Image
Complete Citation:
Feder, Stuart. “Charles and George Ives: The Veneration of Boyhood.” The Annual of Psychoanalysis Vol. 9 (1981): 265-316.
Bibliography
Genres
Feder, Stuart
Year: 1981
Source: Journal
Reprints:
Feder, Stuart. “Charles and George Ives: The Veneration of Boyhood.” In <i>Psychoanalytic Explorations in Music</i>, edited by Stuart Feder, Richard L. Karmel, and George H. Pollock. Volume 3 of <i>Applied Psychoanalysis Series</i>. Madison, CT: International Universities Press, 1990.
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Finney, Theodore M.
Year: 1935
Complete Citation:
Finney, Theodore M. A History of Music, 601-602. New York, NY: Harcourt, Brace & Howe, 1935,Source: Book
Reprints:
Finney, Theodore M. <i>A History of Music</i>, 645. Westport, CT: Greenwood Press, 1947. * Finney, Theodore M. <i>A History of Music</i>. Westport, CT: Greenwood Press, 1976.
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Friesen, Eric
Year: 2005
Complete Citation:
Friesen, Eric. “The artist as a child.” Queen’s Quarterly 112 (Fall 2005): 458-465.VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Gann, Kyle
Year: 1997
Complete Citation:
“Forefathers” Chapter — Gann, Kyle. American Music in the 20th Century. New York: Schirmer, 1997, 7-17 and passim.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Garber, J. Ryan
Year: 1996
Complete Citation:
Garber, J. Ryan. “The Influence of George Ives on His Son Charles.” Clas-sical Music Pages Quarterly (June 1996).Notes:
<a target="_blank" href="http://www.ryangarber.com/ives.html">Available at http://www.ryangarber.com/ives.html. </a>
Source: Journal
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Gerstein, Mordecai
Year: 2002
Complete Citation:
Gerstein, Mordecai. What Charlie Heard. New York: Frances Foster, 2002.Source: Book
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Goldman, Richard
Year: 1974
Complete Citation:
Goldman, Richard. “American Music: 1918-1960.” In New Oxford History of Music, Vol. 10, 574-583. London, United Kingdom: Oxford University Press, 1974.Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Grannis, Lewis C.
Year: 1935
Complete Citation:
Grannis, Lewis C. Connecticut Composers, 53-57. New Haven, CT: State Federation of Music Clubs, 1935.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Griffiths, Paul
Year: 1978
Complete Citation:
Griffiths, Paul. A Concise History of Avant-Garde Music. New York, NY: Thames and Hudson, 1978.Source: Book
Reprints:
Griffiths, Paul. <i>Modern Music: A Concise History from Debussy to Boulez</i>. New York, NY: Oxford University Press, 1985. Griffiths, Paul. <i>Modern Music and After</i>. Revised edition. Oxford: Oxford Uni-versity Press, 1995.
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Grout, Donald Jay
Year: 1960
Complete Citation:
Grout, Donald Jay. A History of Western Music. New York, New York: W.W. Norton & Co., 1960.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Grover, Sharon, and Lizette D. Hannegan
Year: 2005
Complete Citation:
Grover, Sharon, and Lizette D. Hannegan. “What Charlie Heard.” Book Links 14, no. 5, 2005: 18.Source: Magazine
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Hamm, Charles
Year: 1983
Complete Citation:
Hamm, Charles. “The Search for a National Identity.” In Music in the New World, 424-437. New York, NY: W.W. Norton, 1983.Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Hansen, Peter S.
Year: 1961
Complete Citation:
Hansen, Peter S. “Music in the United States.” In An Introduction to 20th Century Music, 77-84. Boston, MA: Allyn and Bacon, 1961.Source: Book
Reprints:
Hansen, Peter S. “Music in the United States.” In <i>An Introduction to 20th Century Music</i>, 2nd ed. Boston, MA: Allyn and Bacon, 1961. * Hansen, Peter S. “Music in the United States.” In <i>An Introduction to 20th Century Music</i>, 3rd ed. Boston, MA: Allyn and Bacon, 1967. * Hansen, Peter S. “Music in the United States.” In <i>An Introduction to 20th Century Music</i>, 86-96. 4th ed. Boston, MA: Allyn and Bacon, 1961.
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Year: 1967
Complete Citation:
Hansen, Peter S. An Introduction to Twentieth Century Music. Boston, MA: Allyn and Bacon, 1967.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Hitchcock, H. Wiley
Year: 1974
Complete Citation:
Hitchcock, H. Wiley. Music in the United States [La música en los Estados Uni-dos, una introdución a su historia]. Translated to Spanish. Buenos Aires, Argentina: Editorial Victor Leru, 1972.Source: Book
Reprints:
Second Edition, 1974: 149-172. Third Edition, 1988: 161-186. Fourth Edition, 2000: 171--199.
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Year: 1988
Complete Citation:
Hitchcock, H. Wiley. Music in the United States: A Historical Introduction, 161-186. 3rd ed. New Jersey: Prentice-Hall, 1988.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Hoffmann, Niels Frederic
Year: 1980
Complete Citation:
Hoffmann, Niels Frederic. “Der Alltag im musikalischen Kunstwerk. Von Offenbach bis Kagel.” In Musik im Alltag: Zehn Kongressbeitrage, edited by Reinhold Brinkmann. Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, 21. Mainz, Germany: Schott, 1980.Notes:
Ives is one of the com-posers whose works are cited as having used everyday elements in their compositions.
Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Howard, John Tasker
Year: 1931
Complete Citation:
Howard, John Tasker. Our American Music: Three Hundred Years of It, 576-578. New York, NY: Thomas Y. Crowell Co., 1931.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Hughes, Don Anselm
Year: 1954
Complete Citation:
Hughes, Don Anselm. The New Oxford History of Music, Vol. II. London, United Kingdom: Oxford University Press, 1954.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Kerman, Joseph
Year: 1985
Complete Citation:
Kerman, Joseph. Listen. Third Brief Edition. Waco, TX: Worth, 1985.Notes:
For listening studies, Kerman uses “The Rockstrewn Hills Join in the People's Outdoor Meeting” from Orchestral Set No. 2.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts