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Bibliography

Rosenfeld, Paul

Year: 1939
Complete Citation:
Rosenfeld, Paul. “A Plea for Improvisation.” Modern Music, Vol. 16, No. 2 (January-February 1939).
Source: Journal
VI. Topical Studies
R. Performance Approaches

Rossomando, Fred Edward

Year: 1971
Complete Citation:
Rossomando, Fred Edward. “A Conductor's Guide to the Third Symphony of Charles Ives.” M.M. Thesis, Indiana University, 1977.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Ruckert, George

Year: 1967
Complete Citation:
Ruckert, George. “Charles Ives' four violin sonatas.” M.A. Thesis, Queens College, 1967.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Ruff, Erwin

Year: 1942
Complete Citation:
Ruff, Erwin. “A Study of Five Songs of Charles Ives.” M.A. thesis, Eastman School of Music, The University of Rochester, 1942.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Rutledge, John Alvin

Year: 1975
Complete Citation:
Rutledge, John Alvin. “A quartet for Charles Ives.” M.S. Thesis, Boston University, 1975.
Source: M.S. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Sarette, Gregory L.

Year: 1977
Complete Citation:
Sarette, Gregory L. “Rhythm(ic?) Devices in Selected Works in Charles Ives.” M.A. Thesis, University of Wyoming, 1977.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Schafer, William J.

Year: 1975-1976
Complete Citation:
Schafer, William J. “Introducing Charles Ives: A Multi-Media Experience.” Student Musicologists at Minnesota 6 (1975-76): 5-15.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Schermer, Richard

Year: 1980
Complete Citation:
Schermer, Richard. “The Aesthetics of Charles Ives in Relation to his ‘String Quartet No. 2’.” M.A. thesis, California State University, 1980.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Schlocker, Georges

Year: 1998
Complete Citation:
Schlocker, Georges. “Christoph Marthaler: Memory Resurrected.” Art Press 232 (February 1998): 54-56.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Schuld, Diana Boe

Year: 1971
Complete Citation:
Schuld, Diana Boe. “The influence of transcendentalism upon the Music of Charles Ives.” M.A. Thesis, Hofstra University, 1971.
Source: M.A. Thesis
B. Theses

Seckerson, Edward

Year: 2002
Complete Citation:
Seckerson, Edward. “Potent and Wholly Persuasive Accounts from Hampson and Tilson Thomas of Ives’s Quirky Idiom.” Gramophone, Vol. 79 (2002): 75.
Source: Magazine
VI. Topical Studies
R. Performance Approaches

Senick, John Peter

Year: 1982
Complete Citation:
Senick, John Peter. “An analysis of selected songs of Charles Ives.” M.A. Thesis, Syracuse University, 1982.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Sharp, Mary Elizabeth

Year: 1979
Complete Citation:
Sharp, Mary Elizabeth. “A Survey of Musical Quotation from 1940-1975.” M.M. thesis, University of Louisville, 1979.
Notes:

References to Ives: in Part 1, “Introduction”: “The use of common material such as folk tunes, hymns, and patriotic songs will not be included since the music is not from the concert tradition. However, this creates a problem of inconsistency in some cases. Charles Ives quotes music from popular material together with concert pieces which have programmatic signifi-cance.”; in Part 5, “Early Twentieth-Century Practices in the Use of Quotation”: “The very same motive (Beethoven’s Symphony No. 5) is quoted by Ives in the Concord Sonata and is used as a cyclic device to depict fate and the character of Beethoven himself’; and in Parts 7-10, “Charles Ives' Use of Quotation.”

Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Shelton, Gregory Allard

Year: 1985
Complete Citation:
Shelton, Gregory Allard. An analysis of Charles Ives’s Three-page Sonata for Piano. M.A. Thesis, The American University, 1985.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Shulman, Ivan

Year: 2008
Complete Citation:
Shulman, Ivan. “Symphony no. 2 by Charles Ives: An Historic Review and Consideration of Performance Practice.” M.M. thesis, California State University at Long Beach, 2008.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Sinclair, James

Year: 1998
Complete Citation:
Sinclair, James. “Performing Ives/Ives Performing.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.
Source: Conference paper
VI. Topical Studies
R. Performance Approaches

Sly, Caroline Ware

Year: 1970
Complete Citation:
Sly, Caroline Ware. “The language of Ives's solo songs.” M.A. thesis, Smith College, 1970.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

So, Carolyn U.

Year: 1986
Complete Citation:
So, Carolyn U. “Aspects of form and aesthetics in Charles Ives's Piano Sonata No. 2.” M.A. Thesis, University of Hawaii at Manoa, 1986.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Sonntag, Dawn Lenore

Year: 2000
Complete Citation:
Sonntag, Dawn Lenore. “A recital of art songs by early twentieth-century composers.” M.A. thesis, Antioch University, 2000.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Stace, Stephen

Year: 1974
Complete Citation:
Stace, Stephen. “Charles Ives' concept of organization and unity as revealed in the third symphony.” M.F.A. Thesis, Pennsylvania State University, 1974.
Source: M.F.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses