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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Mauceri, John, moderator

Year: 1977
Complete Citation:
Mauceri, John, moderator. “Conductors’ Experiences (Discussion with John Mauceri, Gunther Schuller, Lehman Engel, Nicolas Slonimsky, Arthur Weisberg, James Sinclair, Gregg Smith, Roque Cordero.” In An Ives Celebration. Papers and Panels of the Charles Ives Centennial Festival Conference. Music in American Life. Urbana, Illinois: University of Illinois Press, 113-126.
Source: Chapter in Book
VI. Topical Studies
R. Performance Approaches

Mead, Andrew

Year: 2007
Complete Citation:
Mead, Andrew. “On Tempo Relations.” Perspectives of New Music 45, no. 1 (Winter 2007): 64-108.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Miller, Edward Oehler

Year: 1970
Complete Citation:
Miller, Edward Oehler. “The Dilemma of Charles Ives.” A.B. honors thesis, Harvard University, 1970.
Source: A.B. Honors Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Muennich, Rose Marie

Year: 1976
Complete Citation:
Muennich, Rose Marie. “The music of Ives, borrowed or not.” M.M. thesis, Michigan State University, 1976.
Source: M.M. Thesis
C. Baccalaureate Essays
B. Theses

Myers, Eric

Year: 2003
Complete Citation:
Myers, Eric. “The cracked mirror: new temporalities in Ives, Messiaen and Feldman.” M.A. thesis, Mills College, 2003.
Source: M.A. Thesis
C. Baccalaureate Essays
B. Theses

Nardi, Gregorio

Year: 2004
Complete Citation:
Nardi, Gregorio. “Interpretare Ie Interpretazione.” Musica 21/60 (October 2004): 39--42.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Owens, Thomas Clarke

Year: 1991
Complete Citation:
Owens, Thomas Clarke. “Charles Ives's 114 Songs: the Text and the Music.” B.A. thesis, University of North Carolina at Greensboro, 1991.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Pearsall, Ronald

Year: 1986-87
Complete Citation:
Pearsall, Ronald. “Ives in Performance.” Music Review 47/1 (1986-87): 24-28.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Randall, Todd J.

Year: 1993
Complete Citation:
Randall, Todd J. “Charles Ives and his champions.” B.A. Honors Thesis, State University of New York College, Geneseo, 1993.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Reinhard, Johnny

Year: 2005
Complete Citation:
Reinhard, Johnny. “Charles Ives's Approach to Intonation.” New Music Box. New Music USA, December 21, 2005. www.nmbx.newmusicusa.org.
Source: Online article
VI. Topical Studies
R. Performance Approaches

Rosen, Lee Cyril

Year: 1965
Complete Citation:
Rosen, Lee Cyril. “The Violin Sonatas of Charles Ives.” B.M. thesis, University of Illinois, 1965.
Source: B.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Rosen, Michael

Year: 2000
Complete Citation:
Rosen, Michael. “Terms Used in Percussion: Another Look at the Rute: Charles Ives and Some Surprises.” Percussive Notes 38 (July 2000): 60-61.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Rosenfeld, Paul

Year: 1939
Complete Citation:
Rosenfeld, Paul. “A Plea for Improvisation.” Modern Music, Vol. 16, No. 2 (January-February 1939).
Source: Journal
VI. Topical Studies
R. Performance Approaches

Schafer, William J.

Year: 1975-1976
Complete Citation:
Schafer, William J. “Introducing Charles Ives: A Multi-Media Experience.” Student Musicologists at Minnesota 6 (1975-76): 5-15.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Schlocker, Georges

Year: 1998
Complete Citation:
Schlocker, Georges. “Christoph Marthaler: Memory Resurrected.” Art Press 232 (February 1998): 54-56.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Schlumpf, Brightin Rose

Year: 2007
Complete Citation:
Schlumpf, Brightin Rose. “Honoring national character and identity through music: Hungarian Béla Bartók's 44 duos for two violins and American Charles Ives's Second violin sonata.” In Senior honors thesis collection (Music), 2000-2007. Ithaca, NY: Cornell University, 2007.
Source: Book
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Seaman, David and Michael Zeller

Year: 1992
Complete Citation:
Seaman, David and Michael Zeller. Mitten ins Herz: Melodram für eine Sängerin und einen Schauspieler; mit Musik von George Gershwin, Kurt Weill, Charles Ives und Richard Wagner. Nürnberg, Germany: Pocket Opera Companion, 1992.
Source: Pamphlet
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Seckerson, Edward

Year: 2002
Complete Citation:
Seckerson, Edward. “Potent and Wholly Persuasive Accounts from Hampson and Tilson Thomas of Ives’s Quirky Idiom.” Gramophone, Vol. 79 (2002): 75.
Source: Magazine
VI. Topical Studies
R. Performance Approaches

Sewell, Amanda Jo

Year: 2004
Complete Citation:
Sewell, Amanda Jo. “Reception and self-perception in the music of Charles Ives.” B.A. Thesis, Butler University, 2004.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Sinclair, James

Year: 1998
Complete Citation:
Sinclair, James. “Performing Ives/Ives Performing.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.
Source: Conference paper
VI. Topical Studies
R. Performance Approaches