decorative banner image

Bibliography

Genres

Show all
I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
(-) VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Belland, Anna

Year: 1981
Complete Citation:
Belland, Anna. “Piano Variations by Ives, Valen, Lutoslawski, Dallapiccola: A Discussion of Their Styles and Forms.” D. Mus. diss., Jacobs School of Music, Indiana University, 1981.
Notes:

Includes chapter “Charles Ives: Varied Air and Variations”

Source: D. Mus. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Bengford, Timothy J.

Year: 2003
Complete Citation:
Bengford, Timothy J. “Patriotic, political and sociological dimensions in the songs of Charles Ives.” M.A. thesis, California State University, Los Angeles, 2003.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Benkelman, Robert Jon

Year: 1969
Complete Citation:
Benkelman, Robert Jon. “An investigative analysis and historical background of the second movement of the first orchestral set of Charles Edward Ives (Three Places In New England: II. General Putnam's Camp).” M.A. Thesis, San Jose State College, 1969.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Bergman, Timothy

Year: 1993
Complete Citation:
Bergman, Timothy. “Symphony no. 2 by Charles Ives: a basis for interpretation.” D.M.A. Thesis, University of Miami, 1993.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Berns, John Edgar

Year: 2005
Complete Citation:
Berners, John Edgar. “Use of Time and Spatial Form in String Quartet No. 2 by Charles Ives.” Ph.D. diss., University of Michigan, 2005.
Notes:

Volume II of Berns’ dissertation. Volume I is an original composition. Makes reference to Robert P. Morgan’ “Spatial Form in Ives.”

Source: Ph.D. dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Berneking, Vicki Lynn

Year: 1973
Complete Citation:
Berneking, Vicki Lynn. “A study of two twentieth-century piano sonatas: Ives’ Concord sonata and Ginastera’s Sonata para piano.” M.A. thesis, Central Missouri State University, 1973.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Bernstein, Leonard

Year: 1982
Complete Citation:
Bernstein, Leonard. “Speech to die National Press Club.” In Findings, 160-162. New York, NY: Doubleday, 1982.
Source: Book
V. General Music Studies
S. Reception Studies and Related Scholarship

Bestor, Charles

Year: 1976
Complete Citation:
Bestor, Charles. “The Second symphony: an introduction to the compositional approach and technique of Charles Ives.” D.M.A. diss., University of Colorado, 1976.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Blaufuss, Margaret Joanna

Year: 1967
Complete Citation:
Blaufuss, Margaret Joanna. “Charles Ives: “Transcendentalist”” M.A. Thesis, University of Wyoming, 1967.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Blim, Dan

Year: 2013
Complete Citation:
Blim, Dan. “Patchwork Nation: Collage, Music, and American Identity.” Ph.D. diss., University of Michigan, 2013.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Block, Geoffrey and J. Peter Burkholder, eds.

Year: 1996
Complete Citation:
Block, Geoffrey, and J. Peter Burkholder, eds. “Contemporary Views of Ives and His Music: Profiles 1932-1955.” In Charles Ives and His World, 363-442. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Blum, Robert Stephen

Year: 1977
Complete Citation:
Blum, Robert Stephen. “Ives’s Position in Social and Musical History.” The Musical Quarterly 63 (1977): 459-482.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Blum, Stephen

Year: 1985
Complete Citation:
Blum, Stephen. “Charles Ives and American Ethnomusicology.” Paper presented at Joint annual meeting of AMS and SEM. Vancouver, Canada, 1985.
Source: Conference paper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Boardman, Katherine R.

Year: 1969
Complete Citation:
Boardman, Katherine R. “Ives in Performance: 1900-1950.” Term paper, Yale University, 1969.
Notes:

Copy in the Charles Ives Papers, Irving S. Gilmore Library, Yale University, New Haven, CT.

Source: Term paper
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Boatwright, Howard

Year: 1956
Complete Citation:
Howard Boatwright, ed. “Epilogue.” In Paul Boatwright's B.A. thesis, Yale University, 1956.
Notes:

B.A. thesis in graphic arts

Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Bogulavsky, Johanna

Year: 1995
Complete Citation:
Bogulavsky, Johanna. “Reception theory as a technique for musical analysis : the case of Charles E. Ives' "Putnam's Camp”.” M.M. thesis, Columbia University, 1995.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Bolcom, William

Year: 1976
Complete Citation:
Bolcom, William. “The Old Curmudgeon’s Corner.” Musical Newsletter 4/4 (1976): 20-21.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Bonham, Robert John

Year: 1981
Complete Citation:
Bonham, Robert John. “Some common aesthetic tendencies manifested in examples of pioneer American cabins and Old Harp music and in selected works of H.H. Richardson and Charles E. Ives.” Ph.D. diss., Ohio University, 1981.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Booth, Earl W.

Year: 1974
Complete Citation:
Booth, Earl W. “New England Quartet: E.A. Robinson, Robert Frost, Charles Ives and Carl Ruggles.” Ph.D. diss., University of Utah, 1974.
Source: Ph.D. Disseration
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Borgman, George Allan

Year: 1953
Complete Citation:
Borgman, George Allan. “Nationalism in Contemporary Music.” M.M. thesis, Indiana University, 1953.
Notes:

Numerous citations for Ives.

Source: M.M. thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses