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Bibliography

Smith, Rollin

Year: 2013
Complete Citation:
Smith, Rollin. “Music Review: Charles E. Ives: Complete Organ Music.” The American Organist, Vol. 47, No. 1 (2013): 82-83.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Snedeker, Jeffrey

Year: 2014
Complete Citation:
Snedeker, Jeffrey. “Music and Book Reviews: “Five Songs of Charles Ives,” arranged for horn and piano by Ian Zook.” The Horn Call: Journal of the International Horn Society, Vol. 44, No. 2 (2014): 78.
Source: Journal (edition review)
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Solie, Ruth A., ed.

Year: 1995
Complete Citation:
Solie, Ruth A. “Charles Ives and gender ideology.” In Musicology and difference: gender and sexuality in music scholarship. Berkeley, CA: University of California Press, 1995.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Solomon, Maynard

Year: 1985
Complete Citation:
Solomon, Maynard. “Charles Ives: Some Psychonalytic Implications.” Presented at the New York Psychoanalytic Society, New York, New York, December 10, 1985.
Notes:

This presentation was a response to Stuart Feder’s “Calcium Light Night and Other Early Memories of Charles Ives,” and is extant as an unpublished mansucript.

Source: Conference Presentation
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1989
Complete Citation:
Solomon, Maynard. “Communications.” Journal of the American Musico- logical Society 42/1 (1989): 209-218.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1989
Complete Citation:
Maynard Solomon. Counter-response to J. Philip Lambert. Journal of the American Musicological Society xlii (1989): 209-218.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Starr, Larry

Year: 1991
Complete Citation:
Starr, Larry. “Review of ‘Decoration Day’ by Charles Ives.” Notes 47/3 (March 1991): 959-961.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Stevens, Halsey

Year: 1954
Complete Citation:
Stevens, Halsey. Review of “Scherzo (Over the Pavements). For chamber orchestra. Performable also as chamber music.” Notes 12, no. 2 (December 1954): 326.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Stevenson, Robert

Year: 1949
Complete Citation:
Stevenson, Robert. “Choral and Piano Works by Charles Ives Issued.” Musical America, Vol. 69 (June 1949).
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Stiller, Andrew

Year: 1986
Complete Citation:
Stiller, Andrew. “Who Owns American Music?” Opus 3/1 (December 1986): 18, 60.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Stone, Kurt

Year: 1964
Complete Citation:
Stone, Kurt. Review of Charles Ives: Washington’s Birthday. Hallowe’en; The Pond; Central Park in the DarkThe Musical Quarterly, vol. 50, no. 1, 1964, 115-122.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Suhor, Charles

Year: 1976
Complete Citation:
Suhor, Charles. “To Charles Ives.” The English Journal, vol. 65, no. 5 (1976): 45-46.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Swift, Richard

Year: 1974
Complete Citation:
Swift, Richard. “Charles Ives: Study No. 22 for Piano, edited by John Kirkpatrick.” Notes 31, no. 1 (September 1974): 158-159.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1976
Complete Citation:
Swift, Richard. “Reviewed Work: Study no. 21: Some Southpaw Pitching by Charles Ives, John Kirkpatrick.” Notes 33, no. 2 (December 1976): 413.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1977
Complete Citation:
Swift, Richard. “Reviewed Works: A New England Symphony: Three Places in New England, First Orchestral Set by Charles Ives, James B. Sinclair; “Country Band” March for Theater Orchestra by Charles Ives, James B. Sinclair.” Notes 34, no. 1 (September 1977): 197.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Taruskin, Richard

Year: 1975
Complete Citation:
Taruskin, Richard. “To the Editor.” Current Musicology 19 (1975): 33-40.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Taubman, Howard

Year: 1949
Complete Citation:
Taubman, Howard. “Posterity Catches Up with Charles Ives, An Interview.” New York Times Magazine, October 23, 1949.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1949
Complete Citation:
Taubman, Howard. “Posterity Catches Up with Charles Ives.” The New York Times, October 23, 1949, sec. 6, 15, 34-36.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1958
Complete Citation:
Taubman, Howard. “Forget Posterity.” The New York Times. November 23, 1958, sec. 2, 11.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Téllez, José Luis

Year: 2004
Complete Citation:
Téllez, José Luis. “Charles Ives: Las Paradojas del Profeta.” Scherzo: Revista de Música, Vol. 19 (2004): 110-115.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship