Abott, Reverend Jacob
Year: 1834-1858
Complete Citation:
Reverend Abbott, Jacob. Rollo at Play, Rollo at School; Rollo at Work', Rollo Learning to Read; Rollo Learning to Talk; Rollo's Correspondence; Rollo's Experiments', Rollo's Museums', Rollo's Philosophy, Rollo's Vacations', and Rollo's Travels. Another group was devoted to Rollo's tours of Europe: Rollo on the Atlantic, Rollo in Holland', Rollo in London', Rollo in Naples; Rollo in Paris', Rollo in Scot-land', Rollo in Switzerland', Rollo on the Rhine', and Rollo in Genoa.Source: Literary References
Reprints: "Rollo," the name Ives called musicians unwilling to listen to advanced dissonances and other techniques found in modern music, was derived from a character in books (1834--1858) by Reverend Jacob Abbott. Rollo could understand only the simplest of situations that had been taught or had been explained to him in great detail. Original publishers include Boston, MA: Weeks, Jordan, and Company; Philadelphia, PA: Hogan & Thompson; Boston, MA: Gould, Kendall & Lincoln.
XIII. Ives in Literature
B. Fiction
Abraham, Gerald
Year: 1979
Complete Citation:
Abraham, Gerald. The Concise Oxford History of Music, 824. London, United Kingdom: Oxford University Press, 1979.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Alexander, J. Heywood
Year: 2002
Complete Citation:
Alexander, J. Heywood. “Charles Ives.” In To stretch our ears: a documentary history of America's music. New York, NY: W.W. Norton, 2002.VII. Entries in Larger Volumes
A. Textbook Accounts
Anderson, Martin
Year: 2003
Complete Citation:
Anderson, Martin. “Obituary: Lou Harrison; Unconventional Composer Whose Music Fused East and West: FOREIGN Edition.” The Independent, February 5, 2003.Source: Newspaper
VI. Topical Studies
P. Ives Collaborators and Colleagues
Austin, William F.
Year: 1966
Complete Citation:
Austin, William F. Music in the Twentieth Century, from Debussy through Stravinsky. New York, New York: W.W. Norton, 1966.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Austin, William W.
Complete Citation:
Austin, William W. Music in the 20th Century, 57-61. New York, NY: W.W. Norton, 1966.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Barron, James
Year: 1991
Complete Citation:
Barron, James. “John Kirkpatrick is Dead at 86; A Pianist Who Popularized Ives.” The New York Times, November 11, 1991, B10.Source: Newspaper
VI. Topical Studies
P. Ives Collaborators and Colleagues
Bellamann, Henry
Year: 1927
Complete Citation:
Bellamann, Henry. “The Music of Charles Ives.” Pro Musica Quarterly 5, No. 1 (March-April 1927): 16-22.Source: Journal
VI. Topical Studies
P. Ives Collaborators and Colleagues
Year: 1932
Complete Citation:
Bellamann, Henry. “An American Composer.” State (Columbia, SC), May 22, 1932, 23.Source: Newspaper
VI. Topical Studies
P. Ives Collaborators and Colleagues
Berger, Arthur
Year: 2002
Complete Citation:
Berger, Arthur. Reflections of an American Composer. Berkeley, CA: Uni-versity of California Press, 2002.Notes: Berger re-evaluates some of his earlier critiques of Ives's music (i.e., his published reviews).
Source: Book
VI. Topical Studies
P. Ives Collaborators and Colleagues
Bernstein, Martin and Martin Picker
Year: 1966
Complete Citation:
Bernstein, Martin and Martin Picker. “Contemporary American Music.” In An Introduction to Music, 525, 541-549. Third Edition. Englewood Cliffs, NJ: Prentice-Hall, 1966.Notes: Section on Charles Ives
Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Chase, Gilbert
Year: 1966
Complete Citation:
Chase, Gilbert. “America’s Music: From the Pilgrims to the Present.” New York: McGraw-Hill Book Company, 1966.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1966
Complete Citation:
Chase, Gilbert. “Composer from Connecticut.” In America’s Music: From the Pilgrims to the Present. 2nd ed., 403-28. New York, NY: McGraw Hill, 1966.Source: Chapter in Book
Reprints: Chase, Gilbert. “Composer from Connecticut.” In <i>America’s Music: From the Pilgrims to the Present</i>. 3rd ed. Urbana, IL: University of Illinois Press, 1987: 429-446.
VII. Entries in Larger Volumes
A. Textbook Accounts
Collaer, Paul; Sally, Abeles, translator
Year: 1961
Complete Citation:
Collaer, Paul. A History of Modern Music, 43, 366-367, 388. Translated from French to English by Sally Abeles. New York, NY: Grosset & Dunlap.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Cooke, Deryck
Year: 1959
Complete Citation:
Cooke, Deryck. The Language of Music. Stocksbridge, United Kingdom: Clarendon House Publications, 1959.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Cowell, Henry
Year: 1930
Complete Citation:
Cowell, Henry. New Musical Resources. New York, New York: Alfred A. Knopf Co., 1930.Source: Book
VI. Topical Studies
P. Ives Collaborators and Colleagues
Dahlhaus, Carl
Year: 1980
Complete Citation:
Dahlhaus, Carl. Musik des 19. Jahrhundert (Neues Handbuch der Musikwissenschrift). Vol. 6. Wiesbaden, Germany: Akademie Verlagsgellschaft Athenian, 1980.Notes: Cites Concord Sonata's “random accumulation of dissonance.”
Source: Book
Reprints: Dahlhaus, Carl. Musik des 19. Jahrhundert (Neues Handbuch der Musikwissenschrift) [<i>Nineteenth-Century Music</i>]. Translated to English by J. Bradford Robinson. California Studies in 19th Century Music, 5. Berkeley, CA: University of California Press, 1989.
VII. Entries in Larger Volumes
A. Textbook Accounts
Demuth, Norman
Year: 1952
Complete Citation:
Demuth, Norman. Musical Trends in the Twentieth Century. London, United Kingdom: Rockliff, 1952.VII. Entries in Larger Volumes
A. Textbook Accounts
Ewen, David
Complete Citation:
Ewen, David. David Ewen Introduces Modern Music: A History and Appreciation: From Wagner to the Avant--Garde, 2, 6, 105, 190, 282. New York, NY: Chilton Publishing, 1969.Notes: Additional mentions of Charles Ives.
VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1952
Complete Citation:
Ewen, David. “Charles Ives.” In The complete book of 20th century music. New York, Prentice-Hall, 1952.Notes: 1959 edition discusses Symphony No. 3 (“The Camp Meeting”) and Three Places in New England. The author states that the 1968 edition is a replacement for the previous title. A brief biographical comments; compact discussions of 114 Songs', From the Steeples and the Mountains; Symphonies Nos. 2, 3, 4; Three Places in New England; Sonata No. 2, "Concord, Mass., 1840-1860," for piano; and Quartet No. 2; with considerable information regarding premieres.
Source: Chapter in Book
Reprints: Ewen, David. “Charles Ives.” In <i>The complete book of 20th century music</i>. New York, Prentice-Hall, 1959. * Ewen, David. <i>The World of Twentieth-Century Music</i>, 177, 394-403. Engle-wood Cliffs, NJ: Prentice-Hall, 1968:
VII. Entries in Larger Volumes
A. Textbook Accounts
