Image
Complete Citation:
Tumelty, Michael. “Melbourne SO/Davis, Charles Ives Orchestral Music (Chandos).” The Herald (Glasgow, Scotland), February 12, 2016.
Bibliography
Genres
Tumelty, Michael
Year: 2016
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Tuthill, Burnet C.
Year: 1949
Complete Citation:
Tuthill, Burnet C. “Recordings of Serious Music by American Com-posers.” Pan Pipes 42/2 (December 1949): 124-130.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Ulrich, Allan
Year: 2003
Complete Citation:
Ulrich, Allan. “Concerts Everywhere: San Francisco - S.F. Sym: Adams “My Father Knew Charles Ives.”” American Record Guide, Vol. 66, No. 4 (2003): 46.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Van Hof, Chris
Year: 2011
Complete Citation:
Van Hof, Chris. “Audio/Video Reviews: “The Hunting of the Snark.”” ITA Journal, Vol. 39, No. 4 (2011): 54.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Vigil, Ryan
Year: 2013
Complete Citation:
Vigil, Ryan. IVES: Concord Sonata; BINKERD: Piano Essays IV, V, VI. American Record Guide, Vol. 76, No. 4 (2013): 107.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
von Rhein, John
Year: 1991
Complete Citation:
von Rhein, John. “The Whole Range of Charles Ives.” Chicago Tribune 4 August 1991, 132.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Vroon, Donald R.
Year: 2006
Complete Citation:
Vroon, Donald R. “Guide to Records - Ives: Violin Sonatas.” American Record Guide, Vol. 69, No. 6 (2006): 123.Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Wächter, Roland and Michael Tilson Thomas
Year: 1991
Complete Citation:
Wächter, Roland, and Michael Tilson Thomas. “Der Musikalische Photograph: Ein Gespräch Mit Dem Dirigenten Michael Tilson Thomas Über Seine Neuen Ives-Aufnahmen.” Neue Zeitschrift Für Musik, vol. 152, no. 7/8 (1991): 22-26.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Walsh, Stephen
Year: 1966
Complete Citation:
Walsh, Stephen. “Folk Songs in Counterpoint.” Music and Musicians 14, no. 12 (August 1966): 28.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1968
Complete Citation:
Walsh, Stephen. “Ives’ Violin Sonatas.” Music and Musicians 16, no. 10 (June 1968): 45.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Warburton, Thomas
Year: 1998
Complete Citation:
Warburton, Thomas. “Charles Ives and Ragtime.” Studi Musicali, Vol. 27, No. 1 (1998): 209-238.Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Ward, Charles
Year: 1999
Complete Citation:
Ward, Charles. “Recordings.” Houston Chronicle, November 28, 1999, 14.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2000
Complete Citation:
Ward, Charles. “Recordings.” Houston Chronicle, October 29, 2000: 14.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Weschler, Lawrence
Year: 1986
Complete Citation:
Weschler, Lawrence. “Profiles: Boy Wonder—I.” New Yorker 62/39 (Novem-ber 17, 1986): 54-56, 61, 64-65, 68-70, 72-73, 76-78, 87-89, 91-93. “Boy Wonder—II.” New Yorker (November 24) 62/40: 52-54, 57- 58, 60, 63-64, 67-74.Notes:
Nicolas Slonimsky is the subject of this pro-file. Includes his reminiscences of his early, pioneering conducting (November 17: 88-89, 91-92) of Ives’s compositions (esp. Orchestral Set No. 1: Three Places in New England). Uses quotations from Slo-nimsky’s autobiography.
Source: Magazine
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
West, Michael J.
Year: 2009
Complete Citation:
West, Michael J. “Reviews: CDs - Theo Bleckmann & Kneebody; Theo Bleckmann/John Hollenbeck/Gary Versace.” JazzTimes: America's Jazz Magazine, Vol. 39, No. 5 (2009): 58.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Westenburg, Richard
Year: 1974
Complete Citation:
Westenburg, Richard. “Charles Ives.” Music/The AGO-RCCO Magazine 8/10 (1974): 26-29.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Whittaker, Herbert
Year: 1970
Complete Citation:
Whittaker, Herbert. “Music on Records: Rhythmic Experiments in Ives Collection.” The Globe and Mail, October 8, 1970, 11.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Willis, Thomas
Year: 1967
Complete Citation:
Willis, Thomas. “Records: Virtuosity in Music’s Service: Horowitz, Lipatti, Masselos.” Chicago Tribune, April 16, 1967, E11.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1967
Complete Citation:
Willis, Thomas. “Records.” Chicago Tribune, July 16, 1967, E9.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1968
Complete Citation:
Willis, Thomas. “A Quilt Well Stitched.” Chicago Tribune, June 17, 1968, B12.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews