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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
(-) X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Drees, Stefan

Year: 2011
Complete Citation:
Drees, Stefan. Besprechungen: Dorothea Gail “Charles E. Ives’ ‘Fourth Symphony.’” Die Musikforschung, Vol. 64, No. 2 (2011): 191-192.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Dwinell, Paul

Year: 1964
Complete Citation:
Dwinell, Paul. “The Resurrection of Charles E. Ives.” Listen 1/5 (Septem-ber-October): 15--16.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship

E.R.

Year: 1965
Complete Citation:
E.R. Review of Variations on ‘America’. Arranged for Orchestra by Charles Ives, William Schuman. Music & Letters, vol. 46, no. 4, 1965, 377-378.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Eidenbenz, Michael

Year: 2004
Complete Citation:
Eidenbenz, Michael. “Zum ernsthaften Komponisten geweiht.” Dissonanz (2004): 55-56.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Elliott Schwartz and Barney Childs, eds.

Year: 1967
Complete Citation:
Elliott Schwartz and Barney Childs, eds. Contemporary Composers on Contemporary Music. New York, NY: Holt, Rinehart and Winston, 1967.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Ewen, David

Year: 1950
Complete Citation:
Ewen, David. “The Belated Discovery of Charles Ives.” Tomorrow 9/9 (May 1950): 10-14.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Feder, Stuart

Year: 2001
Complete Citation:
Feder, Stuart. “Coloquy: Heard Maladies Are Sweet (‘But Those Unheard Are Sweeter’): A Response to Gayle Sherwood.” Journal of the American Musicological Society 54, no. 3 (Fall 2001): 627--641.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Fiender, Reinhard

Year: 2004
Complete Citation:
Flender, Reinhard. “Charles E. Ives: Genie oder Maverick? Anmerk-ungen zum Schaffensprozeß und zur Rezeptionsgeschichte.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 25-34. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Finn, Geraldine

Year: 2001
Complete Citation:
Finn, Geraldine. “Music, Identity, and Difference in the Case of Charles Ives.” New Sound 18 [Yugoslavia]: 49-62.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2001
Complete Citation:
Finn, Geraldine. “Music, Identity, and Difference. In the Case of Charles Ives.” New Sound, Vol. 18 (2001): 49-62.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship

Flanagan, William

Year: 1951
Complete Citation:
Flanagan, William. “Two Violin Sonatas.” Musical America 71, no. 12 (October 1951): 31.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Fosler-Lussier, Danielle

Year: 2019
Complete Citation:
Fosler-Lussier, Danielle. “Classical Music as Development Aid.” In Music in America’s Cold War Diplomacy. Berkeley, California: University of California Press, 2015.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Friedheim, Philip

Year: 1953
Complete Citation:
Friedheim, Philip. “Violin Sonata No. 1.” Notes 11, no. 1 (December 1953): 156.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Gann, Kyle

Year: 1995
Complete Citation:
Gann, Kyle. “Different Drummers.” The Village Voice, April 11, 1995.
Source: Newspaper
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 2004
Complete Citation:
Gann, Kyle. “Music: “Call It Special - American Influences Advance on the European Continent.”” The Village Voice, Vol. 49, No. 18 (2004): 93.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Gillespie, Don C.

Year: 1969
Complete Citation:
Gillespie, Don C. “Reviewed Work: Eleven Songs and Two Harmonizations by Charles Ives, John Kirkpatrick.” Notes, vol. 26, no. 2 (December 1969): 361-362.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Gilmore, Bob

Year: 1996
Complete Citation:
Gilmore, Bob. “Reinventing Ives.” Music Analysis 19/1 (March 2000): 101-123.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Goosens, Eugene

Year: 1943
Complete Citation:
Goosens, Eugene. “The Public:- Has It Changed?” Modern Music 20/2 (Jan-uary-February 1943): 72--73.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Goossen, Frederic

Year: 1968
Complete Citation:
Goossen, Frederic. “From the Steeples and the Mountains, for Bells (Chimes) or Two Pianos, Trumpet, and Trombone by Charles E. Ives.” Notes, vol. 24, no. 4 (June 1968): 807-808.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Hale, William

Year: 2005
Complete Citation:
Hale, William. “The Difficulty of Ives.” Paper presented at Charles Ives and His World, as Tribute to Iconoclastic American Com-poser. New England Conservatory of Music, Jordan Hall and Williams Hall, Boston, Massachusetts, March 13--17, 2005.
Source: Conference paper
VI. Topical Studies
S. Reception Studies and Related Scholarship