decorative banner image

Bibliography

Genres

Show all
I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
(-) XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Bond, Victoria

Year: 1991
Complete Citation:
Bond, Victoria. “Towards Creating a Composer-Friendly Environment.” Journal of the Conductors' Guild 12/1-2 (Winter-Spring 1991): 64-70.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Brodhead, Thomas M.

Year: 2018
Complete Citation:
Brodhead, Thomas M. Ives Fourth Symphony. Associate Music Publishers, 2018. https://ives-fourth-symphony.com/.
XIV. Websites

Charles Ives Society

Complete Citation:
Charles Ives Society. “Borrowed Tunes.” Accessed December 11, 2021. https://charlesives.org/borrowed-tunes.
XIV. Websites
Complete Citation:
Charles Ives Society. “Publisher Information.” Accessed December 11, 2021. https://charlesives.org/catalogue.
XIV. Websites
Complete Citation:
Charles Ives Society. “List of Compositions.” Accessed December 11, 2021. https://charlesives.org/works/compositions.
XIV. Websites

Cowell, Henry

Year: 1927
Complete Citation:
Cowell, Henry. “Our inadequate notation.” Modern Music 4 (March-April 1927): 31.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Darter, Tom

Year: 1996
Complete Citation:
Darter, Tom. “Conductor, Pianist, Composer: Michael Tilson Thomas on Contemporary Music, Notation vs. Interpretation, and the Keyboard as the Conduit for Musical Thought.” Keyboard, Vol. 22, No. 7 (1996): 62-68, 70, 72.
Source: Magazine
VI. Topical Studies
R. Performance Approaches

de Mare, Anthony

Year: 1999
Complete Citation:
de Mare, Anthony. “The Sound of the Performer Thinking.” Listen to Norway, Vol. 7, No. 2 (1999): 26-27.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Gann, Kyle

Complete Citation:
Gann, Kyle. “Following the Concord Sonata.” Charles Ives Society. Accessed December 11, 2021. https://charlesives.org/following-concord-sonata.
XIV. Websites

Goldstein, Malcolm

Year: 2008
Complete Citation:
Goldstein, Malcolm. “Some Anecdotal Evidence.” American Music 26, no. 4 (Winter 2008): 499-513.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Haylock, Julian

Year: 2004
Complete Citation:
Haylock, Julian. “Has Cello, Will Travel.” The Strad, Vol. 115, (2004): 1282-1283, 1285-1286.
Source: Magazine
VI. Topical Studies
R. Performance Approaches

Henck, Herbert

Year: 2004
Complete Citation:
Henck, Herbert. “Do whatever seems natural or best to you.” In Charles Ives, 1874-1954. Amerikanischer Pionier der Neuen Musik, edited by Haans-Werner Meister, 116-122. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Book
VI. Topical Studies
R. Performance Approaches

Hitchcock, H. Wiley, ed.

Year: 2004
Complete Citation:
Hitchcock, H. Wiley, ed. “Critical Commentaries for Charles Ives 129 Songs.” American Musicological Society, A-R Editions, 2004. https://charlesives.org/sites/default/files/Ives_129_Songs.pdf.
XIV. Websites

Keller, James M., Michael Steinberg and Susan Key

Year: 2001
Complete Citation:
Keller, James M., Michael Steinberg and Susan Key. “Search for the modern: early 20th-century mavericks : Charles Ives, Carl Ruggles, Edgard Varèse, Henry Cowell, Ruth Crawford Seeger.” In American Mavericks: Visions, Pioneers, Iconoclasts, edited by Susan Key and Larry Rothe, 16-35. Berkely and Los Angeles, CA: University of California Press.
Source: Chapter in Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
B. Concert Series

Keough, James

Year: 2004
Complete Citation:
Keough, James. “Are My Ears on Wrong?” Strings, vol. 19, no. 3 (October 2004): 122.
Notes:

<a target="_blank" href="http://www.stringsmagazine.com/issues">A look at the Ives legacy, especially in “Decoration Day.” Available online at www.stringsmagazine.com/issues.</a&gt;

Source: Magazine
VI. Topical Studies
R. Performance Approaches

Kirkpatrick, John, ed.

Complete Citation:
Kirkpatrick, John, ed. “Charles E. Ives Trio for Violin, Violoncello, and Piano.” Accessed December 11, 2021. https://charlesives.org/sites/default/files/Charles_Ives_Trio.pdf.
XIV. Websites

Macdonald, Calum

Year: 1995
Complete Citation:
Macdonald, Calum. Charles Ives: the unanswered question, Barbican Centre Friday 19 - Sunday 21 January, 1996. London, United Kingdom: BBC Radio 3, 1995.
Source: Program Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
B. Concert Series

Mauceri, John, moderator

Year: 1977
Complete Citation:
Mauceri, John, moderator. “Conductors’ Experiences (Discussion with John Mauceri, Gunther Schuller, Lehman Engel, Nicolas Slonimsky, Arthur Weisberg, James Sinclair, Gregg Smith, Roque Cordero.” In An Ives Celebration. Papers and Panels of the Charles Ives Centennial Festival Conference. Music in American Life. Urbana, Illinois: University of Illinois Press, 113-126.
Source: Chapter in Book
VI. Topical Studies
R. Performance Approaches

Mead, Andrew

Year: 2007
Complete Citation:
Mead, Andrew. “On Tempo Relations.” Perspectives of New Music 45, no. 1 (Winter 2007): 64-108.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Nardi, Gregorio

Year: 2004
Complete Citation:
Nardi, Gregorio. “Interpretare Ie Interpretazione.” Musica 21/60 (October 2004): 39--42.
Source: Journal
VI. Topical Studies
R. Performance Approaches