Hume, Paul
Year: 1972
Complete Citation:
Hume, Paul. “Ives Aura.” The Washington Post and Times Herald, February 16, 1972, B9.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1974
Complete Citation:
Hume, Paul. “Moving Enigma.” The Washington Post. September 23, 1974, B11.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1977
Complete Citation:
Hume, Paul. “An Evening of Wagner, Debussy and Ives: Music Notes.” The Washington Post, November 22, 1977, B8.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1979
Complete Citation:
Hume, Paul. “An Ear for Charles Ives’ Words and Notes.” Washington Post. March 11, 1979, sec. I, 5.Notes: Brief overview of Ives and his music as back- ground to forthcoming program by Chamber Orchestra of New England (James Sinclair, conductor).
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Hutton, Edna Rait
Year: 1963
Complete Citation:
Hutton, Edna Rait. “The Legacy of Charles Ives.” Pan Pipes 55/2 (January 1963): 13-14, 30.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Huxhold, John
Year: 2010
Complete Citation:
Huxhold, John. “Concerts Everywhere: St. Louis Symphony - Tippett: “A Child of Our Time.”” American Record Guide, Vol. 73, No. 1 (2010): 30.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Isacoff, Stuart
Year: 2010
Complete Citation:
Isacoff, Stuart. “Classical Music: Denk and Ives, Partners in Pianism.” The Wall Street Journal, October 19, 2010.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Ives, Charles
Year: 2003
Complete Citation:
Ives, Charles. “Culture: The Double Life of a Visionary; the CBSO Tonight Embarks on Britain's First Complete Cycle of Symphonies by Charles Ives. Christopher Morley Looks at the American Maverick Who Wrote some of the 20th Century's most Startling Music before Giving Up Full-Time Composition for the Insurance Business: FIRST Edition.” Birmingham Post, January 14, 2003.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
J. W. Larson, Arthur W. Murphy, and Brooks Shepard, Jr.
Year: 1964
Complete Citation:
HiFi Stereo Review (November) 13/5: 8, 12.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Jacobs, Arthur
Year: 1950
Complete Citation:
Jacobs, Arthur. “American Music Seminar in Salzburg.” Musical America 70/8 (July 1950): 8.XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Jacobson, Bernard
Year: 1965
Complete Citation:
Jacobson, Bernard. “Premiere of Ives’ Fourth.” Music and Musicians 13, no. 11 (July 1965): 43.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Jepson, Barbara
Year: 2004
Complete Citation:
Jepson, Barbara. “LEISURE & ARTS: In the Fray: Charles Ives: Once Neglected, Now Overrated.” The Wall Street Journal, January 20, 2004.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
John Heiss, J. Peter Burkholder, Richard Dyer, Vivian Perlis, and Jan Swafford
Year: 2005
Complete Citation:
John Heiss, J. Peter Burkholder, Richard Dyer, Vivian Perlis, and Jan Swafford. “Ives and His Time and Ours.” Panel at at Charles Ives and His World, as Tribute to Iconoclastic American Com-poser. New England Conservatory of Music, Jordan Hall and Williams Hall, Boston, Massachusetts, March 13--17, 2005.VI. Topical Studies
S. Reception Studies and Related Scholarship
Johnson, Harriett
Year: 1965
Complete Citation:
Johnson, Harriett. “An Ives Premiere After 50 Years.” New York Post, April 27, 1965, 20.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Johnson, Lawrence
Year: 1995
Complete Citation:
Johnson, Lawrence. “Patriotic Airs Fill Light Bill at Grant Park: North Sports Final Edition.” Chicago Tribune, August 21, 1995.Notes: Special to the Tribune.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Jones, Isabel M.
Year: 1932
Complete Citation:
Jones, Isabel M. “American Composers Featured in Concert.” Los Angeles Times 1932, A7.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Jones, Isabel Morse
Year: 1944
Complete Citation:
Jones, Isabel Morse. “All-American Program Set.” Los Angeles Times, May 14, 1944 III: 5.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Kahn, Eve M.
Year: 2014
Complete Citation:
Kahn, Eve M. “Charles Ives’s Workroom, Pencil Shavings Preserved.” The New York Times, February 28, 2014, C26.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Kammerer, Rafael
Year: 1960
Complete Citation:
Kammerer, Rafael. “Orchestras of America Offers Lincoln Program.” Musical America 80, no. 3 (March 1960): 24.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Kamper, Dietrich
Year: 1987
Complete Citation:
Kamper, Dietrich. “Wandlungen des Ives-Bildes.” In Amerikanische Musik seit Charles Ives: Interpretation, Quellentexte, Komponistenmonographien, 3-14, Laaber, Germany: Laaber-Verlag, 1987.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship