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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Eidenbenz, Michael

Year: 2004
Complete Citation:
Eidenbenz, Michael. “Zum ernsthaften Komponisten geweiht.” Dissonanz (2004): 55-56.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Elliott Schwartz and Barney Childs, eds.

Year: 1967
Complete Citation:
Elliott Schwartz and Barney Childs, eds. Contemporary Composers on Contemporary Music. New York, NY: Holt, Rinehart and Winston, 1967.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Ewen, David

Year: 1950
Complete Citation:
Ewen, David. “The Belated Discovery of Charles Ives.” Tomorrow 9/9 (May 1950): 10-14.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Feder, Stuart

Year: 2001
Complete Citation:
Feder, Stuart. “Coloquy: Heard Maladies Are Sweet (‘But Those Unheard Are Sweeter’): A Response to Gayle Sherwood.” Journal of the American Musicological Society 54, no. 3 (Fall 2001): 627--641.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Feld, Eliot, choreographer

Year: 1988
Complete Citation:
Eliot Feld, choreographer. The Unanswered Question (1988); New York City Ballet. Music: The Unanswered Question; Calcium Light Night; Fugue in Four Keys; "The Housatonic at Stockbridge" from Orchestral Set No. 1 [Three Places in New England]; Sonata No. 2 for violin and piano (2nd movement): "In the Barn;" Remembrance; An Old Song De-ranged.

Prf: 1988 April 30: New York; Paul Zukovsky, violin; Jeananne Albee, piano. 1999 June 17: New York; New York State Theater; Guillermo Figueroa, violin; Cameron Grant, piano.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Field, Eliot, choreographer

Year: 1977
Complete Citation:
Eliot Feld, choreographer. Variations on "America"-, (1977); ballet; New York City Ballet.
Prf: 1977 March 9: New York; City Center. 2003 March 11: New York.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Fiender, Reinhard

Year: 2004
Complete Citation:
Flender, Reinhard. “Charles E. Ives: Genie oder Maverick? Anmerk-ungen zum Schaffensprozeß und zur Rezeptionsgeschichte.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 25-34. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Finn, Geraldine

Year: 2001
Complete Citation:
Finn, Geraldine. “Music, Identity, and Difference in the Case of Charles Ives.” New Sound 18 [Yugoslavia]: 49-62.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2001
Complete Citation:
Finn, Geraldine. “Music, Identity, and Difference. In the Case of Charles Ives.” New Sound, Vol. 18 (2001): 49-62.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship

Fisher, Barbara Milberg

Year: 2005
Complete Citation:
Fisher, Barbara Milberg. “Rehearsing with Mr. B: Stravinsky, Schoenberg, Ives.” Dance Chronicle 28/3 (2005): 293-322.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Fosler-Lussier, Danielle

Year: 2019
Complete Citation:
Fosler-Lussier, Danielle. “Classical Music as Development Aid.” In Music in America’s Cold War Diplomacy. Berkeley, California: University of California Press, 2015.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Gann, Kyle

Year: 2004
Complete Citation:
Gann, Kyle. “Music: “Call It Special - American Influences Advance on the European Continent.”” The Village Voice, Vol. 49, No. 18 (2004): 93.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Gilmore, Bob

Year: 1996
Complete Citation:
Gilmore, Bob. “Reinventing Ives.” Music Analysis 19/1 (March 2000): 101-123.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Goosens, Eugene

Year: 1943
Complete Citation:
Goosens, Eugene. “The Public:- Has It Changed?” Modern Music 20/2 (Jan-uary-February 1943): 72--73.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Hale, William

Year: 2005
Complete Citation:
Hale, William. “The Difficulty of Ives.” Paper presented at Charles Ives and His World, as Tribute to Iconoclastic American Com-poser. New England Conservatory of Music, Jordan Hall and Williams Hall, Boston, Massachusetts, March 13--17, 2005.
Source: Conference paper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Hanson, Howard

Year: 1927
Complete Citation:
Hanson, Howard. “Of Critics, Publishers and Patrons.” Modern Music IV, 2 (January-February 1927): 28-31.
Source: Journal
V. General Music Studies
S. Reception Studies and Related Scholarship

Heister, Hanns Werner

Year: 2004
Complete Citation:
Heister, Hanns-Werner. “Zu musikgeschichter Stellung und musik- asthetischen Stellenwert von Ives: ‘Amerikanischer’ Komponist und internationale 'Neue Musik.’” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 9-24. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Helms, Hans G.

Year: 1975-1976
Complete Citation:
Helms, Hans G. “Hommage zum 100. Geburtstag.” Student Musicologists at Minnesota (1975-1976): 95-127.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Henahan, Donal

Year: 1986
Complete Citation:
Henahan, Donal.“Maverick Composers Make Their Own Choices.” The New York Times, December 14, 1986, 2, 25, 32.
Notes:

Response to “Who Owns American Music?”

Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1987
Complete Citation:
Henahan, Donal. 1987. “Is an Icon Becoming a Has--Been?” New York Times, April 5.
Source: Newspaper
V. General Music Studies
S. Reception Studies and Related Scholarship