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Bibliography

Rosenfeld, Paul

Year: 1932
Complete Citation:
Rosenfeld, Paul. “Critics of Music Are Denounced by Composers.” New York Herald Tribune, May 2, 1932, 8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
Rosenfeld, Paul “American Premieres.” The New Republic 70/907 (April 20, 1932): 273--274.
Notes:

Questions the selection of some of the pieces instead of “one of the larger compositions by Ives,” among others.

Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
Rosenfeld, Paul. “A Musical Tournament.” New Republic 71 (June 15, 1932): 121.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1939
Complete Citation:
Rosenfeld, Paul. “A Plea for Improvisation.” Modern Music, Vol. 16, No. 2 (January-February 1939).
Source: Journal
VI. Topical Studies
R. Performance Approaches

Rosenfeld, Paul and Herbert A. Leibowitz, eds.

Year: 1969
Complete Citation:
Rosenfeld, Paul. “Charles Ives.” In Musical Impressions: Selections from Paul Rosenfeld’s Criticism, edited by Herbert A. Leibowitz. London, United Kingdom: G. Allen & Unwin, 1969.
Source: Chapter in Book
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Ross, Alex

Year: 1994
Complete Citation:
Ross, Alex. “How Ever Did You Do It, Mr. Ives?” The New York Times, November 15, sec. C, 20.
Notes:

The reviewer concludes that Ives’s “question goes unanswered.”

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1996
Complete Citation:
Ross, Alex. “Tribute to Ives After 30-Year Effort.” New York Times. Feb-ruary 23, 1996, sec. C, 1.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1996
Complete Citation:
Ross, Alex. “In Bells and Microtones, A Legend Comes to Life.” The New York Times, June 8, 1996, 13.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1996
Complete Citation:
Ross, Alex. “Ives and Mahler, Through the Same Lens.” The New York Times, February 20 1996, section C, 14.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1999
Complete Citation:
Ross, Alex. “The Critics: Musical Events - All the Lonely People.” The New Yorker, Vol. 75, No. 22 (1999): 83-84.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Rousuck, J.W.

Year: 1975
Complete Citation:
Rousuck, J.W. “Ives: ‘the First Great American Composer’: Peabody Conservatory to Present Complete Piano Sonatas on Tuesday.” The Sun. September 28, 1975, D3.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Russell, John

Year: 1979
Complete Citation:
Russell, John. “Design Notebook.” The New York Times. February 8, 1979: C10.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Russell, Mary H.

Year: 1963
Complete Citation:
Russell, Mary H. “Children’s Corner: Chicagoland Final Edition.” Chicago Tribune, April 21, 2002.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Rydberg, Göran

Year: 1998
Complete Citation:
Rydberg, Göran. P2-tips: Egendomlig Satie och universell Ives. Musik: Tidningen för Klassiskt, Folkmusik och Jazz, No. 4 (1998): 11.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Rye, Matthew

Year: 2003
Complete Citation:
Rye, Matthew. “CDs Classical: 3.” Daily Telegraph (London, England), July 5, 2003.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Sabin, Robert

Year: 1951
Complete Citation:
Sabin, Robert. “Bernstein Conducts Ives Symphony No. 2.” Musical America 71, no. 4 (March 1951): 32--33.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1953
Complete Citation:
Sabin, Robert. “A Charles Ives Work for Chamber Orchestra.” Musical America 73, no. 1 (January 1, 1953): 24.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Salzman, By E.

Year: 1960
Complete Citation:
Salzman, By E. “Records: Ives: His Symphony no. 2 is Really Sophisticated.” The New York Times, September 25, 1960, X21.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Salzman, Eric

Year: 1960
Complete Citation:
Salzman, Eric. “Records: Ives. His Symphony No. 2 Is Really Sophisti-cated.” New York Times. September 1960, sec. 2, 21.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1962
Complete Citation:
Salzman, Eric. “Two ‘Concords’ at Once: Historical Panorama Something Borrowed Broad Conception Time Advantage More Musical.” The New York Times, May 27, 1962, X18.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews