Rijavec, Andre J
Year: 1974
Complete Citation:
Rijavec, Andre J, “Charles Ives in Yugoslavia.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 252-254. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Rijavec, Andre J.
Year: 1977
Complete Citation:
Rijavec, Andre J., “Charles Ives in Yugoslavia.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 252-254. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Rogan, William J.
Year: 1994
Complete Citation:
Rogan, William J. “Vorkämpfer einer neuen Schule? Charles Ives zum vierzigsten Todestag.” Das Orchester 42/11 (November 1994): 2-5.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Roos, James
Year: 1988
Complete Citation:
Roos, James. “A Fresh, Tough Look at a Legendary Composer.” Miami Herald 13. November 1988.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Rosenfeld, Paul
Year: 1927
Complete Citation:
Rosenfeld, Paul. “Musical Chronicle.” Dial 82 (April 1927): 358.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1931
Complete Citation:
Rosenfeld, Paul. “New American Music.” Scribner’s 89/6 (June 1931): 624--632.Notes: Only one cursory mention that “Virgil Thomson, Charles F. <i>[sic] </i>Ives, and Adolph Weiss have each something personal to say.”
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Rudgers, Gregory B.
Year: 2015
Complete Citation:
Rudgers, Gregory B. “Variations on “America,” by Charles Ives, Transcribed by William E. Rhoads, Based on the Orchestra Version by William Schuman.” School Band and Orchestra, Vol. 18, No. 8 (2015): 53.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Sabin, Robert
Year: 1949
Complete Citation:
Sabin, Robert. “Choral and Piano Works by Charles Ives Issued.” Musical America (June 1949) 49/8: 28.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Saminsky, Lazare
Year: 1932
Complete Citation:
Saminsky, Lazare. “Europe and America in Music Today.” Modern Music (January-February 1932): 93--95.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Schaefer, Theodore
Year: 1950
Complete Citation:
Schaefer, Theodore. “1. Chanson de Florian. 2. It Strikes Me That... 3. The Light That Is Felt.” Notes 7, no. 4 (September 1950): 636-637.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Scharnhorst, Gary
Year: 1988
Complete Citation:
Scharnhorst, Gary. “From Soldier to Saint: Robert Gould Shaw and the Rhetoric of Racial Justice.” Civil War History 34 (December 1988): 321.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Schiff, David
Year: 2009
Complete Citation:
Schiff, David. “Ives’s Ears.” Nation 288, no. 1 (January 5, 2009): 30--33.Source: Journal
V. General Music Studies
S. Reception Studies and Related Scholarship
Searle, Humphrey
Year: 1939
Complete Citation:
Searle, Humphrey. “Growing Pains in England.” Modern Music 16/4 (May--June 1939): 220-224.Notes: Quotation from article: “One would like to hear more of Americans. A concert given by the BBC last winter included works by Whithorne, Carpenter, and Fuleihan, but what about Copland, Piston, Sessions, Ives, Harris? Their music is hardly ever played here.”
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Seeger, Charles
Year: 1950
Complete Citation:
Seeger, Charles. Review of “Hallowe’en, from ‘Three Outdoor Scenes,’ for 2 violins, viola, cello, piano.” Notes 7, no. 3 (June 1950): 432.X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Sherwood, Gayle
Year: 2001
Complete Citation:
Sherwood, Gayle. “Ives and Neurasthenia: A Response to Stuart Feder.” Journal of the American Musicological Society 54, no.3 (Fall 2001): 641-643.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Siebert, Mark
Year: 1957
Complete Citation:
Siebert, Mark. “Psalm XXIV.” Notes 14, no. 4 (September 1957): 618-619.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1963
Complete Citation:
Siebert, Mark. “They Are There: A War Song March, 1917.” Notes 20, no. 4 (1963): 565-566.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Siegmeister, Elie
Year: 1961
Complete Citation:
Siegmeister, Elie. “The Case of Mr. Ives.” Music Today 4/1 (June--August 1961): 1-2.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Sinclair, James
Year: 1996
Complete Citation:
Sinclair, James. “An Ives Experience.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 38-39. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
VI. Topical Studies
S. Reception Studies and Related Scholarship
Smith, Catherine Parsons
Year: 1994
Complete Citation:
Smith, Catherine Parsons. “‘A Distinguished Virility’: Feminism and Modernism in American Art Music.” In Cecilia Reclaimed: Feminism Perspectives on Gender and Music, edited by Susan C. Cook and Judy S. Tsou, 94-95. Urbana, Illinois: University of Illinois Press, 1994.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
