Image
decorative banner image

Bibliography

Dwinell, Paul

Year: 1964
Complete Citation:
Dwinell, Paul. “The Resurrection of Charles E. Ives.” Listen 1/5 (Septem-ber-October): 15--16.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship

Eichler, Jeremy

Year: 2018
Complete Citation:
Eichler, Jeremy. “Following the Fiddle on a ‘Wild Ride to Heaven’ with Charles Ives: Stefan Jackiw and Jeremy Denk Partner to Perform His Violin Sonatas.” The Boston Globe, January 14, 2018.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Eidenbenz, Michael

Year: 2004
Complete Citation:
Eidenbenz, Michael. “Zum ernsthaften Komponisten geweiht.” Dissonanz (2004): 55-56.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Elliott Schwartz and Barney Childs, eds.

Year: 1967
Complete Citation:
Elliott Schwartz and Barney Childs, eds. Contemporary Composers on Contemporary Music. New York, NY: Holt, Rinehart and Winston, 1967.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Ellsworth, Ray

Year: 1956
Complete Citation:
Ellsworth, Ray. “Americans on Microgroove, Part I.” High Fidelity 6/7 (July 1956): 63-69.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Estep, Stephen

Year: 2010
Complete Citation:
Estep, Stephen. “Collections - American Piano Trios.” American Record Guide, Vol. 73, No. 6 (2010): 231-232.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Ewen, David

Year: 1950
Complete Citation:
Ewen, David. “The Belated Discovery of Charles Ives.” Tomorrow 9/9 (May 1950): 10-14.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Fairman, Richard

Year: 2015
Source: Online Article
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Falcinelli, Sylviane

Year: 2001
Complete Citation:
Falcinelli, Sylviane. “William Shuman: “Concerto pour violon. New England Triptych.” Ives: “Variations on ‘America’ (orch. Schuman).” Diapason: le magazine du disque et de la musique vivante (2001): 134.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Feder, Stuart

Year: 2001
Complete Citation:
Feder, Stuart. “Coloquy: Heard Maladies Are Sweet (‘But Those Unheard Are Sweeter’): A Response to Gayle Sherwood.” Journal of the American Musicological Society 54, no. 3 (Fall 2001): 627--641.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Feinberg, Alan

Year: 1998
Complete Citation:
Feinberg, Alan. “An Ives Premiere: The “Emerson” Concerto-An Ultimate Statement.” American Record Guide, Vol. 61, No. 6 (1998): 6-8.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1998
Complete Citation:
Feinberg, Alan. “An Ives premiere.” American Record Guide 61/6 (Novem-ber-December 1998): 6-8.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Fiender, Reinhard

Year: 2004
Complete Citation:
Flender, Reinhard. “Charles E. Ives: Genie oder Maverick? Anmerk-ungen zum Schaffensprozeß und zur Rezeptionsgeschichte.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 25-34. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Finch, Hilary

Year: 1999
Complete Citation:
Finch, Hilary. “New Classical CDs: 1N Edition 1.” Times, February 25, 1999.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Fine, Elaine

Year: 2000
Complete Citation:
Fine, Elaine. “Review of Ives, Trio (Sound Recording).” American Record Guide 63/6 (November-December 2000): 124.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2015
Complete Citation:
Fine, Elaine. “Collections: “American Chamber Pieces.”” American Record Guide, Vol. 78, No. 1 (2015): 214.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Finn, Geraldine

Year: 2001
Complete Citation:
Finn, Geraldine. “Music, Identity, and Difference in the Case of Charles Ives.” New Sound 18 [Yugoslavia]: 49-62.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2001
Complete Citation:
Finn, Geraldine. “Music, Identity, and Difference. In the Case of Charles Ives.” New Sound, Vol. 18 (2001): 49-62.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship

Finn, Robert

Year: 1999
Complete Citation:
Finn, Robert. “Concerts Everywhere: Cleveland-Cleveland Orchestra: Ives “Emerson Concerto” [Premiere].” American Record Guide, Vol. 62, No. 1 (1999): 47-48.
Source: Magazine (recording review/premiere)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Fisk, Josiah

Year: 1991
Complete Citation:
Fisk, Josiah. Recordings in Review -- Charles Ives' Calcium Night Light, Country Band March, Largo Cantabile, Hymn, Postlude in F and Set of Four Ragtime Dances performed by the Orchestra New England under James Sinclair. Musical America, Vol. 111, No. 2 (1991): 77.
Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews