Hale, William
Year: 2005
Complete Citation:
Hale, William. “The Difficulty of Ives.” Paper presented at Charles Ives and His World, as Tribute to Iconoclastic American Com-poser. New England Conservatory of Music, Jordan Hall and Williams Hall, Boston, Massachusetts, March 13--17, 2005.Source: Conference paper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Hanson, Howard
Year: 1927
Complete Citation:
Hanson, Howard. “Of Critics, Publishers and Patrons.” Modern Music IV, 2 (January-February 1927): 28-31.Source: Journal
V. General Music Studies
S. Reception Studies and Related Scholarship
Hayford, Justin
Year: 2014
Complete Citation:
Hayford, Justin. “Charles Ives Take Me Home.” Reader, May 29, 2014.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Hecht, Roger
Year: 2001
Complete Citation:
Hecht, Roger. “Schumann: “Violin Concerts”; “New England Triptych”; Ives: “Variations on America.” American Record Guide, Vol. 64, No. 5 (2001): 199-200.Source: Magazine
D. Reviews
Year: 2006
Complete Citation:
Hecht, Roger. “Collections: “Experimentations on a March.”” American Record Guide, Vol. 69, No. 6 (2006): 240-241.Source: Magazine
D. Reviews
Year: 2010
Complete Citation:
Hecht, Roger. “Videos - Ives: “Holidays Symphony.”” American Record Guide, Vol. 73, No. 2 (2010): 260-261.Source: Magazine (video review)
XV. Television Broadcasts, Films, and Videocassettes
D. Reviews
Heister, Hanns Werner
Year: 2004
Complete Citation:
Heister, Hanns-Werner. “Zu musikgeschichter Stellung und musik- asthetischen Stellenwert von Ives: ‘Amerikanischer’ Komponist und internationale 'Neue Musik.’” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 9-24. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Helms, Hans G.
Year: 1975-1976
Complete Citation:
Helms, Hans G. “Hommage zum 100. Geburtstag.” Student Musicologists at Minnesota (1975-1976): 95-127.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Henahan, Donal
Year: 1986
Complete Citation:
Henahan, Donal.“Maverick Composers Make Their Own Choices.” The New York Times, December 14, 1986, 2, 25, 32.Notes: Response to “Who Owns American Music?”
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1987
Complete Citation:
Henahan, Donal. 1987. “Is an Icon Becoming a Has--Been?” New York Times, April 5.Source: Newspaper
V. General Music Studies
S. Reception Studies and Related Scholarship
Henahan, Donald
Year: 1974
Complete Citation:
Henahan, Donald. “Composers Uncommemorated.” The Atlanta Constitution, July 6, 1974, 6T.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Hoeschler, Linda
Year: 1970
Complete Citation:
Hoeschler, Linda. “‘Ives Liturgy’ Performed; Modern Musical Compositions Mixed with Old- Time Hymns.” Minneapolis Star (May 18, 1970): 10A.Notes: Review of The Ives Liturgy: A Mass of the Common Man (1970)
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Horowitz, Joseph
Year: 2012
Complete Citation:
Horowitz, Joseph. “Charles Ives: Gentility and Rebellion.” In Moral Fire: Musical Portraits from America's Fin de Siècle. Berkeley: University of California Press, 2012.Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Hubbs, Nadine
Year: 2019
Complete Citation:
Hubbs, Nadine. “Being Musical: Gender, Sexuality, and Musical Identity in Twentieth-Century America.” In The Queer Composition of America's Sound: Gay Modernists, American Music, and National Identity. Berkeley, CA: University of California Press, 2004.Source: Newsletter
VI. Topical Studies
S. Reception Studies and Related Scholarship
Hutton, Edna Rait
Year: 1963
Complete Citation:
Hutton, Edna Rait. “The Legacy of Charles Ives.” Pan Pipes 55/2 (January 1963): 13-14, 30.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
J. W. Larson, Arthur W. Murphy, and Brooks Shepard, Jr.
Year: 1964
Complete Citation:
HiFi Stereo Review (November) 13/5: 8, 12.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
John Heiss, J. Peter Burkholder, Richard Dyer, Vivian Perlis, and Jan Swafford
Year: 2005
Complete Citation:
John Heiss, J. Peter Burkholder, Richard Dyer, Vivian Perlis, and Jan Swafford. “Ives and His Time and Ours.” Panel at at Charles Ives and His World, as Tribute to Iconoclastic American Com-poser. New England Conservatory of Music, Jordan Hall and Williams Hall, Boston, Massachusetts, March 13--17, 2005.VI. Topical Studies
S. Reception Studies and Related Scholarship
Jolly, James
Year: 2016
Complete Citation:
Jolly, James. “Performances & Events: Archive Review - Michael Tilson Thomas’s “Keeping Score” Documentaries Now Available for Download and Rental.” Gramophone, Vol. 93 (2016): 113.Source: Magazine
D. Reviews
Jones, Chris
Year: 2014
Complete Citation:
Jones, Chris. “An Effective Twist on Following Your Dreams.” Chicago Tribune, May 21, 2014.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Kamper, Dietrich
Year: 1987
Complete Citation:
Kamper, Dietrich. “Wandlungen des Ives-Bildes.” In Amerikanische Musik seit Charles Ives: Interpretation, Quellentexte, Komponistenmonographien, 3-14, Laaber, Germany: Laaber-Verlag, 1987.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
