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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Baskerville, David Ross

Year: 1965
Complete Citation:
Baskerville, David Ross. “Jazz influence on art music to mid-century.” Ph.D. diss., University of California, Los Angeles, 1965.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Battisti, Frank

Year: 1998
Complete Citation:
Battisti, Frank. “The Legacy of Charles Ives.” Instrumentalist 52/7 (Febru-ary 1998): 68-74.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Bayne, Harry McBrayer

Year: 1990
Complete Citation:
Bayne, Harry McBrayer. 1990. “A Critical Study of Henry Bellamann's Life and Work.” Ph.D. diss., University of Mississippi.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Beal, Amy

Year: 2003
Complete Citation:
Beal, Amy. “The Army, the Airwaves, and the Avant-Garde: American Classical Music in Postwar West Germany.” American Music 21, no. 4 (Winter 2003): 474-513.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Beal, Amy C.

Year: 2000
Complete Citation:
Beal, Amy C. “Negotiating Cultural Allies: American Music in Darmstadt, 1946-1956.” Journal of the American Musicological Society, vol. 53, no. 1 (2000): 105-139.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2000
Complete Citation:
Beal, Amy C. “Negotiating Cultural Allies: American Music in Darmstadt, 1946-1956.” Journal of the American Musicological Society (Spring 2000) 53/1: 105-135.
Notes:

Translation by Amy C. Beal, p. 128-135.

Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2003
Complete Citation:
Beal, Amy C. 2003. “The Army, the Airwaves, and the Avant-Garde: American Classical Music in Postwar West Germany.” American Music 21, no.4 (Winter): 474-513.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2006
Complete Citation:
Beal, Amy. New Music, New Allies: American Experimental Music in West Germany from the Zero Hour to Reunification. Berkeley, CA: University of California Press, 2006.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Beck, Jill

Year: 1985
Complete Citation:
Beck, Jill. “Principles and Techniques of Choreography: A Study of Five Choreographers from 1983.” Ph.D. diss., City University of New York, 1985.
Notes:

Analysis of the choreographers' works using Labanotation score and video documentation. Also on videocassette {E309}.<br>Prf: 2003 December 6: Slippery Rock, PA; Slippery Rock Univer-sity of Pennsylvania.

Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Beck, Nora M.

Year: 1993
Complete Citation:
Beck, Nora M. “An Examination of Gender in Selected Writ-ings and Music of Charles Ives.” Paper presented at Feminist Theory and Music: Toward a Common Language. Minneapolis, Minnesota, June, 1991.
Source: Conference Paper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Beckwith, John

Year: 1977
Complete Citation:
Beckwith, John. “Reflections on Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 230-232. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Belland, Anna

Year: 1981
Complete Citation:
Belland, Anna. “Piano Variations by Ives, Valen, Lutoslawski, Dallapiccola- A Discussion of Their Styles and Forms.” D. Mus. dissertation, Indiana University, 1981.
Notes:

“Charles Ives: Varied Air and Variations” (p. 3-20).

Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1981
Complete Citation:
Belland, Anna. “Piano Variations by Ives, Valen, Lutoslawski, Dallapiccola: A Discussion of Their Styles and Forms.” D. Mus. diss., Jacobs School of Music, Indiana University, 1981.
Notes:

Includes chapter “Charles Ives: Varied Air and Variations”

Source: D. Mus. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Bergman, Timothy

Year: 1993
Complete Citation:
Bergman, Timothy. “Symphony no. 2 by Charles Ives: a basis for interpretation.” D.M.A. Thesis, University of Miami, 1993.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Berns, John Edgar

Year: 2005
Complete Citation:
Berners, John Edgar. “Use of Time and Spatial Form in String Quartet No. 2 by Charles Ives.” Ph.D. diss., University of Michigan, 2005.
Notes:

Volume II of Berns’ dissertation. Volume I is an original composition. Makes reference to Robert P. Morgan’ “Spatial Form in Ives.”

Source: Ph.D. dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Bernstein, Leonard

Year: 1982
Complete Citation:
Bernstein, Leonard. “Speech to die National Press Club.” In Findings, 160-162. New York, NY: Doubleday, 1982.
Source: Book
V. General Music Studies
S. Reception Studies and Related Scholarship

Bestor, Charles

Year: 1976
Complete Citation:
Bestor, Charles. “The Second symphony: an introduction to the compositional approach and technique of Charles Ives.” D.M.A. diss., University of Colorado, 1976.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Blim, Dan

Year: 2013
Complete Citation:
Blim, Dan. “Patchwork Nation: Collage, Music, and American Identity.” Ph.D. diss., University of Michigan, 2013.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Block, Geoffrey and J. Peter Burkholder, eds.

Year: 1996
Complete Citation:
Block, Geoffrey, and J. Peter Burkholder, eds. “Contemporary Views of Ives and His Music: Profiles 1932-1955.” In Charles Ives and His World, 363-442. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Blum, Robert Stephen

Year: 1977
Complete Citation:
Blum, Robert Stephen. “Ives’s Position in Social and Musical History.” The Musical Quarterly 63 (1977): 459-482.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship