Nicholls, D.
Year: 2006
Complete Citation:
Nicholls, David. Review of Charles Ives, 129 Songs, edited by H. Wiley Hitchcock. Notes, Vol. 62, No. 3 (2006): 794-796.Source: Journal (edition review)
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Nicholls, David
Year: 1994
Complete Citation:
Nicholls, David. “Unanswerable Questions/Questionable Answers.” Music and Utters 75/2 (May 1994): 246-252.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2006
Complete Citation:
Nicholls, David. “Music Reviews: Critical Editions: Charles Ives.” Notes (2006): 794-796.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Noss, Luther
Year: 1950
Complete Citation:
Noss, Luther. Review of “Charles Ives: Variations on ‘America’ (1891); ‘Adeste Fideles’ in an Organ Prelude (1897).” Notes 7, no. 3 (June 1950): 446.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Palisca, Claude V.
Year: 1975
Complete Citation:
Palisca, Claude V. “Report on the Musicological Year 1974 in the United States.” Acta Musicologica 47/2 (July-December 1975): 283-289.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Panting, Tim
Year: 2001
Complete Citation:
Panting, Tim. “Exiled.” Classical Guitar, Vol. 19, No. 12 (2001): 44.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Paul, David C.
Year: 2005
Complete Citation:
Paul, David C. “Charles Ives, Autonomy, and Cold War Politics.” Paper presented at the American Musicological Society Annual Meeting. Washington, D.C., October 29, 2005.Source: Conference Paper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Pellegrino, Joe
Year: 1996
Complete Citation:
Pellegrino, Joe. “Choral Recitative Reviews: “Shall We Gather at the River?” arr. Robert H. McIver.” Pastoral Music, Vol. 20, No. 4 (1996): 43.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Perlis, Vivian
Year: 1970
Complete Citation:
Perlis, Vivian. “Recent Ives Research.” Seminar, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, April 24 1970.Source: Seminar
VI. Topical Studies
S. Reception Studies and Related Scholarship
Perkins. Francis D.
Year: 1948
Complete Citation:
Perkins. Francis D. “Letters: In Defense of Critics.” Harper’s 197 (Decem-ber 1948): 14.Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
Pershchetti, Vincent
Year: 1953
Complete Citation:
Pershchetti, Vincent. “Review of ‘Largo for Violin, Clarinet, and Piano.’” Music Library Association Notes, Vol. 11, No. 6 (December 1953).Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Persichetti, Vincent
Year: 1953
Complete Citation:
Persichetti, Vincent. Review of “Largo, for Violin, Clarinet, Piano.” Notes 11, no. 6 (December 1953): 157.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Pleasants, Henry
Year: 1969
Complete Citation:
Pleasants, Henry. Serious Music: And All That Jazz: An Adventure in Music Criticism. New York, NY: Simon and Schuster, 1969.Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Potter, Hugh
Year: 1970
Complete Citation:
Potter, Hugh. “Paul Rosenfeld: Criticism and Prophesy.” American Quarterly 22/1 (Spring 1970): 82-94.Notes: Quotes from Rosenfeld's review of the Concord Sonata. Adds that “Rosenfeld's great enthusiasm for the music of Charles Ives was partly attributed to Ives’ interest in American subject matter and his use of native themes.”
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Rabinowitz, Peter J.
Year: 1981
Complete Citation:
Rabinowitz, Peter J. “Fictional Music: Toward a Theory of Listening.” In Theories of Reading, Looking, and Listening, edited by Harry R. Garvin, 193-208. Bucknell Review, vol. 26, no. 1. Lewisburg, PA: Bucknell University Press, 1981.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Rasmussen, Karl Aage
Year: 1977
Complete Citation:
Rasmussen, Karl Aage. “Thoughts on Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 251-252. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Rathert, Wolfgang
Year: 2004
Complete Citation:
Rathert, Wolfgang. “Ives’ Vermächtnis.” In Musik-Konzepte 123 — Charles Ives, edited by Ulrich Tadday, 5-24. Munich, Germany: Edition Text und Kritik, 2004.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2015
Complete Citation:
Rathert, Wolfgang. “Charles E. Ives “Symphony No. 4.”” Die Musikforschung, Vol. 68, No. 2 (2015): 218-221.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Reyes, James E.
Year: 1966
Complete Citation:
Reyes, James E. “Reviewed Work: They Are There! A War Song March, 1917 by Charles E. Ives.” Notes, vol. 20, no. 4 (Autumn 1963): 565-566.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Rice, Philip
Year: Year unlisted
Source: Online article
VI. Topical Studies
S. Reception Studies and Related Scholarship