Image
Complete Citation:
Seckerson, Edward. “Potent and Wholly Persuasive Accounts from Hampson and Tilson Thomas of Ives’s Quirky Idiom.” Gramophone, Vol. 79 (2002): 75.
Bibliography
Genres
Seckerson, Edward
Year: 2002
Source: Magazine
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Seibert, Donald C.
Year: 2006
Complete Citation:
Seibert, Donald C. “In Conversation with Richard Burns: An Oral History & Discography of Overtone Records.” ARSC Journal 37, no. 1, 2006: 21-35.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews
C. Interviews
Sinclair, James
Year: 1998
Complete Citation:
Sinclair, James. “Performing Ives/Ives Performing.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.Source: Conference paper
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Wickstrom, Fred
Year: 1976
Complete Citation:
Wickstrom, Fred. “Ives and Percussion, A Forerunner on All Fronts.” In South Florida's Historic Ives Festival 1974-1976, edited by F. Warren O’Reilly, 57-58. Coral Gables, FL: University of Miami at Coral Gables, 1976.Source: Chapter in Book
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Wyatt, Judith
Year: 1985
Complete Citation:
Wyatt, Judith. “The Beaux Arts Trio: Experience Speaks: Fifth Edition.” The Morning Call, March 29, 1985.Notes:
Book review for “The Beaux Arts Trio: A Portrait”
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews
C. Interviews