Abott, Reverend Jacob
Year: 1834-1858
Complete Citation:
Reverend Abbott, Jacob. Rollo at Play, Rollo at School; Rollo at Work', Rollo Learning to Read; Rollo Learning to Talk; Rollo's Correspondence; Rollo's Experiments', Rollo's Museums', Rollo's Philosophy, Rollo's Vacations', and Rollo's Travels. Another group was devoted to Rollo's tours of Europe: Rollo on the Atlantic, Rollo in Holland', Rollo in London', Rollo in Naples; Rollo in Paris', Rollo in Scot-land', Rollo in Switzerland', Rollo on the Rhine', and Rollo in Genoa.Source: Literary References
Reprints: "Rollo," the name Ives called musicians unwilling to listen to advanced dissonances and other techniques found in modern music, was derived from a character in books (1834--1858) by Reverend Jacob Abbott. Rollo could understand only the simplest of situations that had been taught or had been explained to him in great detail. Original publishers include Boston, MA: Weeks, Jordan, and Company; Philadelphia, PA: Hogan & Thompson; Boston, MA: Gould, Kendall & Lincoln.
XIII. Ives in Literature
B. Fiction
Betz, Marianne
Year: 2004
Complete Citation:
Betz, Marianne. “The Voice of the City: New York in Der Musik Von Charles Ives.” Archiv Für Musikwissenschaft, vol. 61, no. 3 (2004): 207-225.Source: Journal
VI. Topical Studies
M. Ives and Manhattan
Elkus, Jonathan
Year: 2005
Complete Citation:
Elkus, Jonathan. “Charles Ives's Manhattan.” In The wind band in and around New York ca. 1830-1950: essays presented at the 26th biennial conference of the College Band Directors National Association, New York, NY, Feb., 2005, edited by Frank J. Cipolla and Donald Hunsberger. Van Nuys, CA: Alfred, 2007.Source: Chapter in Book
VI. Topical Studies
M. Ives and Manhattan
Glöckler, Ralph Roger
Year: 2012
Complete Citation:
Glöckler, Ralph Roger. Mr. Ives und die Vettern vierten Grades: Roman. Berlin, Germany: Elfenbein, 2012.Source: Book
XIII. Ives in Literature
B. Fiction
Hartke, Stephen
Year: 2004
Complete Citation:
Hartke, Stephen. “Center Stage: Ives: Our Musical Grandfather.” In Charles Ives: An American Original in Context, 22, 24, 26. Program booklet [Playbill]. New York, NY: Avery Fischer Hall, May 11-29, 2004.Source: Program Booklet
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
D. Program Notes
Johnson, Owen
Year: 1912
Complete Citation:
Johnson, Owen. Stover at Yale. Boston, MA: Little, Brown, 1912.Source: Book
XIII. Ives in Literature
B. Fiction
Keller, James M.
Year: 2004
Complete Citation:
Keller, James M. “Notes on the Program.” May 12 (35--38); May 15, 19-20 (45--49); May 11, 13 (35--39); May 21-22, 25 (35--40, 40D, 40E); May 27--29 (38, 45-48). In Charles Ives: An American Original in Context. Program booklet [Playbill]. New York, NY: Avery Fischer Hall, May 11-29, 2004.Source: Program Booklet
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
D. Program Notes
Lynds, D.
Year: 1989
Complete Citation:
Lynds, D. “Charles Ives and the President of the United States.” South Dakota Review 211A (Winter 1989): 156-161.Source: Journal
XIII. Ives in Literature
B. Fiction
McCarrell, Stuart
Year: 1991
Complete Citation:
McCarrell, Stuart. “Charles Ives.” In New York: Visions, Struggles, Voices. Chicago, IL: Xenia, 1991.Source: Chapter in Book
VI. Topical Studies
M. Ives and Manhattan
Ridgway, Rick
Year: 1994
Complete Citation:
Ridgway, Rick. Three Squirt Dog. New York, NY: St. Martin’s Press, 1994.Source: Book
XIII. Ives in Literature
B. Fiction
Rosenfeld, Paul
Year: 1943
Complete Citation:
Rosenfeld, Paul. “When New York Became Central.” Modern Music 20 (January-February, 1943): 83-89.Source: Journal
VI. Topical Studies
M. Ives and Manhattan
Ross, Alex
Year: 1993
Complete Citation:
Ross, Alex. “A Battleground for Iconoclasts: A Piano Series shows American Composers at War for the New.” The New York Times, November 14, 1993, 79.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
D. Program Notes
Sachs, Joel
Year: 2004
Complete Citation:
Sachs, Joel. “All About Ives—Half a Century Later.” Program notes for seven programs. Lincoln Center, Juilliard School of Music, New York, New York, January 23-30, 2004.Source: Program Notes
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
D. Program Notes
Thomson, David
Year: 1990
Complete Citation:
Thomson, David. Silver Light. New York: Alfred A. Knopf, 1990.Source: Book
XIII. Ives in Literature
B. Fiction
Von Glahn, Denise
Year: 2003
Complete Citation:
Von Glahn, Denise. “From Country to City in the Music of Charles Ives.” In The Sounds of Place: Music and the American Cultural Landscape, 64--109. Boston, MA: Northeastern University Press, 2003.Source: Chapter in Book
VI. Topical Studies
M. Ives and Manhattan
West, Paul
Year: 1994
Complete Citation:
West, Paul. “A Chocolate Malted for Charles Ives.” Conjunctions, no. 22, (1994): 322-370.Source: Journal
XIII. Ives in Literature
B. Fiction
no author listed
Year: 1994
Complete Citation:
“Ives on Flatbush Avenue.” Institute for Studies in American Music Newsletter 23, no. 2 (Spring 1994): 11.Source: Letter
VI. Topical Studies
M. Ives and Manhattan
Year: 2004
Complete Citation:
“Charles Ives: An American Original in Context.” Program booklet [Playbill]. New York, NY: Avery Fischer Hall, May 11-29, 2004.Notes: Six concerts devoted to Ives's compositions and others for contrast and comparison. An-nounced as the Philharmonic's “First Ever Celebration of America's Break-through Musical Genius.”
Source: Program Booklet
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
D. Program Notes
