Beal, Amy C.
Year: 2003
Complete Citation:
Beal, Amy C. 2003. “The Army, the Airwaves, and the Avant-Garde: American Classical Music in Postwar West Germany.” American Music 21, no.4 (Winter): 474-513.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2006
Complete Citation:
Beal, Amy. New Music, New Allies: American Experimental Music in West Germany from the Zero Hour to Reunification. Berkeley, CA: University of California Press, 2006.Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Beck, Jill
Year: 1985
Complete Citation:
Beck, Jill. “Principles and Techniques of Choreography: A Study of Five Choreographies from 1983.” Ph.D. diss., City University of New York, 1985.Source: Ph.D. Dissertation
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Beck, Nora M.
Year: 1993
Complete Citation:
Beck, Nora M. “An Examination of Gender in Selected Writ-ings and Music of Charles Ives.” Paper presented at Feminist Theory and Music: Toward a Common Language. Minneapolis, Minnesota, June, 1991.Source: Conference Paper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Beckwith, John
Year: 1977
Complete Citation:
Beckwith, John. “Reflections on Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 230-232. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Bernstein, Leonard
Year: 1982
Complete Citation:
Bernstein, Leonard. “Speech to die National Press Club.” In Findings, 160-162. New York, NY: Doubleday, 1982.Source: Book
V. General Music Studies
S. Reception Studies and Related Scholarship
Blankert, Beppie, choreographer
Year: 1993
Complete Citation:
Beppie Blankert, choreographer. Charles Ives Trilogy (1993); ballet. Based on the life of Charles Ives. Volume 1. “Charles." Music: songs, piano works, and violin sonatas. Volume 2. "Ives."Music: large ensemble music. For 13 musicians; Rutger van Leyden, director. Volume 3. “Dance Concert.” Music: Holidays Symphony; Serenity.Source: Performance (dance)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Block, Geoffrey and J. Peter Burkholder, eds.
Year: 1996
Complete Citation:
Block, Geoffrey, and J. Peter Burkholder, eds. “Contemporary Views of Ives and His Music: Profiles 1932-1955.” In Charles Ives and His World, 363-442. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Blum, Robert Stephen
Year: 1977
Complete Citation:
Blum, Robert Stephen. “Ives’s Position in Social and Musical History.” The Musical Quarterly 63 (1977): 459-482.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Blum, Stephen
Year: 1985
Complete Citation:
Blum, Stephen. “Charles Ives and American Ethnomusicology.” Paper presented at Joint annual meeting of AMS and SEM. Vancouver, Canada, 1985.Source: Conference paper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Bolcom, William
Year: 1976
Complete Citation:
Bolcom, William. “The Old Curmudgeon’s Corner.” Musical Newsletter 4/4 (1976): 20-21.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Borum, Poul
Year: 1996
Complete Citation:
Borum, Poul. “Musikkens Borum.” Dansk Musik Tidsskrift, Vol. 70, No. 5 (1996): 160-166.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Bowen, Meirion
Year: 1979
Complete Citation:
Bowen, Meirion. “On the long misunderstanding of Charles Ives.” The Guardian, April 17, 1979, 8.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Brady, Tim
Year: 1995
Complete Citation:
Brady, Tim. “Death of a Masterpiece: The Changing Social Context for Creative Music.” Musicworks: The Journal of Sound Exploration 61 (Spring 1995): 29-33.Notes: Closes with a quotation from the “Epilogue” of Essays Before a Sonata.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1995
Complete Citation:
Brady, Tim. “Death of the Masterpiece: The Changing Social Context for Creative Music.” Musicworks: The Journal of Sound Exploration 61 (Spring 1995): 29-33.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Brooks, William, et. al.
Year: 2019
Complete Citation:
Brooks, William, et al. “Postlude: Not an End.” In Over Here, Over There: Transatlantic Conversations on the Music of World War I, edited by William Brooks et. al., 241-244. Urbana, IL: University of Illinois Press, 2019.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Brown, Earle and Vivian Perlis, Co-Chairs
Year: 1977
Complete Citation:
Brown, Earle and Vivian Perlis, Panel Co-Chairs. “Ives Viewed From Abroad.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 45-63. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Burkholder, J. Peter
Year: 1997
Complete Citation:
Burkholder, J. Peter. “Ives Today.” Ives Studies, 263-290. Edited by Philip Lambert. Cambridge, United Kingdom: Cambridge University Press, 1997.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Burkholder, J. Peter, H. Wiley Hitchcock, Thomas Owens, and Gayle Sherwood, panelists
Complete Citation:
Burkholder, J. Peter, H. Wiley Hitchcock, Thomas Owens, and Gayle Sherwood, panelists. “Perspectives on Charles Ives.” Panel presented at Ives the Commuter. Bloomfield Presbyterian Church, Bloomfield, NJ, February 1999.VI. Topical Studies
S. Reception Studies and Related Scholarship
Cahill, Greg
Year: 2004
Complete Citation:
Cahill, Greg. “Editor’s Note.” Strings, Vol. 19, No. 3 (2004): 8.Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship