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Bibliography

Usmanbas, Ilhan

Year: 1977
Complete Citation:
Usmanbas, Ilhan. “Random-and Provocative Thoughts on Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 254-256. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Van Hof, Chris

Year: 2011
Complete Citation:
Van Hof, Chris. “Audio/Video Reviews: “The Hunting of the Snark.”” ITA Journal, Vol. 39, No. 4 (2011): 54.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Vigil, Ryan

Year: 2013
Complete Citation:
Vigil, Ryan. IVES: Concord Sonata; BINKERD: Piano Essays IV, V, VI. American Record Guide, Vol. 76, No. 4 (2013): 107.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Vinay, Gianfranco

Year: 1974
Complete Citation:
Vinay, Gianfranco. “Charles Ives e i musicisti europei: anticipazioni e dipendenze.” Nuova Rivista Musicale Italiana 7 (1973): 417-429.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Von Glahn, Denise

Year: 2001
Complete Citation:
Von Glahn, Denise. “Renewing Immortality: The Musical Monument of Charles Ives.” In Hope and Glory: Essays on the Legacy of the Fifty- Fourth Massachusetts Regiment, edited by Martin H. Blatt, Thomas J. Brown, and Donald Yacovone, 191--201. Amherst, MA: University of Massachusetts Press in Association with the Massachusetts Historical Society, 2001.
Notes:

In re: "Colonel Robert Shaw and His Colored Regiment" from Orchestral Set No. 1: Three Places In New England.

Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

von Rhein, John

Year: 1991
Complete Citation:
von Rhein, John. “The Whole Range of Charles Ives.” Chicago Tribune 4 August 1991, 132.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1999
Complete Citation:
von Rhein, John. “Millennial Masterworks.” Chicago Tribune [Arts & Entertainment] (July 25, 1999): 5.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Vroon, Donald R.

Year: 2006
Complete Citation:
Vroon, Donald R. “Guide to Records - Ives: Violin Sonatas.” American Record Guide, Vol. 69, No. 6 (2006): 123.
Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Wächter, Roland and Michael Tilson Thomas

Year: 1991
Complete Citation:
Wächter, Roland, and Michael Tilson Thomas. “Der Musikalische Photograph: Ein Gespräch Mit Dem Dirigenten Michael Tilson Thomas Über Seine Neuen Ives-Aufnahmen.” Neue Zeitschrift Für Musik, vol. 152, no. 7/8 (1991): 22-26.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Wallner, Bo

Year: 1968
Complete Citation:
Wallner, Bo. Var tids musik i Norden: Fran 20--Tal Till 60--Tal, 252, 255, 260. Stock-holm, Sweden: Nordiska Musikforlaget, 1968.
Notes:

Otto Henrik Donner quoted: "I Charles Ives har jag upplevten tonsdattare som inte laste sig vid nagon skenbar logik eller nagot system." Also mentions Donner’s Symphonie (I'Hommage a Ives) of 1964 {E080}.

Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Walsh, Stephen

Year: 1966
Complete Citation:
Walsh, Stephen. “Folk Songs in Counterpoint.” Music and Musicians 14, no. 12 (August 1966): 28.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1968
Complete Citation:
Walsh, Stephen. “Ives’ Violin Sonatas.” Music and Musicians 16, no. 10 (June 1968): 45.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Warburton, Thomas

Year: 1998
Complete Citation:
Warburton, Thomas. “Charles Ives and Ragtime.” Studi Musicali, Vol. 27, No. 1 (1998): 209-238.
Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Ward, Charles

Year: 1999
Complete Citation:
Ward, Charles. “Recordings.” Houston Chronicle, November 28, 1999, 14.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2000
Complete Citation:
Ward, Charles. “Recordings.” Houston Chronicle, October 29, 2000: 14.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Weiss, Adolph

Year: 1931
Complete Citation:
Weiss, Adolph. “Letter to the Editor.” The New York Times. July 26, 1931, sec. 8, 7.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

West, Michael J.

Year: 2009
Complete Citation:
West, Michael J. “Reviews: CDs - Theo Bleckmann & Kneebody; Theo Bleckmann/John Hollenbeck/Gary Versace.” JazzTimes: America's Jazz Magazine, Vol. 39, No. 5 (2009): 58.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Westenburg, Richard

Year: 1974
Complete Citation:
Westenburg, Richard. “Charles Ives.” Music/The AGO-RCCO Magazine 8/10 (1974): 26-29.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Whitesell, Lloyd

Year: 1994
Complete Citation:
Whitesell, Lloyd. “Reckless Form, Uncertain Audiences: Responding to Ives.” American Music 12.3 (Autumn 1994): 304-319.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Whittaker, Herbert

Year: 1970
Complete Citation:
Whittaker, Herbert. “Music on Records: Rhythmic Experiments in Ives Collection.” The Globe and Mail, October 8, 1970, 11.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews