Hubbs, Nadine
Year: 2019
Complete Citation:
Hubbs, Nadine. “Being Musical: Gender, Sexuality, and Musical Identity in Twentieth-Century America.” In The Queer Composition of America's Sound: Gay Modernists, American Music, and National Identity. Berkeley, CA: University of California Press, 2004.Source: Newsletter
VI. Topical Studies
S. Reception Studies and Related Scholarship
Hume, Paul
Year: 1974
Complete Citation:
Hume, Paul. “Piano Sonatas.” The Washington Post, October 15, 1974: B11.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Hutton, Edna Rait
Year: 1963
Complete Citation:
Hutton, Edna Rait. “The Legacy of Charles Ives.” Pan Pipes 55/2 (January 1963): 13-14, 30.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
J. W. Larson, Arthur W. Murphy, and Brooks Shepard, Jr.
Year: 1964
Complete Citation:
HiFi Stereo Review (November) 13/5: 8, 12.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Jack, Adrian
Year: 1974
Complete Citation:
Jack, Adrian. “Ives Recordings.” Records and Recording 18/2 (November 1974): 81.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Jack, Adrian. “Ives, Symphonies.” Records and Recording 18/1 (October 1974): 47-48.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1975
Complete Citation:
Jack, Adrian. “Charles Ives, The Celestial Country.” Records and Recording 18/6 (March 1975): 62.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Jacobson, Bernard
Year: 1966
Complete Citation:
Jacobson, Bernard. “Zukovsky and Kalish Play Ives.” High Fidelity/Musical America 16, no. 4 (April 1966): 152.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1967
Complete Citation:
Jacobson, Bernard. “American Symphony Orchestra: Stokowski.” High Fidelity/Musical America 17, no. 3 (March 1967), p. 16.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2001
Complete Citation:
Jacobson, Bernard. “The Want List 2001: Bernard Jacobson.” Fanfare: The Magazine for Serious Record Collectors, Vol. 25, No. 2 (2001): 113.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2001
Complete Citation:
Jacobson, Bernard. “Schuman: Violin Concerto. “New England Triptych.” Ives-Schuman: Variations on “America.”” Fanfare: The Magazine for Serious Record Collectors, Vol. 25, No. 1 (2001): 267-268.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Jaffe, Daniel
Year: 1997
Complete Citation:
Jaffe, Daniel. “Names for the Millennium: Marc-André Hamelin.” Classic CD (1997): 42.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Jepson, Barbara
Year: 2019
Complete Citation:
Jepson, Barbara. “Composers Who found Inspiration in the Vernacular; Michael Tilson Thomas and the San Francisco Symphony Offer a New Recording of Charles Ives Music; Violinist Rachel Barton Pine Plays Concertos by Antonín Dvořák and Aram Khachaturian.” The Wall Street Journal, November 13, 2019.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
John Heiss, J. Peter Burkholder, Richard Dyer, Vivian Perlis, and Jan Swafford
Year: 2005
Complete Citation:
John Heiss, J. Peter Burkholder, Richard Dyer, Vivian Perlis, and Jan Swafford. “Ives and His Time and Ours.” Panel at at Charles Ives and His World, as Tribute to Iconoclastic American Com-poser. New England Conservatory of Music, Jordan Hall and Williams Hall, Boston, Massachusetts, March 13--17, 2005.VI. Topical Studies
S. Reception Studies and Related Scholarship
Johnson, Bret
Year: 2009
Complete Citation:
Johnson, Bret. “CD Reviews: Corigliano; Jones; Giannini; Schuller; Daugherty; “Abraham Lincoln Portraits.”” Tempo, Vol. 63 (2009): 86-88.Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Johnson, Lawrence A.
Year: 2005
Complete Citation:
Johnson, Lawrence A. “North America: Reviews - Ives: “Universe Symphony (Ed. Reinhard).”” Gramophone, Vol. 83 (2005): A7.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2010
Complete Citation:
Johnson, Lawrence A. “North America: Reviews - Ives: Symphony, “Holidays”; “The General Slocum”; Overture in G Minor; “Yale-Princeton Football Game”; Postlude in F Minor.” Gramophone, Vol. 87 (2010): A7-A8.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Johnson, Lawrence B.
Year: 1996
Complete Citation:
Johnson, Lawrence B. “Finding the Poetry Amid Ives’s Hurly-Burly.” The New York Times. August 25, 1996, sec 2: 21.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Jolly, James
Year: 1985
Complete Citation:
Jolly, James. “Encounters with Ives.” Gramophone 63/748 (September 1985): 311.Notes: Discussion of Ives’s Symphony No. 4 on the occasion of the re- issue of RCA recording on Chandos.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2010
Complete Citation:
Jolly, James. “Soundwaves: Tune Surfing.” Gramophone, Vol. 88 (2010): 134-135.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
