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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Bond, Victoria

Year: 1991
Complete Citation:
Bond, Victoria. “Towards Creating a Composer-Friendly Environment.” Journal of the Conductors' Guild 12/1-2 (Winter-Spring 1991): 64-70.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Cowell, Henry

Year: 1927
Complete Citation:
Cowell, Henry. “Our inadequate notation.” Modern Music 4 (March-April 1927): 31.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Darter, Tom

Year: 1996
Complete Citation:
Darter, Tom. “Conductor, Pianist, Composer: Michael Tilson Thomas on Contemporary Music, Notation vs. Interpretation, and the Keyboard as the Conduit for Musical Thought.” Keyboard, Vol. 22, No. 7 (1996): 62-68, 70, 72.
Source: Magazine
VI. Topical Studies
R. Performance Approaches

de Mare, Anthony

Year: 1999
Complete Citation:
de Mare, Anthony. “The Sound of the Performer Thinking.” Listen to Norway, Vol. 7, No. 2 (1999): 26-27.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Goldstein, Malcolm

Year: 2008
Complete Citation:
Goldstein, Malcolm. “Some Anecdotal Evidence.” American Music 26, no. 4 (Winter 2008): 499-513.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Hartke, Stephen

Year: 2004
Complete Citation:
Hartke, Stephen. “Center Stage: Ives: Our Musical Grandfather.” In Charles Ives: An American Original in Context, 22, 24, 26. Program booklet [Playbill]. New York, NY: Avery Fischer Hall, May 11-29, 2004.
Source: Program Booklet
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
D. Program Notes

Haylock, Julian

Year: 2004
Complete Citation:
Haylock, Julian. “Has Cello, Will Travel.” The Strad, Vol. 115, (2004): 1282-1283, 1285-1286.
Source: Magazine
VI. Topical Studies
R. Performance Approaches

Henck, Herbert

Year: 2004
Complete Citation:
Henck, Herbert. “Do whatever seems natural or best to you.” In Charles Ives, 1874-1954. Amerikanischer Pionier der Neuen Musik, edited by Haans-Werner Meister, 116-122. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Book
VI. Topical Studies
R. Performance Approaches

Kehrmann, Boris

Year: 2000
Complete Citation:
Voices of Our Time Series. "A Contemporary Songs Selection."TDK (DVD DVUS-VTDU, 2000), 91 minutes. Recital of 2000 January 26 at the Teatre Musical de Paris—Chatelet; Dawn Upshaw, soprano; Gilbert Kalish, piano. Booklet Notes in English, German, and French by Boris Kehrmann. Includes Memories and The Circus Band.
Source: DVD
B. Films

Keller, James M.

Year: 2004
Complete Citation:
Keller, James M. “Notes on the Program.” May 12 (35--38); May 15, 19-20 (45--49); May 11, 13 (35--39); May 21-22, 25 (35--40, 40D, 40E); May 27--29 (38, 45-48). In Charles Ives: An American Original in Context. Program booklet [Playbill]. New York, NY: Avery Fischer Hall, May 11-29, 2004.
Source: Program Booklet
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
D. Program Notes

Keough, James

Year: 2004
Complete Citation:
Keough, James. “Are My Ears on Wrong?” Strings, vol. 19, no. 3 (October 2004): 122.
Notes:

<a target="_blank" href="http://www.stringsmagazine.com/issues">A look at the Ives legacy, especially in “Decoration Day.” Available online at www.stringsmagazine.com/issues.</a&gt;

Source: Magazine
VI. Topical Studies
R. Performance Approaches

Lopate, Phillip

Year: 1999
Complete Citation:
Lopate, Phillip. “Above the Battle, Musing on the Profundities.” The New York Times. January 17, 1999, sec. 2, 11.
Source: Newspaper
XV. Television Broadcasts, Films, and Videocassettes
B. Films

Mauceri, John, moderator

Year: 1977
Complete Citation:
Mauceri, John, moderator. “Conductors’ Experiences (Discussion with John Mauceri, Gunther Schuller, Lehman Engel, Nicolas Slonimsky, Arthur Weisberg, James Sinclair, Gregg Smith, Roque Cordero.” In An Ives Celebration. Papers and Panels of the Charles Ives Centennial Festival Conference. Music in American Life. Urbana, Illinois: University of Illinois Press, 113-126.
Source: Chapter in Book
VI. Topical Studies
R. Performance Approaches

Mead, Andrew

Year: 2007
Complete Citation:
Mead, Andrew. “On Tempo Relations.” Perspectives of New Music 45, no. 1 (Winter 2007): 64-108.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Nardi, Gregorio

Year: 2004
Complete Citation:
Nardi, Gregorio. “Interpretare Ie Interpretazione.” Musica 21/60 (October 2004): 39--42.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Pearsall, Ronald

Year: 1986-87
Complete Citation:
Pearsall, Ronald. “Ives in Performance.” Music Review 47/1 (1986-87): 24-28.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Redmond, Michael

Year: 1975
Complete Citation:
Redmond, Michael. “Filmers Give Bloomfield Church a Second ‘Look’ at Charles Ives.” Star-Ledger (New Jersey), October 21, 1975, 29.
Source: Newspaper
B. Films

Reinhard, Johnny

Year: 2005
Complete Citation:
Reinhard, Johnny. “Charles Ives's Approach to Intonation.” New Music Box. New Music USA, December 21, 2005. www.nmbx.newmusicusa.org.
Source: Online article
VI. Topical Studies
R. Performance Approaches

Rosen, Michael

Year: 2000
Complete Citation:
Rosen, Michael. “Terms Used in Percussion: Another Look at the Rute: Charles Ives and Some Surprises.” Percussive Notes 38 (July 2000): 60-61.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Rosenfeld, Paul

Year: 1939
Complete Citation:
Rosenfeld, Paul. “A Plea for Improvisation.” Modern Music, Vol. 16, No. 2 (January-February 1939).
Source: Journal
VI. Topical Studies
R. Performance Approaches