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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Solomon, Maynard

Year: 1985
Complete Citation:
Solomon, Maynard. “Charles Ives: Some Psychonalytic Implications.” Presented at the New York Psychoanalytic Society, New York, New York, December 10, 1985.
Notes:

This presentation was a response to Stuart Feder’s “Calcium Light Night and Other Early Memories of Charles Ives,” and is extant as an unpublished mansucript.

Source: Conference Presentation
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1989
Complete Citation:
Solomon, Maynard. “Communications.” Journal of the American Musico- logical Society 42/1 (1989): 209-218.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1989
Complete Citation:
Maynard Solomon. Counter-response to J. Philip Lambert. Journal of the American Musicological Society xlii (1989): 209-218.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Stiller, Andrew

Year: 1986
Complete Citation:
Stiller, Andrew. “Who Owns American Music?” Opus 3/1 (December 1986): 18, 60.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Suhor, Charles

Year: 1976
Complete Citation:
Suhor, Charles. “To Charles Ives.” The English Journal, vol. 65, no. 5 (1976): 45-46.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Taper, Bernard

Year: 1960
Complete Citation:
Taper, Bernard. Balanchine: A Biography. New York, NY: Collier Books/Macmillan, 1960.
Notes:

Considers Ivesiana of 1954 with “strange visions of indefinite nightmare” to be one of Balanchine's “acknowledged masterworks” in contemporary ballet from 1946 to 1963 (p. 262).

Source: Book
Reprints:

Taper, Bernard. <i>Balanchine: A Biography</i>. New York, NY: Collier Books/Macmillan, 1963. * Taper, Bernard. <i>Balanchine: A Biography</i>. New York, NY: Collier Books/Macmillan, 1974.

XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Taruskin, Richard

Year: 1975
Complete Citation:
Taruskin, Richard. “To the Editor.” Current Musicology 19 (1975): 33-40.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Taubman, Howard

Year: 1949
Complete Citation:
Taubman, Howard. “Posterity Catches Up with Charles Ives.” The New York Times, October 23, 1949, sec. 6, 15, 34-36.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1949
Complete Citation:
Taubman, Howard. “Posterity Catches Up with Charles Ives, An Interview.” New York Times Magazine, October 23, 1949.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1958
Complete Citation:
Taubman, Howard. “Forget Posterity.” The New York Times. November 23, 1958, sec. 2, 11.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Taylor, Paul, choreographer

Year: 1988
Complete Citation:
Paul Taylor, choreographer. Danbury Mix (1988); Paul Iaylor Dance Company. Music: Orchestral Set No. 2 (movements 1 and 3); Circus Band March; Orchestral Set No. 1 [Three Places in New England]: "Putnam's Camp" and "The Housatonic at Stockbridge.” Prf: 1988 May 12: New York.
1988 June 30: Durham, NC; Duke University; Page Audito-rium.
1990 March 8: New York; City College.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Teachout, Terry

Year: 2002
Complete Citation:
Teachout, Terry. “Loving America, and Voting with His Feet.” The New York Times. February 24, 2002: 41.
Notes:

Interview with Paul Taylor.

Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Téllez, José Luis

Year: 2004
Complete Citation:
Téllez, José Luis. “Charles Ives: Las Paradojas del Profeta.” Scherzo: Revista de Música, Vol. 19 (2004): 110-115.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship

Terry, Walter

Year: 1954
Complete Citation:
Terry, Walter. “New York City Ballet.” New York Herald Tribune, September 15, 1954, 26.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Thomson, Virgil

Year: 1971
Complete Citation:
Thomson, Virgil. “The Ives Case.” New York Review of Books 14, no. 10, May 21, 1970, 9--11.
Source: Magazine
Reprints:

Thomson, Virgil. “The Ives Case.” In <i>American Music Since 1910</i>, 22-30. New York: Holt, Rinehart and Winston, 1971. * Thomson, Virgil. “The Ives Case.” <i>A Virgil Thomson Reader</i>, 460-67. Boston: Houghton Mifflin, 1981. * Thomson, Virgil. “The Ives Case.” In <i>Virgil Thomson: The State of Music & Other Writings</i>, edited by Tim Page. New York, NY: Library of America, 2016.

VI. Topical Studies
S. Reception Studies and Related Scholarship

Tick, Judith

Year: 1993
Complete Citation:
Tick, Judith. 1993. “Charles Ives and Gender Ideology.” In Musicology and Difference: Gender and Sexuality in Music Scholarship, edited by Ruth Solie, 125--147. Berkeley, CA: University of California Press.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Trischler, Joyce, choreographer

Year: 1980, 1981, 1984, 1987
Complete Citation:
Joyce Trischler, choreographer. Journey (1980); ballet; Trischler Dance Company.
Music included The Unanswered Question. Prf: 1980.
1981 November 20.
1984 December 13.
1987 May 6: New York; Joyce Theater.
1987 May 10: New York; Joyce Theater.
1991 July 17: Garden City, NY; Adelphi University, Olmstead Theater.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Usmanbas, Ilhan

Year: 1977
Complete Citation:
Usmanbas, Ilhan. “Random-and Provocative Thoughts on Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 254-256. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Vinay, Gianfranco

Year: 1974
Complete Citation:
Vinay, Gianfranco. “Charles Ives e i musicisti europei: anticipazioni e dipendenze.” Nuova Rivista Musicale Italiana 7 (1973): 417-429.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Von Glahn, Denise

Year: 2001
Complete Citation:
Von Glahn, Denise. “Renewing Immortality: The Musical Monument of Charles Ives.” In Hope and Glory: Essays on the Legacy of the Fifty- Fourth Massachusetts Regiment, edited by Martin H. Blatt, Thomas J. Brown, and Donald Yacovone, 191--201. Amherst, MA: University of Massachusetts Press in Association with the Massachusetts Historical Society, 2001.
Notes:

In re: "Colonel Robert Shaw and His Colored Regiment" from Orchestral Set No. 1: Three Places In New England.

Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship