibliographies in American Music, series edited by Michael J. Budds. Hillsdale, NY: Pendragon Press, 2008.Notes: Cites and quotes from the review of The Celestial Country from the Musical Courier {CI08}.
Source: Book
VI. Topical Studies
L. Ives and America
Ferris, William R. and Mary L. Hart
Year: 1982
Complete Citation:
Ferris, William R. and Mary L. Hart. “Charles Ives: Victorian gentleman or American folk hero?” In Folk music and modern sound. Jackson: University Press of Mississippi, 1982.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Fink, Lea
Year: 2011
Complete Citation:
Fink, Lea. “Identitäts(Er)Findung Der Amerikanischen Musikgeschichte: Charles Ives.” In Identität - Alterität - Musik, Vol. 4, edited by Annegret Huber et al., 83-98. Vienna, Austria: Hollitzer Verlag, 2011.Source: Journal
VI. Topical Studies
L. Ives and America