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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Karlovits, Bob

Year: 2013
Complete Citation:
Karlovits, Bob. “‘Charles Ives’ Showcases Strife, Music, Basketball.” McClatchy - Tribune Business News, November 14, 2013.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Khittl, Christoph

Year: 1995
Complete Citation:
Khittl, Christoph. “‘Jenseits im Diesseits’: Ubungen zur Rezeptionsasthetik und Rezeptionsdidaktik.” Polyaisthesis 3 (1995): 98-106.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Kilpatrick, Barry

Year: 2001
Complete Citation:
Kilpatrick, Barry. ““Songs, Hymns, & Portraits”: Maconchy, Fletcher, Schuman, Ives, Stucky, Copland.” American Record Guide, Vol. 64, No. 6 (2001): 240-241.
Source: Magazine
D. Reviews

Kirkpatrick, John.

Year: 1975-76
Complete Citation:
Kirkpatrick, John. “Thoughts on the Ives Year.” Student Musicologists at Minnesota 6 (1975-1976): 218-224.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Kisselgoff, Anna

Year: 1985
Complete Citation:
Kisselgoff, Anna. “Dance View: Peter Martins Turns to Drama in His New Ballet.” The New York Times (January 27, 1985): 2: 8.
Notes:

In giving an account of Martins as choreographer, the writer tells about “Calcium Light Night,” his “very first ballet in 1977--78,” which "demon- strated an interest in dramatic form" and which was his "most original ballet.”

Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1988
Complete Citation:
Kisselgoff, Anna. “Ballet: ‘Ives, Songs,’ by Jerome Robbins: Review.” The New York Times, February 6, 1988.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1988
Complete Citation:
Kisselgoff, Anna. “Dance View; ‘Ives, Songs’: A Rollicking, Exquisite Odyssey: Review.” The New York Times, February 14, 1988.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Cir-cus, with Tricycle.” The New York Times. June 19, 1999.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Kramer, Lawrence

Year: 1993
Complete Citation:
Kramer, Lawrence. “Ives’s Misogyny and Post-Reconstruction America.” Paper presented at Feminist Theory and Music: Toward a Common Language. Minneapolis, Minnesota, June, 1991.
Source: Conference Paper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1996
Complete Citation:
Kramer, Lawrence. “Powers of Blackness: Africanist Discourse in Mod-ern Concert Music.” Black Music Research Journal 16/1 (Spring 1996): 53-70.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Kriegsman, Alan M.

Year: 1975
Complete Citation:
Alan M. Kriegsman. “Video Homage to Charles Ives.” Washington Post, September 15, 197, sec. B, 9.
Source: Newspaper
Reprints:

Review of “About Charles Ives”

XV. Television Broadcasts, Films, and Videocassettes
D. Reviews

Kupferberg, Herbert

Year: 1974
Complete Citation:
Kupferberg, Herbert. “Ives Centennial Hits Crescendo.” National Observer, October 26, 1974: 26.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

L., Barbara

Year: 2001
Complete Citation:
Barbara L. “Atlanta Ballet nearly Flawless: All Edition."Sarasota Herald-Tribune, 2001, October 2.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Lambert. J. Philip

Year: 1989
Complete Citation:
Lambert. J. Philip. “Communications.” Journal of the American Musicological Society 42/1 (Spring 1989): 204-209.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Lederman, Minna

Year: 1983
Complete Citation:
Lederman, Minna. The Life and Death of a Small Magazine (Modern Music, 1924-46). No. 18. I.S.A.M. Monographs. Brooklyn: Institute for Studies in American Music, 1983.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Louis, Rémy

Year: 2009
Complete Citation:
Louis, Rémy. “DVD-Video: Sous sa bannière étoilée.” Diapason: le magazine du disque et de la musique vivante (2009): 112.
Source: Magazine
D. Reviews
Year: 2010
Complete Citation:
Louis, Rémy. “DVD-Video: Secrets partagés - “Keeping Score: Revealing Classical Music.” Diapason: le magazine du disque et de la musique vivante (2010): 118.
Source: Magazine (DVD Review)
D. Reviews
Year: 2016
Complete Citation:
Louis, Rémy. “Les disques de A à Z: Charles Ives.” Diapason: le magazine du disque et de la musique vivante (2016): 98.
Source: Magazine
XV. Television Broadcasts, Films, and Videocassettes
D. Reviews

Low, Ruth

Year: 1961
Complete Citation:
Low, Ruth. “Ives Not Appreciated Until End of His Life.” Danbury News-Times, April 15, 1961, 1.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Lubovitch, Lar, chroeographer

Complete Citation:
Lar Lubovitch, choreographer. Scherzo for Massah Jack (1973); ballet; American Ballet Theater.
Notes:

Music: Trio for violin, cello, and piano (Adagio and Scherzo), includ-ing "My Old Kentucky Home."

Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews